Big Fish at HCT

Wednesday night I had the chance to see the musical Big Fish at Hale Centre Theatre.  I didn't know anything about the music or story before I saw it but now I can tell you that it is absolutely charming. Will Bloom is exasperated by all of his father's wild stories involving an encounter with a witch, learning how to swim from a mermaid, a friendship with a giant, running away to the circus, and stopping an assassination attempt of a general during the war. When Will learns that his father is dying of cancer, he returns to visit and, after a Wild West confrontation between the two, discovers that his father has been a real hero all along. All of the songs are so uplifting, especially "Be the Hero," and I loved the choreography, costumes, and props featured in the fantastical stories recounted by Edward.  I think the scenes at the circus were my favorite and I just about died when the elephants (wearing pink tutus) appeared at the top of every aisle!  As usual, Kacey Udy has outdone himself with the set design.  There is a river (literally) flowing through the middle of the stage and it is pretty spectacular.  I also loved the use of miniatures to denote various locations such as the witch's haunted house, Auburn University, and the city of Ashton. Both Douglas W. Irey and Jacob Theo Squire are outstanding as Edward and Will Bloom, respectively. Irey portrays Edward's zest for life with an enthusiasm that is palpable and I really enjoyed his facial expressions, especially when he is wooing his future wife Sandra (Amanda Crabb). Squire portrays Will's journey from skepticism to appreciation for his father's stories with heartfelt emotion, particularly in the song "What's Next."  I also really enjoyed Mackenzie Seiler as The Witch.  She has an incredibly powerful voice and her song, "I Know What You Want," just about blew the roof off of the theatre (and received thunderous applause). I highly recommend this delightful show about the reconciliation between a father and son.  It runs at Hale Centre Theatre until Nov. 28 and you can go here for tickets and more information.

Oklahoma at HCT

Wednesday night I saw Hale Theatre's production of the classic musical Oklahoma!  Every song is instantly recognizable: "Oh, What a Beautiful Morning," "The Surrey With The Fringe On Top," "Kansas City," "People Will Say We're In Love," "The Farmer and the Cowman," and, of course, "Oklahoma!" I've seen this show many, many times and I was quite impressed with what Hale was able to do on such a small and intimate stage. The choreography was absolutely amazing and I especially loved the rope tricks by Will Parker (Jack David Shapiro) in "Kansas City." The Dream Sequence was extremely well done. I think having Laurey (Elise Groves) and Curly (Derek Smith) as children and then adolescents together was very effective at showing their relationship and it was very impressive that Groves and Smith danced their own parts (most productions have a Dream Laurey and Dream Curly). I also think the Dream Sequence was very bold in its depiction of Jud (Jacob Theo Squire).  He is truly menacing and he literally made my skin crawl during this number. I always think Jud is a difficult character. Usually I have some sympathy for him and I feel a little bit unsettled by the exuberant happy ending after his death.  But in this production, I did not like Jud at any point. Director David Tinney made a bold choice to portray Jud as Native American and, at first I didn't like this characterization because it made me feel guilty about not liking him. However, I think Jud is supposed to be a polarizing figure who makes everyone uneasy so, after thinking about it, I feel it was very apt! I also thought it was quite interesting that Tinney chose to have Aunt Eller (Lizanne Chapman) break down in tears alone on the stage following the trial. As I mentioned, I've never been comfortable with such a happy ending after the death of another, however reprehensible that person might be. All of the actors have wonderful voices and seem to have a lot of fun with their characters, particularly Heather McDonald as Ado Annie and Andrew Hansen as Ali Hakim. My only complaint is that I sometimes couldn't hear Aunt Eller but that may have been a technical issue. Set designer Kacey Udy continues to amaze me with what he is able to build on such a small stage. This time he created a full size wooden windmill tower!  Quite impressive!  I would highly recommend this production because it contains all of the familiar and well-loved musical numbers but the story is presented in a completely new way! It runs until Oct. 3 and you can purchase tickets here (but get them quickly because many shows are sold out).

Note:  When I bought my season tickets last year, I had no idea that this show would fall on the first day of school.  It was a long day...

