Ghost at HCT

I am not a fan of the current trend on Broadway of turning popular movies into stage musicals; however, Hale Centre Theatre seems very fond of producing them (9 to 5,  Catch Me If You Can, Big, The Wedding Singer, and Footloose are a few that come to mind).  I almost always attend these shows because I am a fan of the original movie but, with the exception of Catch Me If You Can, I am usually disappointed.  That is definitely the case with HCT's latest offering, Ghost, which I saw last night.  It tells the well-known love story of Sam Wheat (Derek Smith), who is murdered in a robbery gone wrong, and Molly Jensen (Bre Welch), the woman he loves and watches over.  Both of these lead actors are incredibly talented, but I feel that they were miscast.  The songs have a pop feel to them and their voices were much too controlled and their enunciation was too perfect for that style of singing.  I kept wanting them to let loose and sing the blues. Then again, maybe their lackluster performances should be blamed on the material.  In my opinion, none of the songs are even remotely memorable.  It is as if full pages of dialogue from the screenplay were simply put to the accompaniment of music.   So contrived.  The only song I enjoyed was "Unchained Melody" but I thought it was completely overused. There wasn't much chemistry between the two leads (this could be due to the fact that, like the last show I saw, the actors were a mix of the MWF and THS casts).   In the famous pottery wheel scene, Welch seemed more focused on making the perfect pot rather than responding to the caresses of her lover.  All of my attention was focused on the pot, as well, because there wasn't much else going on, especially when compared to that particular scene in the movie.  I did enjoy McKenna K. Jensen's performance as Oda Mae Brown and I thought the special effects were incredible, especially the scenes on the subway. However, the set design was a rare miss for Kacey Udy.  Much of the action takes place on a large platform above the stage, which is cool, but I couldn't really see anything from where I was sitting and that was definitely irritating. There was a piano, cello, and violin trio playing on other platforms which were lowered from the ceiling at various times but I didn't really understand the significance. Again, it was cool, but it didn't contribute to the story in any way.  Bottom line: give this one a miss. Find your old VHS copy of the movie and watch it instead.

Is He Dead at HCT

Hale Theatre always likes to ring in the new year with a comedy and this year they certainly picked a good one!  Is He Dead? is an absolutely hilarious farce and I thoroughly enjoyed every minute of it last night!  I can't remember when I've laughed so hard!  In the mid-1800s, Jean-Francois Millet is a destitute painter living in Paris.  He, along with his fiancee's father, is in debt to his coniving art dealer, Bastien Andre. Millet tries to sell his paintings to pay the debt but soon realizes that his work isn't worth much because he is still alive. Millet's fellow painters, Agememnon "Chicago" Buckner, Hans "Dutchy" Von Bismarck, and Phelim O'Shaughnessy, convince him to fake his own death and pretend to be his fictitious twin sister, the widow Daisy Tillou. Chaos ensues! All of the characters are completely over-the-top, the dialogue is fast-paced, and the physical comedy is so much fun to watch. I laughed out loud when Dutchy and Phelim try to teach "Daisy" how to sit properly!  I really enjoyed the entire cast (for some reason the performers last night were a mix of the MWF and THS casts) but I had a few favorites. Ben Abbott is brilliant as Jean-Francois Millet/Daisy Tillou! His comedic timing is perfect and I loved all of his facial expressions. David K. Martin is absolutely frenetic as Chicago and there is never a dull moment with him leaping around the stage. I am a huge fan of Brandon Green (he played the sinister Jonathan Brewster in HCT's production of Arsenic and Old Lace) and it is equally fun watching him mince around as Phelim.  I loved all of Daisy's costumes ("Do you know how much equipment I am wearing under here?") and, as usual, the sets (both Millet's garret apartment and Daisy's opulent Parisian drawing room) are spectacular!  I loved this show and I highly recommend it as a fun night out (especially during the long winter months).  Go here for tickets and information.

