I have been looking forward to Bonnie & Clyde at PTC ever since the 2023-2024 season was announced so I braved the wind driving to and the snow driving from the theater to see a matinee yesterday. It was worth it because I really loved this show (I had never seen it before). A young Bonnie Parker (Elisabeth Wilkins) wants to be a star on the big screen just like Clara Bow while Clyde Barrow (Daniel Michael Sorokine) spends his youth yearning for the excitement of being an outlaw like Billy the Kid. When they meet during the height of the Great Depression, Bonnie (Alanna Saunders) is a waitress and Clyde (Michael William Nigro) is an escaped convict but they both want to leave West Dallas. They fall in love and Bonnie is drawn into Clyde's life of crime, first when she helps him escape from prison again and then when they go on the run in her 1931 roadster. They become heroes to those who have suffered during the depression and, as their fame grows, they escalate from robbery to murder which gets the attention of retired Texas Ranger Frank Hamer (Daniel Simons). As they become more and more reckless and involve Clyde's brother Buck (Dan DeLuca) and his wife Blanche (Gina Milo), their adventure comes to an inevitable end when their car is ambushed on a Louisiana road. The story takes a long time to get going in the first act and then seems a bit rushed in the second act but I still found it to be very compelling, particularly the juxtaposition between the relationship between Bonnie and Clyde and that of Buck and Blanche. The music in this show is fantastic with a blues, gospel, and rockabilly sound. I especially loved "Picture Show" as Bonnie dreams of being on the screen, "This World Will Remember Me" as Clyde dreams of being an outlaw, "God's Arms Are Always Open" as a Preacher (Christian Brailsford) and Blanche try to get Buck to give up his life of crime, "You Love Who You Love" as Bonnie and Blanche realize that they can't help loving the Barrow brothers, "Raise A Little Hell" as Clyde plots to break out of prison, "Made in America" as the people express their desperation over their circumstances, and "Dyin' Ain't So Bad" as Bonnie consoles herself with the knowledge that she and Clyde have lived life on their terms. Both Saunders and Nigro have beautiful voices and give incredible performances that just about blow the roof off the theater. They are matched by the performances of DeLuca and Milo, especially when the four of them sing together. I also really liked Ben Jacoby as Ted Hinton, a policeman who is interested in Bonnie, because exhibits so much longing in the song "You Can Do Better Than Him." This show features one of my favorite sets at PTC because it is so unique. The backdrop is a three-story structure made of corrugated metal (it looks like the kind of bleak structure that would exist during the Great Depression) which features the mugshots of Bonnie, Clyde, Buck, and Blanche as well as a giant marquee (it looks like the front of a movie theater) that lights up to show the various locations in the show. The action takes place in front of the backdrop with the addition of a few minimal props (I loved the roadster) as well as within an area inside that represents the couple's hideout. The lighting design is moody and atmospheric with sepia tones that turn into a dramatic splash of red during the scenes involving violence. The period costumes also feature sepia tones but Bonnie's become more colorful the more notorious she becomes. The story itself could have been more cohesive but I loved every aspect of this production and I highly recommend it (the audience at my performance was the largest I've seen at PTC this season). It runs through March 9 and tickets may be purchased here.