The Little Mermaid at HCT

Last year I had the opportunity to see the stage musical The Little Mermaid at Tuacahn Amphitheatre with my student body officers.  It was absolutely magical and I loved experiencing it with my students, who loved it as well.  When Hale Theatre announced their 2015 season, I couldn't imagine that their production would be as good as Tuacahn's.  However, I saw the HCT version last night and let me tell you that it is amazing!  It just might be the best thing HCT has done in years!  I was completely enchanted by everything!  In fact, if you have children, stop reading right now and go here for tickets because they are going quickly, with good reason!  The musical tells the well-known story of Ariel, a mermaid who just wants to be where the people are.  Everyone in the cast is phenomenal!  Bre Welch is absolutely perfect as Ariel.  In my opinion, this particular role is much better suited to her voice than some of the other roles she's played at Hale (see here and here).  She has a look of wide-eyed wonder that makes the songs "Part of Your World" and "Beyond My Wildest Dreams" so much fun to watch.  Jon Rose is endearing as Prince Eric, especially in the "Kiss the Girl" scene.  Brooklynn Pulver Kohler is a lot of fun as Ursula and I loved watching the antics of Flotsam (Jeremy David Egan) and Jetsam (Ben Buttars) as they slithered around the stage on roller blades, especially when they high-fived each other!  The costumes in this show are a dazzling array of color and texture and I particularly loved all of the sea creatures in the "Under the Sea" number and I loved the sizzling lights on Flotsam and Jetsam's costumes.  Ursula's costume is so much fun (those tentacles) and all of the mermaids are covered from head to fin in sparkles!  Geoffrey Reynolds, who is new to HCT as a choreographer, certainly outdid himself with the staging of the big production numbers! There are incredible aerialists in "Under the Sea" and "Kiss the Girl" and I laughed and laughed during the absolute chaos of "Les Poissons."  Kacey Udy, once again, worked his magic with the set.  There are clear glass bulbs suspended from the ceiling which give the effect of bubbles in the ocean and I loved Prince Eric's ship.  The entire theatre has the appearance of being under the sea with layers of seaweed and strings of pearls covering every surface.  The whole production is simply wonderful and I highly recommend getting tickets, especially if you have children!  You definitely don't want to miss this delightful show!

Over the River and Through the Woods at HCT

Last night I had the opportunity to see the play Over the River and Through the Woods at Hale Theatre.  It is a lovely story with a very warmhearted message about family (the little old ladies sitting next to me were crying).  It is also incredibly funny and I laughed out loud on numerous occasions.  Nick Christano (Alex King) is offered a big promotion at work which means that he will have to relocate from New York to Seattle. His overprotective Italian grandparents (Jared Dunn, Jayne Luke, Gary Pimentel, and Jane Merrell Huefner) in New Jersey don't want him to leave so they plot to give him a reason to stay. They decide that he needs a girlfriend which involves a painfully awkward set-up with Caitlin (Kylee Wood), the niece of his grandmother's canasta partner. Hilarity ensues. In addition to the humor, there are some tender moments as well because this play is a touching commentary on generational differences. Many of our grandparents worked hard their whole lives to provide more opportunities for their families, but in so doing, they paved the way for their children and grandchildren to leave them far behind.  A particularly memorable scene is when Nick's grandfather talks about coming to America for a better life and then realizes that Nick is also searching for a better life even though it is a different one from his.  I was lucky enough to have all four of my grandparents (and even a great-grandfather!) around until I was a young adult and I certainly recognized many of the situations portrayed.  One of my grandmas, who recently passed away, always wanted to feed everyone just like Nick's grandma. One of the funniest scenes in the play is when she tries to give him a ten pound pan of lasagna for the plane ride.  My grandma also sent me home with containers of food! The entire cast is very well-suited to their roles and I particularly enjoyed King's overwrought portrayal of Nick.  His facial expressions are hilarious, especially as he gets more and more exasperated with his grandparents' attempts to play Trivial Pursuit! As usual, I loved the set.  There were so many little details which were a lot of fun including the collections of spoons on the walls.   I definitely recommend this wonderful show.  Go here for tickets but do it soon because many performances are selling out.

Note:  If your grandparents are still alive, give them a call!

