Showing posts with label Ballet West. Show all posts
Showing posts with label Ballet West. Show all posts

Saturday, February 10, 2024

Ballet West's Swan Lake

Last night I was thrilled to be able to attend opening night for Ballet West's production of Swan Lake.  It is my favorite ballet and the performance definitely did not disappoint because it is beautiful!  Prince Siegfried (Adrian Fry) goes into the woods to hunt but, when he aims his bow at a swan, it becomes a beautiful woman named Odette (Emily Adams).  She explains that she is a swan by day and a woman at night because she is under the spell of an evil sorcerer, the Baron von Rothbardt (Tyler Gum).  Only true love can break the spell but, as the sun comes up, Odette reverts back to a swan and Siegfried returns home to celebrate his birthday with a grand ball.  Many princesses vie for his attention because he must marry to inherit the throne but he ignores them all, thinking only of Odette.  Suddenly, Rothbardt enters the ballroom with his daughter Odile (Emily Adams), who looks exactly like Odette.  Thinking that she is Odette, Siegfried declares his love to Odile.  When Rothbardt reveals his treachery, Siegfried rushes to Odette to beg forgiveness which she grants.  They eventually find a way to defeat Rothbardt which ends the spell very dramatically.  Tchaikovsky's score is magnificent and there are moments when the music is so heart-wrenching that it brings tears to my eyes (the themes played by the harp and solo violin are a highlight).  The choreography is beautiful, especially the pas de deux between Siegfried and Odette because it is filled with so much longing as they fall in love (I especially loved it when Odette leans back into Siegfried's arms).  Fry and Adams dance with an emotion that is palpable and I was particularly impressed with Adams (I always want to see Katlyn Addison in the lead role but Adams is becoming a favorite) because she is demure as Odette and provocative as Odile and I loved all of the swan-like mannerisms that she incorporates into her performance.  I also loved the performances of the Swan Maidens, because they are incredibly synchronized with elaborate formations (I always get goosebumps when they emerge from the fog because it is so magical), and the Hungarian dancers at Siegfried's ball, because they are so athletic.  The costumes are gorgeous (Rothbardt's iridescent cape), the sets are spectacular (the chandeliers in the ballroom), and the special effects are are dramatic (Rothbardt's disappearance).  I loved everything about this production and, judging from the thunderous applause, so did the capacity crowd at Capitol Theatre!  I highly recommend getting a ticket to one the nine remaining performances (go here).

Sunday, December 10, 2023

Ballet West's The Nutcracker 2023

Another favorite Christmas tradition (I have so many) is seeing Ballet West's production of The Nutcracker and I had the opportunity yesterday afternoon. I've seen it dozens of times but I love it so much and I eagerly await all of my favorite scenes, especially the party where the Christmas tree is revealed to all of the children and Clara is given a nutcracker by Dr. Drosselmeyer, when everything is magically transformed to an enormous size and the nutcracker defeats the Mouse King with Clara's help, when the nutcracker becomes a handsome prince and takes Clara to the land of the Snow Queen and the land of the Sugar Plum Fairy, and all of the divertissements arranged for Clara's entertainment (my favorites are the Arabian dance because it is so exotic and sensual and the Russian dance because of the sheer athleticism of the leaps and spins).  The highlights for me are always the Pas de Deux between the Snow Queen (Jenna Rae Herrera) and the Snow King (Jordan Veit) at the end of Act I and the Grand Pas de Deux between the Sugar Plum Fairy (Amy Potter) and her Cavalier (Tyler Gum) in Act II.  The choreography by William Christensen is absolutely beautiful (I love it when the Sugar Plum Fairy leaps into the arms of her Cavalier and then leans all the way forward almost touching the ground) and the dancers are always exquisite but, more than that, I think the music by Pyotr Ilyich Tchaikovsky used in these scenes is some of the most romantic in the classical repertoire.  I am always impressed by how many young dancers appear in this production (there are 75 in each of the four rotating casts through the run) and by how well they perform but I especially enjoyed Cameron Spencer as the naughty Fritz (it seems like every Fritz adds his own bit of business in the party scene) and Mother Buffoon's children (they are adorable especially during their bows).  The sets and costumes were updated several years ago (I love the jewel tones in Act I and the pastels in Act II) but I noticed that the costumes for the Sugar Plum Fairy's attendants changed from monkeys to cats this year.  Everything about this show is magical, from the snow falling in the land of the Snow Queen to Clara's flying sled, and I highly recommend adding this to your list of holiday traditions.  There are evening and matinee performances at Capitol Theatre through December 27 (go here for tickets).