Sunday, March 3, 2024
Sunday, January 28, 2024
Native Gardens at PTC
I attempted to see Native Gardens at PTC the week before the Sundance Film Festival started but after about fifteen minutes the performance was canceled. I was really sad because I wanted to see it but I didn't think I would have time to reschedule. I decided to squeeze in the matinee before my Sundance films yesterday and, even though it made for a really long day, I'm glad I did because I thoroughly enjoyed it! Frank and Virginia Butley (Michael Kostroff and Kelly Coffield Park, respectively) are an older white couple who have lived in a historic D.C. neighborhood for decades and Tania and Pablo Del Valle (Katya Collazo and Tito Livas, respectively) are a young Latinx couple who have recently moved in next door. Frank spends most of his time on his ornamental garden with the hope of winning an award from the Potomac Horticultural Society. Tania has big plans for a garden made up of native plants indigenous to the environment which are accelerated by Pablo's spontaneous decision to invite his entire law firm over for a party in order to impress them. The Del Valles receive permission from the Butleys to replace an unsightly chain link fence between the two properties but they discover that the fence is in the wrong place and that they are entitled to two more feet. However, moving the fence will ruin Frank's garden just days before the important competition. The ensuing fight over the location of the fence becomes about who is "entitled" to the land with themes that are, unfortunately, incredibly salient today and it is as ugly as what we see on the news. What I loved most about this play is that it ends on a very optimistic note which gives me hope for the future! I also found the dialogue to be really funny and I loved all of the passive aggressive bits of business that happen between scenes, such as when Pablo throws acorns from their tree into the Butley's yard. The set, featuring the houses and back gardens of each couple, is outstanding because it really highlights the differences between them (the Butley's house has been extensively renovated and modernized while the Del Valle's house has been neglected for years). The attention to detail is a lot of fun, especially when the roots of the flowers can be seen when they are pulled and when stakes denoting the new fence location are placed in the ground. Finally, I really enjoyed the use of music during the transitions between scenes ("Shout" by Tears For Fears after a particularly heated argument between the couples made me laugh). I would definitely recommend this timely and thought-provoking play about the issues that build fences between people but the run has now concluded. PTC is presenting Bonnie & Clyde next beginning February 23 (go here for tickets).
Wednesday, December 6, 2023
Christmas in Connecticut at PTC
Last night I saw the musical Christmas in Connecticut at PTC and I really enjoyed it. Most theatre companies near me produce A Christmas Carol, Elf The Musical, A Christmas Story, or White Christmas this time of year and, while I love these shows (I will be seeing them all this holiday season), it was refreshing to see something new and different. Liz Sandor (Alyse Alan Louis) is a young and independent writer living in NYC while trying to find a publisher for her column about tomorrow's woman. However, when she meets with Dudley Beecham (RJ Vaillancourt), an editor from Yardley Publishing, she is persuaded to write a column about living on a farm in Connecticut as a traditional wife and mother using the pen name Liz Lane even though it is a lie. The column becomes popular with housewives all over the country as well as with servicemen fighting in World War II because it reminds them of the homes they left behind. When Alexander Yardley (Gerry McIntyre) receives a fan letter from Jefferson Jones (Christian Magby), a war hero who has nowhere to go for Christmas, he decides to invite him to the farm. To avoid being exposed as a fraud, Dudley coerces his brother Victor (Eric William Morris) into letting them use his Connecticut farm and into pretending to be married to Liz. Chaos ensues when Victor and Liz take an immediate dislike to each other and when Yardley's suspicious secretary Gladys Higgenbottom (Tiffany Denise Hobbs) arrives determined to discover the truth. The story is as light and predictable as a Hallmark Christmas movie but it is definitely a lot of fun. It features memorable original songs and I especially enjoyed "Capital Idea" because Yardley is hilariously oblivious about the deception going on in his company, "The Ornament Song" because, even though it is really silly, it represents the chaos of trying to keep up the ruse (with fantastic choreography), "Remember What's At Stake" because Victor and Liz declare how much they hate each other (which obviously means that they will eventually get together), and "Recipe for Success" because Liz learns that it is always best to be your authentic self. The performances are delightful and I particularly enjoyed Louis because she has a beautiful voice and can belt out a song and I really appreciated the comedic timing of the entire cast as the hijinks get going. As always, the set is amazing, especially the two-story wood-paneled farmhouse decorated for Christmas, and the period costumes are distinctive. There were a lot of empty seats last night which is a shame because this show is charming as well as something new this holiday season. It runs at PTC through December 16 (go here for tickets).