Ghost at HCT

I am not a fan of the current trend on Broadway of turning popular movies into stage musicals; however, Hale Centre Theatre seems very fond of producing them (9 to 5,  Catch Me If You Can, Big, The Wedding Singer, and Footloose are a few that come to mind).  I almost always attend these shows because I am a fan of the original movie but, with the exception of Catch Me If You Can, I am usually disappointed.  That is definitely the case with HCT's latest offering, Ghost, which I saw last night.  It tells the well-known love story of Sam Wheat (Derek Smith), who is murdered in a robbery gone wrong, and Molly Jensen (Bre Welch), the woman he loves and watches over.  Both of these lead actors are incredibly talented, but I feel that they were miscast.  The songs have a pop feel to them and their voices were much too controlled and their enunciation was too perfect for that style of singing.  I kept wanting them to let loose and sing the blues. Then again, maybe their lackluster performances should be blamed on the material.  In my opinion, none of the songs are even remotely memorable.  It is as if full pages of dialogue from the screenplay were simply put to the accompaniment of music.   So contrived.  The only song I enjoyed was "Unchained Melody" but I thought it was completely overused. There wasn't much chemistry between the two leads (this could be due to the fact that, like the last show I saw, the actors were a mix of the MWF and THS casts).   In the famous pottery wheel scene, Welch seemed more focused on making the perfect pot rather than responding to the caresses of her lover.  All of my attention was focused on the pot, as well, because there wasn't much else going on, especially when compared to that particular scene in the movie.  I did enjoy McKenna K. Jensen's performance as Oda Mae Brown and I thought the special effects were incredible, especially the scenes on the subway. However, the set design was a rare miss for Kacey Udy.  Much of the action takes place on a large platform above the stage, which is cool, but I couldn't really see anything from where I was sitting and that was definitely irritating. There was a piano, cello, and violin trio playing on other platforms which were lowered from the ceiling at various times but I didn't really understand the significance. Again, it was cool, but it didn't contribute to the story in any way.  Bottom line: give this one a miss. Find your old VHS copy of the movie and watch it instead.

Is He Dead at HCT

Hale Theatre always likes to ring in the new year with a comedy and this year they certainly picked a good one!  Is He Dead? is an absolutely hilarious farce and I thoroughly enjoyed every minute of it last night!  I can't remember when I've laughed so hard!  In the mid-1800s, Jean-Francois Millet is a destitute painter living in Paris.  He, along with his fiancee's father, is in debt to his coniving art dealer, Bastien Andre. Millet tries to sell his paintings to pay the debt but soon realizes that his work isn't worth much because he is still alive. Millet's fellow painters, Agememnon "Chicago" Buckner, Hans "Dutchy" Von Bismarck, and Phelim O'Shaughnessy, convince him to fake his own death and pretend to be his fictitious twin sister, the widow Daisy Tillou. Chaos ensues! All of the characters are completely over-the-top, the dialogue is fast-paced, and the physical comedy is so much fun to watch. I laughed out loud when Dutchy and Phelim try to teach "Daisy" how to sit properly!  I really enjoyed the entire cast (for some reason the performers last night were a mix of the MWF and THS casts) but I had a few favorites. Ben Abbott is brilliant as Jean-Francois Millet/Daisy Tillou! His comedic timing is perfect and I loved all of his facial expressions. David K. Martin is absolutely frenetic as Chicago and there is never a dull moment with him leaping around the stage. I am a huge fan of Brandon Green (he played the sinister Jonathan Brewster in HCT's production of Arsenic and Old Lace) and it is equally fun watching him mince around as Phelim.  I loved all of Daisy's costumes ("Do you know how much equipment I am wearing under here?") and, as usual, the sets (both Millet's garret apartment and Daisy's opulent Parisian drawing room) are spectacular!  I loved this show and I highly recommend it as a fun night out (especially during the long winter months).  Go here for tickets and information.