Sunday, November 12, 2023

Ballet West's Firebird

Yesterday I went to a matinee Ballet West performance featuring a trio of ballets celebrating the 60th anniversary of the company.  I definitely prefer full length ballets but, over the years, I have come to appreciate these one-act pieces and I really enjoyed this production.  The first piece, Firebird, is a classical ballet choreographed by Ballet West's founder William Christensen and it is based on a Russian fairy tale with music by Igor Stravinsky (so I obviously loved it).  An Evil Magician (Tyler Gum) keeps a group of princesses captive in his castle and turns the knights who come to rescue them into stone.  A Prince (Jordan Veit) enters the Magician's garden and encounters the Firebird (Amy Potter), a magical creature illuminated by light, and immediately captures her.   In a beautiful Pas de Deux, the Firebird struggles in the Prince's arms so he releases her.  In gratitude, she gives him one of her feathers to use if he is ever in peril.  When the princesses are released into the garden, the Prince woos the loveliest one (Kazlyn Nielsen) in another beautiful Pas de Deux where they vow their love for each other.  He attempts to rescue the Princess but the Magician appears with a group of wild animals, who wear incredible masks created by Logan Long (I especially loved the insects) and wield torches of fire, and tries to turn him into stone.  He reveals the Firebird's feather which summons her to the garden and soon the Magician is defeated (very dramatically), the princesses are released, and the stone knights are brought back to life.  The ballet concludes with the marriage and coronation of the Prince and Princess.  I especially enjoyed Potter's performance as the Firebird, because all of her stylized movements mimic those of a bird, and the traditional Russian costumes in the coronation scene.  Next came the world premiere of Fever Dream which is a modern ballet choreographed by former Ballet West soloist Joshua Whitehead (I liked him when he danced with the company) featuring music that he composed and contemporary costumes.  In this piece, a dreamer is torn between his mundane life and the unsettling and eerie dream world and I loved all of the innovative patterns created by different groups of dancers and the dramatic use of red to highlight some of the dancers.  The final ballet, Stars & Stripes, is a patriotic extravaganza choreographed by George Balanchine with music by John Philip Sousa.  It is divided into five campaigns with three different regiments of dancers, a Pas de Deux, and a thrilling finale and it is meant to mimic a parade with marches in unison and athletic leaps and spins.  My favorite was the second campaign because the regiment was led by my favorite dancer, Katlyn Addison.  The costumes for the women are so much fun because they incorporate military uniforms (I loved the epaulets) with tights and pastel tutus!  This was a wonderful production but, unfortunately, last night was the final performance.  However, The Nutcracker is up next and you don't want to miss this holiday tradition (go here for tickets).

Sunday, October 22, 2023

Ballet West's Dracula

Two years ago I had the opportunity to see Ballet West's amazing production of Dracula and it immediately became one of my favorites.  I was, therefore, really excited when I found out that it would open the 2023-2024 season and I loved seeing it again last night.  In Act I Dracula (Tyler Gum) emerges very dramatically from a tomb in the crypt of his castle and summons all of his brides who dance at his command.  I really loved the choreography in this scene because the brides, who wear ethereal white dresses, are controlled by Dracula with just a glance or gesture and he works them up into a frenzy as they leap (and sometimes fly) across the stage.  Renfield (Vinicius Lima), Dracula's minion, brings a young woman named Flora (Amy Potter) to the castle in a horse-drawn carriage (the horses are portrayed by dancers Kai Casperson and Phillipp Mergener and their costumes are very macabre).  The brides help Dracula to beguile her and the two of them dance a gorgeous Pas de Deux before he transforms her.  In Act II an innkeeper (Jake Preece) and his wife (Emily Adams) are celebrating the birthday of their daughter Svetlana (Katlyn Addison) with a group of peasants who perform various dances based on the folklore of the area.  The costumes worn by the peasants are very vibrant and colorful and I loved the patterns the women make with ribbons and the ones the men make with staffs in these dances.  Svetlana is in love with a peasant named Frederick (Hadriel Diniz) and, when they become betrothed, they dance another beautiful Pas de Deux.  They also perform a series of solos and I loved it when the choreography has Svetlana spinning on her heels.  Dracula hears of Svetlana's beauty so he sends Flora into the village to capture her and bring her to his castle.  In Act III Flora flies back and forth across the stage directing the other brides to prepare Dracula's bedchamber.  When Svetlana arrives Dracula attempts to beguile her in a stunning Pas de Deux where she appears to glide across the stage (I think Addison is a beautiful dancer and her grace and elegance are really on display in this role) but Frederick and her father interrupt him when they suddenly appear at the castle to rescue her.  A battle, featuring lots of special effects, ensues.  The performances are outstanding and the choreography is exciting but I also loved the atmospheric music by Franz Liszt (after the Utah Symphony concert the previous evening I immediately recognized the use of the Dies irae from the Requiem Mass), the beautiful costumes (including all of those I mentioned previously as well as a cape worn by Dracula which, when unfurled, looks like a bat's wings), and the striking sets (especially the dark and gloomy crypt in the castle).  This production is absolutely perfect for Halloween and I highly recommend it (go here for tickets).

Note:  I decided not to subscribe this season because I wanted to be able to choose performances based on casting.  I really enjoy seeing Katlyn Addison, my favorite dancer in the company, in a main role.

Sunday, April 16, 2023

Ballet West's The Wedding

Last night I attended Ballet West's performance of three really intriguing ballets.  I still definitely prefer full-length ballets that tell a story but I am coming around to these smaller pieces in repertoire.  The first one on the program was Les Noces (The Wedding) with choreography by Bronislava Nijinska and music by Igor Stravinsky featuring vocal solos by Seth Keeton, Melissa Heath, Christopher Puckett, and Jin-Xiang Yu.  It tells the story of an arranged marriage between Russian peasants in four vignettes. A Bride (Victoria Vassos) is supported by a group of friends who form very interesting patterns around her while they braid her hair and her parents who comfort her as she expresses her fears about her upcoming marriage.  Next, the Bridegroom (Dominic Ballard) celebrates with his friends and parents with exuberant and athletic dances.  Then, the Bride is shown leaving her home to be married and her mother (Katlyn Addison, my favorite dancer in the company) laments losing her daughter.  Finally, the wedding is celebrated by the entire village, with choreography filled with ritual and symbolism, and then the couple depart for their own home after the Bridegroom promises his Bride a life of happiness. This ballet, in my opinion, is quintessentially Russian with the dancers costumed very simply as peasants in brown and emotional music that sometimes seems like the vocalists are wailing.  I particularly liked it when the choreography had the entire ensemble moving en masse because there was something so powerful and primal about it.  The next piece was In the Night with choreography by Jerome Robbins and music by Frederic Chopin.  It tells the story of three couples as they navigate their relationships in the starlight.  The first couple, Amy Potter and Hadriel Diniz, is costumed in white and purple and their dance is lyrical and incredibly romantic.  The second couple, Emily Adams and Adrian Fry, is costumed in a copper color and their dance is dramatic, tempestuous, and very passionate.  The third couple, Katlyn Addison and Brian Waldrep, is costumed in dark grey and red and their dance is athletic, playful, and filled with longing.  The piano music is beautiful and I think this ballet is really classical and elegant.  The final piece was Light Rain with choreography by Gerald Arpino and music by Douglas Adamz and Russ Gauthier.  This ode to youth is joyous and full of wild abandon and it was my favorite piece of the evening.  I really loved the original music, which is described as Eastern music played on Western instruments, because it is incredibly dynamic with lots of percussion and the acrobatic and sensual choreography was a lot of fun to watch.  The last pose in the Pas de Deux by the central couple, Emily Adams and Hadriel Diniz, is simply incredible and the audience erupted in applause!  The program is a bit eclectic and unconventional but it is really exciting and I thoroughly enjoyed it!  Get tickets here.