Wednesday, October 25, 2023
The Rocky Horror Show at PTC
I have been waiting for PTC's production of The Rocky Horror Show with great ANTICI.....say it.....PATION. I was able to see it last night and I had so much fun! This cult classic is a campy spoof of science fiction B-movies complete with an usher named Magenta (Ginger Bess) who introduces the story. While driving home on a rainy night, a young and naive couple named Brad (Alex Walton) and Janet (Alanna Saunders) get a flat tire and end up at the castle of Dr. Frank-N-Furter (Jeremiah James), a cross dressing mad scientist from the planet Transsexual in the galaxy Transylvania, who is having a wild party with his entourage, including Riff Raff (Hernando Umana) and Columbia (Micki Martinez), to unveil his latest creation Rocky (Michael Dalke), a beautiful and muscular man designed to give pleasure. Hi-jinks (and a floor show) ensue! The Narrator last night (the role rotates between three different Utah personalities) was the popular former news anchor Randall Carlisle and he got some of the biggest laughs of the evening, especially with his references to BYU. The rest of the main cast is also outstanding with great voices and excellent comedic timing! James is perfect as Frank with all of his over-the-top facial expressions and I loved his flamboyant rendition of "Sweet Transvestite" and his surprisingly poignant version of "I'm Going Home." Walton provides a lot of the comedy as the nerdy Brad and I laughed out loud during "Damn It, Janet" and "Once in a While." The same could be said of Saunders as the prudish Janet because the physical comedy as she loses her sexual inhibitions during her performance of "Touch-A Touch Me" is a highlight of the show. The choreography is so much fun, particularly the iconic number "Time Warp" and the dazzling "Floor Show." I also loved how Frank's seduction of both Janet and Brad is staged and the ending of the song "Space Ship" provides a lot of laughs. The costumes, including corsets, garters, fishnet stockings, and high heels, are fabulously outrageous and the hair and makeup are very glam while the stage features a spooky castle backdrop (I loved all of the freestanding candelabras) with lots of quirky laboratory set pieces. A live band is also located on stage and they sound fabulous! Of course, what makes a live performance of The Rocky Horror Show so much fun is all of the audience participation! Even though it had been quite a while since I'd seen it, I remembered the words to the songs, when to use all of the props (prop kits are available to purchase for $5.00 online and in the lobby before the show), and most of the talk backs! I always think it is so funny to yell "asshole" and "slut" every time the names Brad and Janet, respectively, are mentioned. To be sure, this show provides a fun and raucous night out but, more than anything, it has a powerful message about acceptance that is needed now more than ever and I highly recommend it! It runs at PTC through October 31 with several matinees and late night performances (go here for tickets).
Note: One of my fondest memories from participating in high school theatre is when a bunch of us climbed up to the catwalk and performed "Time Warp" at a late night rehearsal. It was so fun to perform it again last night at the end of the show.
Wednesday, October 4, 2023
Murder on the Orient Express at PTC
I am a huge fan of Agatha Christie so I have been looking forward to PTC's production of Murder on the Orient Express since the 2023-24 season was announced. I saw it last night and I thoroughly enjoyed it! After finishing a case in Syria, the famous Belgian detective Hercule Poirot (John Tufts) is called back to London on urgent business. Despite the fact that it is fully booked, a compartment is found on the Orient Express for Poirot by Monsieur Bouc (Edward Juvier), the director of the railway. Poirot is immediately approached by Samuel Ratchett (Robert Scott Smith), an odious American businessman on board, who asks him to investigate some threatening letters he has been receiving but Poirot refuses. The train becomes snowbound on the first night of the journey and in the morning Ratchett is discovered dead, having been stabbed multiple times, in his locked compartment. Knowing that the murderer must still be on board the train, Monsieur Bouc asks Poirot to investigate. There are numerous clues which Poirot finds puzzling but, as he interviews his fellow passengers including a Hungarian Countess (Gisela Chipe), an aging Russian Princess (Bonnie Black), her Swedish companion (Amy Bodnar), Ratchett's secretary (Matthew McGloin), a Minnesota housewife (Anne Tolpegin), a Scottish colonel (Robert Scott Smith), an English governess (Andrea Morales), and a French conductor (Alec Ruiz), he discovers that they all have an alibi for the time of the murder and a connection to the infamous kidnapping and murder of three-year-old Daisy Armstrong by Bruno Cassetti. Poirot eventually discovers evidence of a mysterious second conductor with a grudge against Ratchett but is he the real murderer? I've seen this adaptation by Ken Ludwig before and I really like the exploration of justice vs. retribution that happens during the narration, during which Poirot breaks the fourth wall, that bookends the action. I also enjoyed the ensemble cast who, despite a few wobbles with accents, are outstanding. Tufts, who is somehow able to make the well-known character of Poirot his own, and Bodnar, who gives a hilarious physical performance, are standouts for me. The set, dominated by the interior and the exterior of the titular train, is also outstanding and I was particularly impressed with the clever transitions from the opulent club car to the passenger compartments and with the way in which the narrow corridor outside of the compartments is used. The backdrop of snow falling in the Alps is very effective at establishing a sinister mood and the sound design creates the illusion of a real moving train. Finally, I liked the use of dramatic spotlights when the previous actions of all the characters are recapped during the resolution. Seeing this production is a journey well worth taking but book quickly because there are only a few more performances left (go here).
