The Count of Monte Cristo at PTC

The Count of Monte Cristo by Alexandre Dumas is one of my all-time favorite books and, when PTC announced that they were going to stage a new adaptation during the 2015-2016 season, I was thrilled and decided to reread the classic in anticipation.  That may have been a bad thing!  The thrilling tale of betrayal and revenge begins when Edmund Dantes is promoted to captain of the Phaeron, much to the dismay of the purser, Danglars, and becomes engaged to the beautiful Mercedes, much to the dismay of his jealous rival, Mondego.  They accuse Dantes of treason when they discover that Dantes has been asked to deliver a letter to Noirtier, a notorious Bonapartist.  Dantes is arrested and brought before the magistrate, Villefort, who is the son of Noirtier.  Fearful of being exposed as the son of a Bonapartist, Villefort imprisons Dantes in the Chateau d'If where he languishes for years.  Dantes eventually meets the Abbe Faria, another prisoner, who teaches him languages, history, culture, and science.  Faria also reveals the location of an immense treasure on the island of Monte Cristo just before he dies.  Dantes takes the place of Faria and is thrown into the sea where he eventually locates the treasure and uses it to intricately and painstakingly plot and execute his revenge against Danglars, Mondego, and Villefort.  My favorite part of the book is how elaborate and clever Dantes' plans are and the lengths to which he is willing to go to exact revenge against those who have betrayed him.  I was quite disappointed that this adaptation chose to spend less than ten minutes on revenge (during the song "Too Much is not Enough") and, instead, focus on the resumption of the love story between Dantes and Mercedes (which does not happen in the book).  I realize that source material is often altered to enhance the storytelling but I feel that playwright Jack Murphy changed the entire focus of the story from an exciting tale about the dangers of letting revenge consume you into a tepid romance.  The songs are incredibly beautiful, especially "Forever," "I Will Be There," "I Know Those Eyes/ This Man Is Dead," "All This Time," and "The Man I Used to Be."  The lead actors give powerful performances, particularly Matt Farcher as Dantes and Briana Carlson-Goodman as Mercedes, and Dathan B. Williams just about steals the show as Abbe Faria (although, because of the altered story, crowd favorite Max Robinson is completely underutilized as Monsieur Morrell).  The set, with a giant revolving staircase, is impressive, the period costumes are very well done (other than the strange black leather pants worn by the count), and the choreography is exciting, especially the fight scenes.  PTC does everything right but I just couldn't get past the changes to the story and ultimately left the theatre disappointed.  Perhaps knowing nothing about the book is an advantage because everyone around me seemed to love it!  The show runs through May 21 and tickets may be purchased here.