Sunday, February 12, 2023

Ballet West's The Sleeping Beauty

I love being a Ballet West season subscriber but one of the disadvantages is that you can't choose individual performances based on casting so I don't often get to see my favorite ballerina, Katlyn Addison, in a principal role.  So I was absolutely thrilled when I discovered that she would be dancing the role of Princess Aurora in The Sleeping Beauty last night!  This ballet is so beautiful and I thoroughly enjoyed Addison's performance (and the entire production).  In the Prologue the King (Zachary Brickson) and Queen (Michele Gifford) invite all of the Fairies of the land to the christening of their daughter, the Princess Aurora.  The Fairies bestow gifts of Kindness, Joy, Beauty, and Temperament in dances featuring fun and energetic choreography.  Carabosse (Emily Adams), angry that she wasn't invited to the christening, casts a spell on Aurora saying that she will prick her finger on the spindle of a spinning wheel and die then she flies off the stage dramatically with her minions.  However, the Lilac Fairy (Anisa Sinteral) has not yet bestowed her gift of Wisdom and changes the curse so Aurora will fall into a deep sleep instead and be awakened by the kiss of true love.  In Act I Princess Aurora (Addison) is celebrating her sixteenth birthday and a group of peasants come together in dances of joy (I loved the use of large flower garlands and the instantly recognizable music by Tchaikovsky in these dances).  Four princes vie for Aurora's hand in marriage in a dance with beautiful classical choreography (Addison is absolutely brilliant) and music featuring themes by a solo cello.  An old crone offers her a gift but she turns out to be Carabosse in disguise and the gift is a spindle which pricks Aurora's finger.  She vanishes from the stage (with some spectacular pyrotechnics) but the Lilac Fairy enchants the castle so Aurora and the entire court fall into a deep sleep.  In Act II Prince Desire (Adrian Fry) is leading a hunting party but soon grows bored and is lured away by the Lilac Fairy.  She shows him a vision of Princess Aurora and he becomes enthralled by her (in an incredibly romantic Pas de Deux).  The Lilac Fairy takes him to the enchanted castle where he banishes Carabosse (with more special effects) and awakens Aurora with a kiss.  Act III features the wedding of Prince Desire and Princess Aurora with dances of tribute from fairy tale characters (in spectacular costumes) culminating in a lovely Grand Pas de Deux.  In addition to the amazing choreography, performances, music, and costumes, this ballet also features new and opulent sets by Alain Vaes (the woods used in Act II are especially atmospheric).  I loved this ballet and I would definitely recommend getting a ticket (go here) for a spellbinding night out.

Sunday, December 4, 2022

Ballet West's The Nutcracker 2022

One of my favorite holiday traditions is attending Ballet West's annual production of The Nutcracker and I am so happy that I had the opportunity to see it last night!  I love everything about this ballet and I await every scene with great anticipation, especially the party where the Christmas tree is revealed to all of the children and Clara (Olivia Humeniuk) is given a nutcracker by Dr. Drosselmeyer (Tyler Gum), when everything is magically transformed to an enormous size and the nutcracker defeats the Mouse King (Jake Preece) with Clara's help, when the nutcracker becomes a handsome prince (Noel Jensen) and takes Clara to the land of the Snow Queen (Jenna Rae Herrera) and the land of the Sugar Plum Fairy (Amy Potter), and when all of the divertissements arranged for Clara's entertainment are performed.  I always really love the Arabian dance because it is so exotic and the Russian dance because the leaps and spins are so athletic but last night I was also really impressed with the Waltz of the Flowers because Emily Adams and Hadriel Diniz danced the Pas de Deux so beautifully.  As always, my favorite moment in the entire ballet is the Grand Pas de Deux between the Sugar Plum Fairy and her Cavalier (Brian Waldrep) because the music by Tchaikovsky used for this dance is one of the most romantic pieces in the classical cannon and William Christensen's original choreography really complements it.  This is the first time that I have seen Potter dance the role of the Sugar Plum Fairy and I thought her performance was so beautiful because she seemed to glide across the stage and whirl effortlessly through the air!  I also really enjoyed the young dancers in the cast, particularly Bean Shane because he was the naughtiest Fritz I've ever seen and all of dancers hiding in Mother Buffoon's skirt because they were adorable!  The sets and costumes were updated a few years ago and I love the jewel tones used in the party scene and the pastels used in the land of the Sugar Plum Fairy.  All of the special effects are magical, particularly when the Christmas tree grows in size, when the snow falls in the land of the Snow Queen, and when Clara flies away with her prince in a sleigh.  No matter how many times I see this ballet it always puts a smile on my face and I highly recommend getting a ticket.  There are evening and matinee performances at the Capitol Theater through December 24 (go here for tickets).