A Christmas Carol at HCT 2014

Like The Nutcracker, another one of my cherished holiday traditions is seeing Hale Theatre's production of A Christmas Carol.  I've seen it so many times that I really think I could stand in for any part (happily, my services were not required last night) but it just wouldn't be Christmas without it!  The well-known story of Ebeneezer Scrooge's redemption after visits from the Ghosts of Christmas Past, Present, and Future is so touching that I always walk out of the theatre vowing to keep Christmas in my heart all year long.  Some of the actors (such as David Weeks as Scrooge and Brad Charon as Bob Cratchit) return again and again and I look forward to seeing them.  I also look forward to seeing new actors making very familiar roles their own and I particularly liked Brannon Killgo as the Ghost of Christmas Present and, of course, Jimmy Empey was adorable as Tiny Tim.  I love the familiar sets, the opulent Victorian costumes, and the beautiful Christmas carols sung by an octet throughout the play.  It is always fun for me to look for any subtle changes that are made to the production (again, I've seen it so many times I can detect any change in an instant).  This year there was a new set for Scrooge's Counting House, which I thought was highly effective because it put Scrooge above Bob Cratchit and the rest of the office serving to emphasize his isolation from everyone (I have no idea if Kacey Udy, the brilliant set designer for HCT, intended it thus but I literally cannot stop my brain from analyzing everything I see).  There was also a new costume for the Ghost of Christmas Future which I really liked because, quite frankly, the old one was rather scary!  Last night was another lovely evening filled with Christmas spirit but, unfortunately, it was the final performance of A Christmas Carol for 2014.  However, you can go here to check out HCT's 2015 season! I'm looking forward to it!

Don't forget to enter the giveaway for a pair of tickets to see the Utah Symphony New Year's Weekend.

Catch Me If You Can at HCT

Last night I went to see the musical Catch Me If You Can at Hale Theatre.  I liked the movie but I am not a fan of the current trend on Broadway of turning popular movies into stage productions.  I rarely like the musical as much as the movie. However, to my surprise, I actually really enjoyed this adaptation. That is due, in no small measure, to the brilliance of the two lead actors.  Keith McKay Evans is charm personified as Frank Abagnale, Jr., a real-life con artist who impersonated a Pan Am pilot, a doctor, and a lawyer (he even passed the bar exam) and embezzled close to two million dollars.  Evans is equally adept at portraying the fast-talking confidence man as well as the vulnerable teenager who ran away from home.  He has a great voice and so much charisma that I couldn't take my eyes off him whenever he was on stage.  Kelly DeHaan is simply amazing as Carl Hanratty, the FBI agent obsessed with catching Abagnale.  With his horn-rimmed glasses, fedora, black suit, Brooklyn accent, and stoic demeanor, DeHaan's characterization is hilarious and I loved his facial expressions! His performance in the song "Don't Break the Rules" is definitely a crowd pleaser! The supporting cast is excellent and I especially enjoyed Eden Benson as Carol, an over-the-top southern belle.  I did feel that Bre Welch was slightly miscast as Brenda because her voice is too sweet and pretty to sing the blues (in the song "Fly, Fly Away"). The music and choreography is almost a pastiche of the variety shows on television in the 1960s (such as Laugh-In) but it works.  All of the big song and dance numbers are incredibly entertaining, especially "Live in Living Color," "Jet Set," and "Doctor's Orders."  The costumes, particularly for the female ensemble, are a lot of fun.  I loved the Pan Am stewardess uniforms!  The stage is quite innovative with three giant illuminated arrows in the floor, a motif that is echoed in many of the set pieces and props. I entered the theatre with very low expectations and I ended up having a great time!  I recommend this show for a really fun evening!  It runs through November 29 and tickets can be purchased here.

She Loves Me at HCT

Last night (after a little nap) I saw Hale Theatre's production of the musical She Loves Me.  This Broadway show was the inspiration for the films Little Shop Around the Corner and, more recently, You've Got Mail.  The setting is Maraczek's Perfumery, a little shop with an eccentric group of clerks, in the 1940s.  We learn that one of the clerks, Georg Nowack (Derek Smith), has been corresponding with an unknown woman whom he calls "Friend."  Amalia Balash (Amy Shreeve Keeler) is soon hired as a new clerk and Georg takes an immediate dislike to her. The feeling is mutual and, soon, they are bickering constantly. Amalia has an unknown correspondent as well and, of course, it is Georg! Can this couple realize that they really do love each other? I will admit that I wasn't immediately drawn into the musical numbers but, as the show progressed, I found them to be more and more charming!  I thought Georg's song "Tonight at Eight" was incredibly endearing. I never imagine that a man gets nervous before meeting a woman for a date!  Amalia's song "Will He Like Me?" perfectly expresses what a woman feels like before a date and Keeler sings it with such vulnerability.  The choreography is quite innovative and intricate.  I loved the scene where the clerks decorate the shop for Christmas and Ilona and Steve dance with a garland!  So fun!  Both of the leads are great in their roles but, in my opinion, Megan Lynn Heaps (a frequent performer with HCT) and Harrison Young steal the show as Ilona and Arpad, respectively.  I loved watching Heaps' facial expressions and Young is as irrepressible as a puppy!  The set is absolutely incredible! Kacey Udy, as usual, has outdone himself with the amazing perfume counter in the center of the stage.  Michelle Jensen is to be commended for all of the beautiful props used on the perfume counter.  Finding all of those vintage perfume bottles and assorted baubles must have been a Herculean task!  This little gem of a show was a lovely interlude in the middle of a busy week getting ready for the new school year!  I recommend it, especially for people who are nostalgic for a simpler time! She Loves Me runs through September 27 but shows are selling out quickly.  Go here for more information.