A Christmas Carol at HCT 2014

Like The Nutcracker, another one of my cherished holiday traditions is seeing Hale Theatre's production of A Christmas Carol.  I've seen it so many times that I really think I could stand in for any part (happily, my services were not required last night) but it just wouldn't be Christmas without it!  The well-known story of Ebeneezer Scrooge's redemption after visits from the Ghosts of Christmas Past, Present, and Future is so touching that I always walk out of the theatre vowing to keep Christmas in my heart all year long.  Some of the actors (such as David Weeks as Scrooge and Brad Charon as Bob Cratchit) return again and again and I look forward to seeing them.  I also look forward to seeing new actors making very familiar roles their own and I particularly liked Brannon Killgo as the Ghost of Christmas Present and, of course, Jimmy Empey was adorable as Tiny Tim.  I love the familiar sets, the opulent Victorian costumes, and the beautiful Christmas carols sung by an octet throughout the play.  It is always fun for me to look for any subtle changes that are made to the production (again, I've seen it so many times I can detect any change in an instant).  This year there was a new set for Scrooge's Counting House, which I thought was highly effective because it put Scrooge above Bob Cratchit and the rest of the office serving to emphasize his isolation from everyone (I have no idea if Kacey Udy, the brilliant set designer for HCT, intended it thus but I literally cannot stop my brain from analyzing everything I see).  There was also a new costume for the Ghost of Christmas Future which I really liked because, quite frankly, the old one was rather scary!  Last night was another lovely evening filled with Christmas spirit but, unfortunately, it was the final performance of A Christmas Carol for 2014.  However, you can go here to check out HCT's 2015 season! I'm looking forward to it!

Don't forget to enter the giveaway for a pair of tickets to see the Utah Symphony New Year's Weekend.

Catch Me If You Can at HCT

Last night I went to see the musical Catch Me If You Can at Hale Theatre.  I liked the movie but I am not a fan of the current trend on Broadway of turning popular movies into stage productions.  I rarely like the musical as much as the movie. However, to my surprise, I actually really enjoyed this adaptation. That is due, in no small measure, to the brilliance of the two lead actors.  Keith McKay Evans is charm personified as Frank Abagnale, Jr., a real-life con artist who impersonated a Pan Am pilot, a doctor, and a lawyer (he even passed the bar exam) and embezzled close to two million dollars.  Evans is equally adept at portraying the fast-talking confidence man as well as the vulnerable teenager who ran away from home.  He has a great voice and so much charisma that I couldn't take my eyes off him whenever he was on stage.  Kelly DeHaan is simply amazing as Carl Hanratty, the FBI agent obsessed with catching Abagnale.  With his horn-rimmed glasses, fedora, black suit, Brooklyn accent, and stoic demeanor, DeHaan's characterization is hilarious and I loved his facial expressions! His performance in the song "Don't Break the Rules" is definitely a crowd pleaser! The supporting cast is excellent and I especially enjoyed Eden Benson as Carol, an over-the-top southern belle.  I did feel that Bre Welch was slightly miscast as Brenda because her voice is too sweet and pretty to sing the blues (in the song "Fly, Fly Away"). The music and choreography is almost a pastiche of the variety shows on television in the 1960s (such as Laugh-In) but it works.  All of the big song and dance numbers are incredibly entertaining, especially "Live in Living Color," "Jet Set," and "Doctor's Orders."  The costumes, particularly for the female ensemble, are a lot of fun.  I loved the Pan Am stewardess uniforms!  The stage is quite innovative with three giant illuminated arrows in the floor, a motif that is echoed in many of the set pieces and props. I entered the theatre with very low expectations and I ended up having a great time!  I recommend this show for a really fun evening!  It runs through November 29 and tickets can be purchased here.

She Loves Me at HCT

Last night (after a little nap) I saw Hale Theatre's production of the musical She Loves Me.  This Broadway show was the inspiration for the films Little Shop Around the Corner and, more recently, You've Got Mail.  The setting is Maraczek's Perfumery, a little shop with an eccentric group of clerks, in the 1940s.  We learn that one of the clerks, Georg Nowack (Derek Smith), has been corresponding with an unknown woman whom he calls "Friend."  Amalia Balash (Amy Shreeve Keeler) is soon hired as a new clerk and Georg takes an immediate dislike to her. The feeling is mutual and, soon, they are bickering constantly. Amalia has an unknown correspondent as well and, of course, it is Georg! Can this couple realize that they really do love each other? I will admit that I wasn't immediately drawn into the musical numbers but, as the show progressed, I found them to be more and more charming!  I thought Georg's song "Tonight at Eight" was incredibly endearing. I never imagine that a man gets nervous before meeting a woman for a date!  Amalia's song "Will He Like Me?" perfectly expresses what a woman feels like before a date and Keeler sings it with such vulnerability.  The choreography is quite innovative and intricate.  I loved the scene where the clerks decorate the shop for Christmas and Ilona and Steve dance with a garland!  So fun!  Both of the leads are great in their roles but, in my opinion, Megan Lynn Heaps (a frequent performer with HCT) and Harrison Young steal the show as Ilona and Arpad, respectively.  I loved watching Heaps' facial expressions and Young is as irrepressible as a puppy!  The set is absolutely incredible! Kacey Udy, as usual, has outdone himself with the amazing perfume counter in the center of the stage.  Michelle Jensen is to be commended for all of the beautiful props used on the perfume counter.  Finding all of those vintage perfume bottles and assorted baubles must have been a Herculean task!  This little gem of a show was a lovely interlude in the middle of a busy week getting ready for the new school year!  I recommend it, especially for people who are nostalgic for a simpler time! She Loves Me runs through September 27 but shows are selling out quickly.  Go here for more information.