Sunday, November 6, 2022

Ballet West's Rodeo

Even though I usually prefer seeing full-length ballets, I was excited for Ballet West's latest production featuring Concerto Baracco, Return to a Strange Land, and Rodeo last night.  I really enjoyed the program, especially since my favorite dancer, Katlyn Addison, was featured in two of the ballets!  The first piece, Concerto Baracco, is a classical ballet with choreography by George Balanchine and music by Johann Sebastian Bach and it was my favorite of the evening.  Two female soloists, the aforementioned Addison and Emily Adams, interact with each other by coming together and pulling apart with a corps of eight female dancers who mimic their movements.  When a male soloist, Hadriel Diniz, joins them, it appears that he is dancing with with all of the women because of the intricate patterns they form around him.  The vivid cerulean blue backdrop and the flowing white costumes add to the beauty of the performance and I loved it!  Next came Return to a Strange Land which is a more modern piece with choreography by Jirí Kylián and music by Leoš Janáček.  The solo piano music is haunting and, instead of telling a story, the ballet evokes a feeling of loss.  Two groups of three dancers are featured, including Amy Potter with Hadriel Diniz and Brian Waldrep, and Addison with Tyler Gum and Robert Fowler, and the choreography is incredibly innovative with shapes and silhouettes that I had never seen before.  The moody atmosphere is enhanced by the earth-toned leotards worn by the dancers and the autumn leaves flowing across the stage (fallen leaves always symbolize loss to me).  This was absolutely brilliant and it elicited thunderous applause from the audience.  The program concluded with Rodeo featuring choreography by Agnes de Mille and music by Aaron Copland.  A Cowgirl (Chelsea Keefer) wants to show the cowboys that she is just as skilled on a horse as they are but she also wants to catch the attention of the Head Wrangler (Brian Waldrep).  Unfortunately, he is more interested in the more feminine Rancher's Daughter (Victoria Vassos) but a Champion Roper (David Huffmire) notices her.  When she arrives at the hoe-down wearing a dress, she has both the Wrangler and the Roper vying for her affections.  The choreography is so much fun with movements that realistically mimic roping, riding, and square dancing  (it reminded me of the type of dancing you would see in a Broadway musical) while the music is instantly recognizable, especially during the hoe-down.  I was so impressed with Keefer because ballerinas are usually the epitome of grace and elegance but she appears awkward and uncoordinated!  The colored jeans worn by the cowboys, the calico dresses worn by the womenfolk, and the set of a large ranch house add authenticity to the story.  This was another big crowd-pleaser!  I think I will always prefer the full-length ballets but I am so glad that I got to see this triple-bill!  It continues at Capitol Theatre for three more performances including a matinee on Nov. 10 (go here for tickets).

Sunday, October 23, 2022

Ballet West's Onegin

I love Russian literature and music so the ballet Onegin, based on the novel by Alexander Pushkin and featuring music by Piotr Ilyich Tchaikovsky, is one of my favorites!  I have been looking forward to Ballet West's production since the 2022-2023 season was announced and I had the opportunity to see it last night.  I loved everything about it including the story, the music, the choreography, the performances, the sets, and the costumes!  A young girl named Tatiana (Jenna Rae Herrera) is preparing for a ball in honor of her birthday with her mother (Olivia Gusti), her sister Olga (Chelsea Keefer), and friends from the countryside.  Lensky (Jordan Veit), a poet engaged to Olga, soon arrives with Onegin (Brian Waldrep), his worldly and sophisticated friend from St. Petersburg.  Tatiana falls desperately in love with him and writes an impetuous letter declaring her feelings which her nurse delivers to him.  Prince Gremin (Jake Preece) is also invited to the ball and falls in love with Tatiana but she ignores him in favor of Onegin who, thinking her a silly girl who has read too many romantic novels, rejects her and tears up her letter.  Onegin eventually grows bored with the company and flirts outrageously with Olga.  Lensky challenges him to a duel and Onegin ends up killing him.  Years later a disillusioned Onegin visits Prince Gremin in St. Petersburg and is shocked to discover that his friend has married Tatiana.  He realizes that he is in love with the beautiful princess and writes her a letter.  In a dramatic reversal of fortune, she rejects him and tears up his letter.  I love Tchaikovsky's music because it is so passionate which makes it the perfect backdrop for this tragic love story.  I especially loved the music during the duel because it is unbelievably heartbreaking.  The choreography is some of most innovative I've seen performed by Ballet West.  I loved the wild abandon of the folk dances in the countryside, particularly the leaps across the stage by the women in the ensemble, juxtaposed with the elegant and stately waltzes at the ball in St. Petersburg.  I also loved the tumultuous and acrobatic final Pas de Deux between Onegin and Tatiana.  Herrera and Waldrep danced their roles brilliantly, executing challenging throws and maneuvers with an incredible amount of emotion (the audience spontaneously applauded when Tatiana gestured for Onegin to leave).  The elegant sets and beautiful costumes in muted jewel tones transport the audience to imperial Russia for a few hours and I definitely recommend taking this journey.  There are three more performances at Capitol Theatre (go here for tickets) including a matinee on October 29.

