Monday, March 19, 2018

Vertigo

I believe I have mentioned once or twice that I absolutely love the films of Alfred Hitchcock so when TCM announced that Vertigo, arguably one of his best films, would be screened for its 60th Anniversary as part of the Big Screen Classics series I got really excited.  I have seen this psychological thriller about obsession many times but never on the big screen so it was a real treat to see it yesterday.  John Ferguson (Jimmy Stewart) is a San Francisco police officer who retires after an episode of vertigo contributes to the death of a fellow officer.  He is asked by Gavin Elster (Tom Elmore), an old friend, to follow his wife Madeleine (Kim Novak) because he believes she is acting erratically.  Her actions lead Ferguson to believe that she is possessed by an ancestor and, after he falls in love with her, he tries to protect her from her ancestor's fate of suicide.  Ultimately, he is unable to stop her from jumping from the bell tower of a Spanish mission because of his vertigo.  He is absolved of responsibility for her death but descends into a deep depression until he sees a woman named Judy (Kim Novak) who looks remarkably like Madeleine.  He begins a relationship with her but she may not be who she appears to be.  It is such a brilliant psychological thriller and the scenes where Ferguson tries to make Judy look like Madeleine are so creepy but you just can't look away.  Stewart is fantastic as a man driven mad by his obsession for a woman who doesn't exist. There is a scene, in particular, where Ferguson accuses of Judy of impersonating Madeleine for Elster as part of a murder plot and then realizes that he, too, has asked her to impersonate Madeleine for his own design.  It is incredibly powerful.  Novak is the perfect Hitchcock woman: blond, icy, and mysterious.  The score is haunting and does much to enhance the sense of unease that permeates the film.  Hitchcock's camera work (a technique now know as the dolly zoom which was invented for this movie) is also very disorienting, almost as if the audience is experiencing Ferguson's vertigo along with him.  I think this film is a masterpiece and I recommend seeing it on the big screen (go here for info).

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