Mary Poppins at HCT

I had so much fun last night seeing Hale Centre Theatre's production of Mary Poppins.  It is such an entertaining show and it brought back so many memories of my childhood.  It is the first movie I actually remember seeing with my Aunt Sharon and my cousins at the old Villa Theatre in Salt Lake. The musical tells the well-known story of how a nanny comes to Cherry Tree Lane to save the Banks children and ends up saving their father.  This is a big show and I am in awe of what director John Sweeney and choreographer Jenny Barlow were able to do on such a small stage!  The choreography is simply amazing, especially in "Supercalifragilisticexpialidocious" and "Step in Time."  Kacey Udy, once again, outdid himself with the set design.  The Banks' drawing room rises from the floor and the nursery comes down from the ceiling.  The carousel the children ride during "Jolly Holiday" is fabulous!  Kimberly Olson Bunker is practically perfect in every way as Mary Poppins and I especially enjoyed her performance in "A Spoonful of Sugar." David Smith is totally endearing as Bert and I was very impressed with his singing and dancing in "Jolly Holiday" and "Step in Time." Abigail Edwards and Anson Bagley are adorable as the children and JaNae Gibbs Cottam (a frequent performer at HCT) is hilarious as Miss Andrew.  The entire cast does a wonderful job and the dancing is simply spectacular!  I highly recommend seeing this show with your children.  The kids in the audience last night seemed spell-bound and a little girl in my row gasped out loud when she saw Mary Poppins flying through the air (there was a slight glitch in Mary's flying apparatus but she informed us that it was because she had a new umbrella). The show runs through August 9 but, as usual, many shows are sold out.  Go here for more information and to purchase tickets.

Arsenic and Old Lace at HCT

Last night I was able to see Arsenic and Old Lace at Hale Centre Theatre. Despite the fact that I consider myself to be quite the theatre aficionado, I have never seen this long-running play (or the popular movie starring Cary Grant) before.  Now I understand why it had 1,444 performances on Broadway;  it is absolutely hilarious!  Mortimer Brewster visits his aunts Abby and Martha only to discover a dead body in the window seat.  He learns that several old and lonely men have visited, answering an advertisement for a room to rent, and that the Brewster sisters have done their Christian duty by ending their misery with a glass of elderberry wine (with the addition of arsenic). Their nephew (and Mortimer's brother) Teddy, who just happens to think that he is Teddy Roosevelt, buries these men in the cellar because he thinks he is digging locks for the Panama Canal. Chaos ensues when Mortimer's brother Jonathan, a homicidal maniac, returns to the house needing to dispose of his own dead body which ends up, you guessed it, in the window seat.  Throw in an unwilling accomplice, a bumbling policeman who really wants to be a playwright, and a curious fiance and you have a thoroughly entertaining dark comedy that will keep you laughing all evening.  All of the performances are great.  One of my former colleagues, Claire Spencer, plays Martha and it was really fun for me to see her on stage and visit with her after the show. Brandon Green is absolutely hysterical, and a little bit creepy, as Jonathan Brewster.  I have seen him in previous productions at HCT and the physical comedy he brings to each role is second to none!  As always, I absolutely loved the set!  Kacey Udy, the set designer, created the perfect drawing room full of red velvet arm chairs, lamps with stained glass shades, and lace antimacassars.  I also loved the costumes worn by the Brewster sisters, especially the black bombazine dresses they wear for the funeral services of the men they kill.  I thoroughly enjoyed this production, but I recommend it for adults.  The show runs until May 31 and tickets range from $27.00-$16.00.  You can purchase tickets here but shows are selling out quickly.