Sunday, April 3, 2022

Ballet West's Carmina Burana

I usually prefer seeing full-length ballets that tell a story but I have been trying to be bolder with my choices (especially with Ballet West and Utah Opera) so I went to Ballet West's production of Carmina Burana last night.  I am so glad that I did because this performance was simply amazing!  The first ballet was Glass Pieces with choreography by Jerome Robbins and music by Philip Glass.  It is meant to represent the random movements of New York commuters passing through Grand Central Station.  I really liked the entire ballet but my favorite was Movement 1.  The music is very chaotic and almost discordant as several groups of dancers walk back and forth across the stage in opposite directions.  Three main couples, Katlyn Addison and Dominic Ballard, Amy Potter and Hadriel Diniz, and Jenna Rae Herrera and Jordan Veit, dance individually and as a group before they begin interacting with the other dancers.  At first the other dancers simply step around them to get to their destination but the couples eventually begin to have an impact on select groups who join them and dance with abandon.  It is incredibly dynamic and I especially enjoyed seeing Addison, my favorite dancer in the company, perform a main role.  After the intermission, the entire company performed Carmina Burana with choreography by Nicolo Fonte and music by Carl Orff.  The text, which is based on a collection of medieval poetry, describes a wheel of fortune as it turns and features themes of luck and fate.  It is unbelievably dramatic and I had goosebumps multiple times!  The Cantorum Chamber Choir, under the direction of Chorus Master Steven Durtschi, is elevated above the stage on a platform with arches and columns holding it up and there were audible gasps from the audience when the curtain rose to reveal it for the first time.  Soprano Melissa Heath, Tenor Christopher Puckett, and Baritone Christopher Clayton also perform on stage, and even interact with the dancers at times, during several of the sections.  My favorite was "O Fortuna" at the opening and conclusion because it is so powerful!  The first section is about the rebirth found in Spring and the choreography is really energetic.  The second section is about feasting and drinking and the dances include a bit of debauchery which had the audience chuckling.  The third section involves romantic love and the movements of the dancers are incredibly tender.  I really liked Glass Pieces but Carmina Burana is absolutely brilliant and is not to be missed!  There are only three more performances so act quickly (go here for tickets)!

Note:  Ballet West has had an incredible season!  I have loved every production but if I had to pick a favorite it would be Dracula.

Sunday, February 13, 2022

Ballet West's Romeo and Juliet

When I subscribed to Ballet West's 2021-2022 season, Romeo and Juliet was the ballet I was most excited to see and it certainly lived up to my expectations last night!  It was absolutely beautiful!  This ballet tells the well-known story of star-crossed lovers by William Shakespeare with music composed by Sergei Prokofiev and choreography by Michael Smuin.  I loved everything about it starting with the music.  The themes played during the Capulet's ball are incredibly dramatic and the variation played when Romeo and Juliet first see each other is haunting.  The choreography is absolutely riveting, especially the ensemble scenes on the streets of Verona because they are so playful and fun to watch, the sword fights between the Montagues and Capulets because they are tense and passionate, and the pas de deux between Romeo and Juliet because, not only are they incredibly romantic, they are also quite acrobatic (she leaps into his arms multiple times and at one point he lifts her effortlessly above his head).  The performances are simply brilliant!  I was particularly struck by the death of Tybalt (Rex Tilton) because Lady Capulet (Emily Adams) is filled with palpable despair and climbs on to his funeral bier as it is taken away.  It is a powerful scene.  I also enjoyed Hadriel Diniz as Mercutio because he is so charismatic, especially when he kisses a girl as he is dying.  Chase O'Connell, as Romeo, and Beckanne Sisk, as Juliet, dance their roles beautifully and their chemistry is off the charts (they are a real-life couple).  The balcony scene is beautiful and I loved it when he would fall at her feet and clutch her skirt to his face.  So romantic!  The sets and costumes really add to the drama.  I let out an audible gasp when the Capulet's crypt was revealed because it is so dramatic with gray marble, an iron gate, and black robed dancers carrying lanterns all around Juliet's bier.  I also liked the chapel where Romeo and Juliet are married because it looks like a Renaissance painting.  The Capulets are all dressed in various shades of red while the Montagues are in blue and this is especially impressive when the two families collide with each other.  This is a stunning production that kept me captivated from beginning to end and I highly recommend it (go here for tickets).

Sunday, December 5, 2021

Ballet West's The Nutcracker 2021

One of my favorite holiday traditions is attending Ballet West's annual production of The Nutcracker.  I had the opportunity to see it last night and I think it was even more magical than usual (probably because I missed it so much last year).  I love everything about this ballet and I await every scene with great anticipation, especially the party scene where the Christmas tree is revealed to all of the children and Clara is given a nutcracker by Dr. Drosselmeyer, when everything is magically transformed to an enormous size and the nutcracker defeats the Mouse King with Clara's help, when the nutcracker becomes a handsome prince and takes Clara to the land of the Snow Queen and the land of the Sugar Plum Fairy, and all of the various divertissements arranged for Clara's entertainment.  My favorites are the Arabian dance because it is so exotic and the Russian dance because of the sheer athleticism of the leaps and spins (this dance received the loudest applause).  My favorite scene in the entire ballet is the Grand Pas de Deux between the Sugar Plum Fairy and her Cavalier.  The choreography is so iconic and Emily Adams and Adrian Fry danced it beautifully last night.  I love every bit of Tchaikovsky's incomparable score but the music during this dance is so romantic it gives me goosebumps (I especially love the harp).  The costumes and sets were updated a few years ago and I love the addition of the jewel tones in the party scene and the pastels in the land of the Sugar Plum Fairy (the set looks very tropical).  The young dancers in the cast are fantastic and I especially enjoyed Frtiz and all of his antics (he seemed even more mischievous than usual) and Mother Buffoon's children.  The special effects in this production are absolutely enchanting, most notably the falling snow during the Snow King and Queen's Pas de Duex (some of the flakes were really big), the fireworks after all of the divertissements, and Clara's flying sled.  No matter how many times I see this show it always puts a huge smile on my face and I definitely recommend getting a ticket.  There are evening and matinee performances at the Capitol Theater through December 26 (go here for tickets).