Wednesday, May 24, 2023
The Prom at PTC
I absolutely love the movie The Prom (I've lost track of how many times I've seen it) because it has an incredibly powerful and important message and it is also a sparkly love letter to theatre. As good as the movie is, I have always really wanted to see the stage musical upon which it is based so I was thrilled when PTC announced it as part of the 2022-2023 season! I've basically been waiting impatiently since then to see it and I finally had the chance last night. It was definitely worth the wait because it is one of the best shows I've seen this year! Down and out Broadway stars Dee Dee Allen (Anne Tolpegin) and Barry Glickman (Branch Woodman) are commiserating over the fact that their latest show has closed on opening night because the critics don't like them as people. They think the best way to resurrect their careers is to champion a cause to show the public that they care about something other than themselves. They hear about a girl named Emma Nolan (Celeste Rose) in Indiana who wants to attend her high school prom with her girlfriend Alyssa Greene (Mia Cherise Hall). Rather than allow this, Mrs. Greene (Erin Wilson), the head of the PTA, cancels the prom despite the support of the principal Tom Hawkins (Bernard Dotson). They decide to help Emma and are joined by Trent Oliver (Josh Adamson), an out of work actor who never fails to mention that he attended Juilliard, and Angie Dickinson (Wendy Waring), a chorus girl who has been the understudy for Roxie Hart for twenty years, on a bus for a non-union tour of Godspell headed to Indiana. They help get the prom reinstated for the good publicity but, when the situation becomes worse, they realize that they really care about helping Emma. I love every single song because they are all so impactful but my favorites are "We Look to You," because it is about the power of theatre, "Love Thy Neighbor," because it calls out the hypocrisy of believing that you are a good person when you hate and discriminate against those who are different from you (a particularly important message here in Utah right now), "Alyssa Greene," because it is about the courage to be who you really are, and "Unruly Heart," because it is about the freedom to love who you want. The choreography is joyful and exuberant, particularly the Fosse-inspired "Zazz" as well as "Tonight Belongs to You" and "It's Time to Dance" with the young and talented ensemble. Everyone in the main cast is absolutely perfect but I especially loved Tolpegin as a narcissistic Broadway diva and her rendition of "It's Not About Me" had me laughing out loud! I was also really impressed with Rose and Woodman because their versions of "Unruly Heart" and "Barry Is Going to Prom," respectively, are really touching. All of the costumes are colorful and sparkly and the multiple sets are so much fun, particularly the high school gym decorated for the prom. I loved this show so much and I cannot say enough about it! I had a big smile on my face from beginning to end and I highly recommend it (tickets may be purchased here).