Mary Poppins at HCT

I had so much fun last night seeing Hale Centre Theatre's production of Mary Poppins.  It is such an entertaining show and it brought back so many memories of my childhood.  It is the first movie I actually remember seeing with my Aunt Sharon and my cousins at the old Villa Theatre in Salt Lake. The musical tells the well-known story of how a nanny comes to Cherry Tree Lane to save the Banks children and ends up saving their father.  This is a big show and I am in awe of what director John Sweeney and choreographer Jenny Barlow were able to do on such a small stage!  The choreography is simply amazing, especially in "Supercalifragilisticexpialidocious" and "Step in Time."  Kacey Udy, once again, outdid himself with the set design.  The Banks' drawing room rises from the floor and the nursery comes down from the ceiling.  The carousel the children ride during "Jolly Holiday" is fabulous!  Kimberly Olson Bunker is practically perfect in every way as Mary Poppins and I especially enjoyed her performance in "A Spoonful of Sugar." David Smith is totally endearing as Bert and I was very impressed with his singing and dancing in "Jolly Holiday" and "Step in Time." Abigail Edwards and Anson Bagley are adorable as the children and JaNae Gibbs Cottam (a frequent performer at HCT) is hilarious as Miss Andrew.  The entire cast does a wonderful job and the dancing is simply spectacular!  I highly recommend seeing this show with your children.  The kids in the audience last night seemed spell-bound and a little girl in my row gasped out loud when she saw Mary Poppins flying through the air (there was a slight glitch in Mary's flying apparatus but she informed us that it was because she had a new umbrella). The show runs through August 9 but, as usual, many shows are sold out.  Go here for more information and to purchase tickets.

Arsenic and Old Lace at HCT

Last night I was able to see Arsenic and Old Lace at Hale Centre Theatre. Despite the fact that I consider myself to be quite the theatre aficionado, I have never seen this long-running play (or the popular movie starring Cary Grant) before.  Now I understand why it had 1,444 performances on Broadway;  it is absolutely hilarious!  Mortimer Brewster visits his aunts Abby and Martha only to discover a dead body in the window seat.  He learns that several old and lonely men have visited, answering an advertisement for a room to rent, and that the Brewster sisters have done their Christian duty by ending their misery with a glass of elderberry wine (with the addition of arsenic). Their nephew (and Mortimer's brother) Teddy, who just happens to think that he is Teddy Roosevelt, buries these men in the cellar because he thinks he is digging locks for the Panama Canal. Chaos ensues when Mortimer's brother Jonathan, a homicidal maniac, returns to the house needing to dispose of his own dead body which ends up, you guessed it, in the window seat.  Throw in an unwilling accomplice, a bumbling policeman who really wants to be a playwright, and a curious fiance and you have a thoroughly entertaining dark comedy that will keep you laughing all evening.  All of the performances are great.  One of my former colleagues, Claire Spencer, plays Martha and it was really fun for me to see her on stage and visit with her after the show. Brandon Green is absolutely hysterical, and a little bit creepy, as Jonathan Brewster.  I have seen him in previous productions at HCT and the physical comedy he brings to each role is second to none!  As always, I absolutely loved the set!  Kacey Udy, the set designer, created the perfect drawing room full of red velvet arm chairs, lamps with stained glass shades, and lace antimacassars.  I also loved the costumes worn by the Brewster sisters, especially the black bombazine dresses they wear for the funeral services of the men they kill.  I thoroughly enjoyed this production, but I recommend it for adults.  The show runs until May 31 and tickets range from $27.00-$16.00.  You can purchase tickets here but shows are selling out quickly.