Sunday, October 24, 2021

Ballet West's Dracula

Last night I went to see Dracula, the first production of Ballet West's 2021-2022 season and the first large-scale ballet performed since the pandemic.  I was really looking forward to this ballet and I loved it!  In Act I Dracula (Chase O'Connell) emerges, dramatically, from a tomb in the crypt of his castle and summons all of his brides who dance at his command.  I loved the choreography because Dracula controls them with just a glance or a gesture and he works them up into a frenzy where they leap (and sometimes fly) across the stage.  Dracula's chief henchman, Renfield (Joshua Whitehead), brings a young woman named Flora (Emily Adams) to the castle in a horse-drawn carriage (I loved that the horses are portrayed by dancers).  With the help of his brides, Dracula detains her and then beguiles her in a gorgeous Pas de Deux before transforming her.  In Act II an Innkeeper (Jordan Veit) and his wife (Katlyn Addison, my favorite dancer with Ballet West) are celebrating the birthday of their daughter Svetlana (Beckanne Sisk) with a group of villagers who perform various folkloric dances (I especially loved the use of ribbons in these dances).  Svetlana is in love with a villager named Frederick (Hadriel Diniz) who asks her father for permission to marry her and, when it is granted, they dance another beautiful Pas de Deux.  They also dance a series of solos and I especially liked it when Svetlana twirls on her heels (I'm sure there is a proper term for this).  Dracula, who has heard of Svetlana's beauty, sends Flora, now under his control, into the village and they capture her.  In Act III Flora and the brides prepare Dracula's bedchamber in the castle (Flora flies dramatically across the stage and this made me gasp out loud) for Svetlana's arrival.  Dracula beguiles Svetlana in another amazing Pas de Deux where she appears to glide across the stage.  Frederick and several others from the village arrive at the castle to rescue Svetlana and a battle ensues (with some great special effects).  In addition to the choreography and performances, I loved the music by Franz Liszt (some of the themes reminded me of Symphonie Fantastique by Hector Berlioz), the costumes (especially the cape worn by Dracula which, when unfurled, looks like a bat's wings and the ethereal white dresses worn by the brides), and the sets (particularly the dark and atmospheric crypt in the castle).  I enjoyed this beautiful production so much that I now count Dracula among my favorite ballets and I highly recommend attending one of the remaining performances (go here for tickets and information).

Sunday, November 8, 2020

Ballet West's Nine Sinatra Songs

One of the last performances that I attended at Capitol Theatre before everything was canceled and everyone went on lockdown was Ballet West's beautiful production of Giselle so I was especially happy to be back there yesterday afternoon for another Ballet West production.  I found Nine Sinatra Songs to be incredibly moving and I absolutely loved all three pieces.  The program began with the world premiere of Tides, a ballet commissioned by Ballet West featuring choreography by Jennifer Archibald and traditional music that is almost primal.  Several different groupings of dancers, both soloists and couples, form intricate patterns pushing and pulling against each other which represent the complicated ebb and flow of human history.  The backdrop alternates between blinking stars in a night sky, the rising and setting sun, and then back to the stars again and the costumes mimic the ocean.  I really liked the athleticism of the choreography and the timeliness of the theme.  The second piece was another world premiere by Ballet West's Resident Choreographer, Nicolo Fonte, called Faraway Close.  This is another powerful commentary on our times with various groups of dancers downstage and other groups of dancers on an elevated platform behind a scrim upstage.  The dancers upstage sometimes mimic those downstage and sometimes they move in opposition to or in reaction to the movements of the dancers downstage.  I loved the imagery of finding a way to connect with people even when you are physically separated and I loved the evocative music by Harry Escott and Max Richter.  Katlyn Addison is one of my favorite dancers in the company so it was nice to see her featured in this piece.  I was particularly excited for the final piece, Nine Sinatra Songs, because I was a little bit obsessed with Frank Sinatra when I was in my late twenties.  His music is used by choreographer Twyla Tharp to showcase various types of relationships through the medium of ballroom dancing.  Emily Adams and Beau Pearson portray glamour and romance in "Softly As I Leave You," Victoria Vassos and Hadriel Diniz portray seduction in "Strangers in the Night," Beckanne Sisk and Chase O'Connell portray the bittersweet end of a relationship in "One For My Baby," Lillian Casscells and Beau Chesivoir portray the awkward nervousness of first love in "Somethin' Stupid," Jordan Richardson and Adrian Fry portray abiding love in "All the Way," Olivia Gusti and Tyler Gum portray a playful fling in "Forget Domani," Beckanne Sisk and Chase O'Connell portray love on the rocks in "That's Life" (my favorite), and all of the couples are featured in two different versions of "My Way" to showcase the ultimate power of love.  I loved the costumes by Oscar de la Renta and I was very impressed by the ability of the dancers to convey so many emotions with just movement (they were all wearing masks so they couldn't rely on facial expressions).  All of these pieces emphasize the importance of connection during difficult times and I thoroughly enjoyed them.  I highly recommend this production which runs at Capitol Theatre through November 15.  Go here for ticket information (many performances are sold out but a matinee performance has been added recently). 

Sunday, February 16, 2020

Ballet West's Giselle

Last night I went to see the ballet Giselle at Capitol Theatre.  It is one of my favorites and Ballet West's production was absolutely beautiful!  Giselle is a young peasant girl who meets a handsome man named Loys (who is really Albrecht, the Duke of Silesia, in disguise).  She falls in love with him much to the dismay of Hilarion, a peasant boy who loves her.  Loys leaves when he hears the horns of a hunting party coming near and Hilarion discovers his identity when he finds his sword.  The hunting party is comprised of the Duke of Courland and his daughter Bathilde, who becomes fond of Giselle.  The two of them speak of love and confess that they are both engaged (it turns out that they are engaged to the same man).  Later, Loys returns and Hilarion confronts him with his sword.  Giselle, upon learning the truth, goes mad and takes her own life.  When Albrecht visits Giselle's grave, he is confronted by the Willis, the spirits of young maidens who were betrayed before their wedding day and seek revenge against those who deceived them.  The Willis force Albrecht to dance until he dies but Giselle forgives him which frees him from the spell.  The main roles, Beckanne Sisk as Giselle, Chase O'Connell as Albrecht, and Allison DeBona as Myrthe the Queen of the Willis, are danced beautifully.  I especially loved the scene where Loys woos Giselle because the business with the flower to determine if he really loves her is very sweet.  The Pas de Deux between Albrecht and Giselle's ghost is incredibly tender and beautiful and I really loved the music, especially the harp.  The dance between Myrthe and the rest of the Willis is otherworldly and ethereal and DeBona is very powerful in the role.  I loved their costumes of white, with just a touch of green, because they are so striking against the backdrop of the almost sinister woods.  I love this ballet because the story of forgiveness is so poignant and I enjoyed this production so much!  Unfortunately, last night was the final performance but go here for the rest of Ballet West's season.

