The Death of Stalin

One of the things I love best about the Sundance Film Festival is the opportunity to talk to people who are just as passionate about film as I am.  I always ask the people I meet what their favorite film of the festival has been and one of the coolest guys I met immediately mentioned The Death of Stalin, telling me that it was one of the funniest things he had ever seen.  I did wonder how Stalin's Great Purge in the Soviet Union could be viewed as a comedy but he made me promise that I would check it out.  As I was unable to get a ticket at Sundance I have been eagerly anticipating its wide release ever since.  I saw it last night and it is an absolutely hilarious political satire that had me, along with everyone else in my screening, laughing out loud!  After Stalin (Adrian McLoughlin) dies from a cerebral hemorrhage, the Members of the Central Committee plot and scheme for control.  The ineffective Gregory Malenkov (Jeffrey Tambor) assumes control of the Committee but both Nikita Khrushchev (Steve Buscemi) and Lavrentiy Beria (Simon Russell Beale) manipulate him as they fight each other for control.  The fear of Stalin is satirized as the Moscow Symphony is forced to recreate a performance because Stalin wants a recording (they bring in peasants off the street to recreate the acoustics and the applause because Stalin will know the difference), when the officers outside Stalin's door hear him collapse but are too afraid to enter for fear of provoking his anger, and when the Committee cannot find a doctor to attend to Stalin because all of the good ones have been shot.  Some of the funniest scenes are when the Committee Members try to ingratiate themselves to Stalin's daughter Svetlana (Andrea Riseborough) and his unstable son Vasily (Rupert Friend, in a hilarious performance).  There is a montage as they prepare for Stalin's elaborate funeral ("Ruched or non-ruched drapery?") that had me laughing so hard I couldn't breathe.  Jason Isaacs is completely over-the-top as Field Marshall Georgy Zhukov as he conspires with Khrushchev to stage a coup against Beria.  I had another laughing fit as his medals clanged together in slow-motion.  The ultimate resolution of this farce is quite shocking but, even so, I was laughing again when I saw Leonid Brezhnev looking over Khrushchev's shoulders.  In my opinion, director Armando Iannucci strikes the just the right balance in satirizing what were some darkest days in the history of the Soviet Union by making fun of the stereotype rather than the event itself.  As a fan of dark comedies I highly recommend this film!