Sunday, December 22, 2019

The Nutcracker 2019

Last night was such a lovely evening!  My friend Angela and I had a really fancy dinner at Bambara, one of my favorite restaurants downtown, and then we walked across the street to Capitol Theatre for a production of Ballet West's The Nutcracker.  I enjoyed both immensely!  Seeing this ballet is one of my very favorite Christmas traditions and I anticipate every scene!  The party revealing the Christmas tree to Clara and Fritz is enchanting, the Nutcracker coming to life and leading a group of toy soldiers against the mice is magical, and the dance of the Snow Queen and her snowflakes is dazzling!  When Clara and her Nutcracker travel to the land of the Sugar Plum Fairy, I love all of the divertissements devised for her entertainment!  My favorites are the Arabian dance because it is so exotic and the Russian dance because it is so athletic (it gives me goosebumps)!  I wait through the whole ballet to get to the Grand Pas de Deux between the Sugar Plum Fairy and her Cavalier because, in my opinion, both Tchaikovsky's music and William Christensen's choreography are incredibly romantic.  Sayaki Ohtaki danced the role of the Sugar Plum Fairy beautifully and she had great chemistry with Adrian Fry as her Cavalier.  I also really enjoyed Beau Pearson as Mother Buffoon because he was quite the ham (he even got the audience clapping which I don't remember happening before).  The children in the cast were wonderful and I especially enjoyed Jax Steele as Fritz because he seemed more mischievous than usual and Mother Buffoon's children because they were adorable.  Everything about this production is so magical, particularly the special effects as the Christmas tree grows in size, the snow falling in the land of the Snow Queen, and the fireworks in the finale, and it makes me feel like a child again.  I really enjoyed being able to see this ballet with Angela because she thought it was just as magical as I did!  It is the perfect way to celebrate the season and I highly recommend getting a ticket to one of the remaining performances (go here).

Sunday, October 27, 2019

Balanchine's Ballets Russes

I usually prefer seeing full-length ballets rather than a grouping of one-acts but my friend convinced me to see Ballet West's production of Jewels last season and I enjoyed it so much that I decided to see Balanchine's Ballets Russes last night.  I am glad that I did because it was wonderful.  This production features three of George Balanchine's earliest works as a choreographer when he was under the tutelage of Sergei Diaghilev in Paris while a member of the famed company Les Ballets Russes.  The first piece is Le Chant du Rossignol (The Song of the Nightingale) which tells the Hans Christian Andersen fairy tale about a Nightingale (Sayaka Ohtaki) who saves an ailing Chinese Emperor (Christopher Sellars) from Death (Katlyn Addison) and features music from Igor Stravinsky.   The sets and costumes for this ballet are recreations from the originals by Henri Matisse and I found them to be very striking.  I liked the athleticism of the choreography for the Warriors, Chamberlains, and Mandarins. Both Ohtaki and Addison (one of my favorites in the company) danced their roles beautifully.  The next piece is Apollo and it was definitely my favorite of the evening.  This ballet depicts the birth of the Greek god Apollo, his interactions with the Muses of poetry (Calliope), mime (Polyhymnia), and dance (Terpsichore), and his ultimate ascension to Mount Parnassus.  The choreography is very elegant and I especially enjoyed the innovative patterns and shapes created when Apollo (Chase O'Connell) dances with Calliope (Emily Neale), Polyhymnia (Chelsea Keefer), and Terpsichore (Beckanne Sisk).  I was particularly struck by how well the choreography interprets each particular Muse (my favorite was Polyhymnia).  I liked the simple costumes and the stark set with just a staircase representing Mount Parnassus.  Stravinsky's music for this ballet is incredibly beautiful and I was very moved by it.  The final piece is Prodigal Son, based on the parable from the Bible, and it is very dramatic.  The Prodigal (Christopher Sellars) is a rebellious young man who leaves his home only to be seduced by a Siren (Allison DeBona) and robbed by her followers.  Wretched and alone, he returns home and is forgiven by his father (Trevor Naumann) and sisters (Lillian Casscells and Victoria Vassos).  The costumes and set for this ballet are recreations of the originals by the expressionist artist Georges Rouault and, once again, I thought they were quite striking.  The choreography between the Prodigal and the Siren is frenzied and provocative but the final scene of forgiveness between him and his family is quite affecting.  I enjoyed hearing the music of Prokofiev, who wrote the score for this ballet, for the second night in a row!  After this production, as well as Jewels last season, it looks like I am becoming a fan of the one-act ballet!  Balanchine's Ballets Russes is an evening of three compelling ballets that is not to be missed!  Go here for tickets.

Saturday, April 13, 2019

Ballet West's Onegin

Even though I studied British literature in college, I have a great passion for Russian literature and Alexander Pushkin is one of my favorite Russian authors.  I would have to say that The Captain's Daughter is my favorite piece by Pushkin but Eugene Onegin would definitely be a close second.  I love the opera based on the novel with music by Tchaikovsky (I wish Utah Opera would program it again) so I have been looking forward to Ballet West's production of Onegin since they announced their season.  I was lucky enough to see it last night and it was absolutely glorious!  I loved everything about it including the story, the music, the choreography, the performances, the sets, and the costumes.  A young girl named Tatiana (Katie Critchlow) is preparing for a ball in honor of her birthday with her mother (Emily Adams), her sister Olga (Jenna Rae Herrera), and friends from the countryside.  Lensky (Joshua Shutkind), a poet engaged to Olga, arrives with Onegin (Adrian Fry), his friend from St. Petersburg.  Onegin is worldly and sophisticated and Tatiana falls desperately in love with him.  She impetuously writes a passionate letter declaring her love to him and has her nurse deliver it.  Prince Gremin (Dominic Ballard) attends the ball and falls in love with Tatiana but she ignores him in favor of Onegin who, thinking her a silly girl who has read too many romantic novels, rejects her and tears up her letter.  Onegin soon grows bored with the company and flirts outrageously with Olga.  Lensky challenges him to a duel and Onegin ends up killing him.  Years later a disillusioned Onegin visits Prince Gremin in St. Petersburg and is shocked to discover that his friend has married Tatiana.  He realizes that he is in love with the beautiful princess and writes her a letter.  In a reversal in fortune, she rejects him and tears up his letter.  The magnificent music by Tchaikovsky is the perfect backdrop for this tragic love story.  It isn't as well known as some of his other more iconic scores but it is no less dramatic and passionate.  I especially loved the music during the duel because it is so heartbreaking.  The choreography is incredibly innovative.  I enjoyed the wild abandon of the folk dances in the countryside, particularly the leaps across the stage by the women in the ensemble, juxtaposed with the elegant and stately waltzes at the ball in St. Petersburg.  I was blown away by the tumultuous and acrobatic final Pas de Deux between Onegin and Tatiana.  Critchlow and Fry danced their roles brilliantly, executing some of the trickiest throws and maneuvers I've ever seen with such emotion!  The elegant sets and beautiful costumes in muted jewel tones transport the audience to imperial Russia for a few hours and it is a journey that I definitely recommend taking!  There are two more performances today at the Eccles Theatre (go here for tickets and more information).

Saturday, February 23, 2019

Ballet West's Swan Lake

Last night I got to see a glorious production of my very favorite ballet, Swan Lake, and I got to see my favorite dancer with Ballet West, Christopher Ruud, perform for the final time on the Capitol Theatre stage as Prince Siegfried.  Needless to say it was a lovely evening!  The ballet begins when Princess Odette (Katherine Lawrence) and her handmaidens are transformed into swans by the Baron von Rothbart, an evil sorcerer.  Many years later Prince Siegfried (Ruud) is celebrating his 21st birthday with friends.  His mother, the Queen, presents him with a crossbow and reminds him that he must soon take a bride which fills him with dismay.  He decides to go hunting with his friends and follows a flock of swans to a lake where he captures one of them.  The swan struggles and then transforms into a beautiful woman.  It is the Princess Odette and she begs Siegfried to spare the other swans.  She is a swan by day but becomes a human in the moonlight and only the true love of a human man can break the spell she is under.  Siegfried is captivated by her and they dance the most beautiful pas de deux, which is filled with such longing and emotion, as they fall in love.  Before Siegfried can declare his love, the dawn comes and Odette is transformed back into a swan.  At Siegfried's birthday ball he is introduced to princesses from around the world but he is not interested until the Baron von Rothbart appears with his daughter Odile, who has been enchanted to look exactly like Odette.  Thinking that she is Odette, Siegfried dances a pas de deux with Odile, which mimics many of the same movements with his pas de deux with Odette but is more powerful and seductive, and he declares his love to her.  Rothbart then reveals his treachery.  Siegfried returns to the lake in despair and begs Odette for forgiveness, which she grants, before they hurl themselves onto the rocks breaking the spell.  Tchaikovsky's magnificent score was performed brilliantly and there were moments when the music was so heart-wrenching that it brought tears to my eyes.  The choreography is exquisite and the artists of Ballet West performed so passionately.  Ruud gave one of the best performances I've ever seen in the iconic role.  Lawrence was alternatively demure as Odette and provocative as Odile and I loved many of the swan-like mannerisms that were incorporated into her portrayal.  The opulent sets and lavish costumes transport the audience into another world and I was absolutely riveted throughout the whole performance.  My very favorite moment came when all of the swans emerged one by one from the mist.  It was magical!  I'm so glad that I was able to see my favorite dancer end an incredible career in such a beautiful production and I highly recommend getting a ticket to his final performance tonight (go here).

Saturday, December 22, 2018

The Nutcracker 2018

I am now officially on winter break and I am so happy to have a little bit of time off!  I celebrated the end of the longest week in recorded history by going to see Ballet West's The Nutcracker last night and it was wonderful!  This is one of my favorite Christmas traditions and, even though I have seen this ballet more times than I can count, I always look forward to every scene!  The party for Clara and Fritz is enchanting, the Nutcracker coming to life is magical, and the dance of the Snow Queen and her snowflakes is dazzling.  When Clara and her Nutcracker Prince travel to the land of the Sugar Plum Fairy, I love all of the divertissements devised for Clara's entertainment but my favorites are the Arabian dance because it is so exotic and the Russian dance for the sheer athleticism!  My favorite scene in the entire ballet is the Grand Pas de Deux between the Sugar Plum Fairy and her Cavalier because Tchaikovsky's music and William Christensen's choreography in this section are unbelievably romantic.  Emily Adams and Adrian Fry danced their roles beautifully and I thought they had a lot of chemistry.  The sets and costumes were completely redesigned last year and I really like the changes because the party scene incorporates rich jewel tones and the land of the Sugar Plum Fairy is more exotic.  I also really like all of the special effects, especially when the Christmas tree grows in size and the fireworks display during the finale.  I love all of the children in the cast because they are so exuberant, particularly Mother Buffoon's children.  I highly recommend this lovely production because it is sure to become a Christmas tradition (go here for tickets).
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