Wednesday, April 19, 2023
What the Constitution Means to Me at PTC
Last night I went to see What The Constitution Means to Me at PTC and it is one of the most thought-provoking pieces that I have seen in a long time. It is a play written by Heidi Schreck, who performed the lead role during its run on Broadway, about her experiences as a 15-year-old student participating in an American Legion Oratorical Contest about the Constitution as a way to earn scholarship money for college. In this production the role of Heidi is played by Laura Jordan and the first part of the performance is the recreation of the speech that Heidi gave as a 15-year-old in the competition with a Legionnaire (Ben Cherry) acting as the moderator. In her speech she specifically discusses the Ninth Amendment, which pertains to unenumerated rights such as the right to travel, the right to vote, the right to keep personal matters private, and the right to make important decisions about one's health care or body, and the Fourteenth Amendment, which pertains to equal protection under the law. During the second part of the performance Heidi continues as her present self and relates anecdotes drawn from her own experiences, and those of the women in her family, relating to abortion, sexual assault, domestic violence, and immigration while Cherry portrays a character named Mike, based on one of Heidi's friends, who speaks about his sexuality. The point they both make, with several relevant Supreme Court cases, is that the Constitution does not protect the rights of women, racial minorities, immigrants, or those who are LGTBQ. They argue that it wasn't designed to do so because the writers of the Constitution were mostly concerned with negative rights, or those which would not limit the freedoms of white male landowners. I found this discussion to be fascinating and I was completely riveted! The third and final part of the performance involves a parliamentary debate between Jordan (as herself) and a local student (last night's student was Naomi Cova) about whether or not the Constitution should be abolished. This debate is unique to each performance (last night Jordan argued that the Constitution should be abolished and Cova argued that it should be kept) and audience participation is encouraged. As someone who participated in debate all through high school I absolutely loved this! When Jordan had everyone in the audience who was not a straight white cisgendered male raise their hands (it was the majority), it was incredibly powerful to see how many of us are not protected and it really swayed my opinion. However, I also found many of the arguments put forward by Cova, namely that more people need to participate in government to make changes from within, to be noteworthy as well. A member of the audience was selected at random to declare a winner and she voted to abolish. I was really impressed with Jordan because, even though these are not her stories, her delivery is spontaneous and authentic as if she is having a conversation with each member of the audience and the simple production design (sets, costumes, and lighting) keeps the focus on that dialogue. I do concede that one's enjoyment of this play will probably be directly related to the degree to which one agrees with Schreck's thesis but I also believe seeing it is a worthwhile experience that is ultimately very hopeful. It runs at PTC through April 22 (go here for tickets).
Note: As I previously mentioned I was on my high school debate team and I actually participated in an American Legion Oratorical Contest my senior year. I won at my school level (and received a huge trophy) but didn't move on past the state level.
Wednesday, March 8, 2023
Putting It Together at PTC
I like to call myself a big fan of Stephen Sondheim but the truth of the matter is the only shows that I am really familiar with are West Side Story, Sweeney Todd: The Demon Barber of Fleet Street, and Into the Woods. I have seen A Funny Thing Happened on the Way to the Forum but it was a long time ago and I don't remember much (beyond the togas) and I am embarrassed to admit that I haven't seen Sunday in the Park with George, Merrily We Roll Along, A Little Night Music, Follies, Assassins, Anyone Can Whistle, or Company (I will be remedying this very soon). I was, therefore, really excited to see PTC's new production of Putting It Together, a musical revue showcasing the works of Stephen Sondheim, last night because it features many songs from these other shows. A concert consisting of Sondheim's music would be worth the price of admission on its own but there is a loose narrative tying it all together (and a set featuring a luxury penthouse apartment, glamorous costumes, and fun choreography) involving a dinner party with a Husband (Nicholas Rodriguez) and Wife (Judy McLane), who are experiencing marital difficulties, a Young Associate (Brent Thiessen) and His Date (Cayleigh Capaldi), who are awkwardly navigating a new relationship, and an Observer (Tyrick Wiltez Jones), who narrates the goings-on. I particularly enjoyed the dynamic between McLane (I absolutely loved her in Next to Normal which is one of my favorite productions at PTC) and Rodriguez in "Country House" from Follies and the harmonies between McLane and Capaldi in "There's Always a Woman" from Anyone Can Whistle because I had never heard those songs before. However, my favorite numbers were McLane's version of "The Ladies Who Lunch" because she just about blew the roof off the theater, Thiessen's heartfelt rendition of "Marry Me A Little," McLane's hilarious take on "Getting Married Today," and the entire cast's incredible performance of "Being Alive," all from Company. The theater was only about 2/3 full last night which is really a shame because it was an amazing evening of music performed by an insanely talented cast! I highly recommend it to everyone (go here for tickets) because those who are fans of Sondheim will love it and those who are not just might become ones after seeing it!
Note: As I mentioned, I will be attending a performance of Company at the Empress Theatre next month and I am even more excited for it after seeing this show!
Thursday, February 9, 2023
A Distinct Society at PTC
At my last Utah Symphony concert the cute ladies that I sit with absolutely raved about PTC's production of A Distinct Society. I was already intrigued by the show and their endorsement made me even more excited to see it. I had the chance last night and I really loved this exploration of how ideologies and borders impact relationships. The Haskell Free Library is located on the border between Vermont and Quebec making the question of who has jurisdiction over it, the United States or Canada, somewhat hazy. The librarian, Manon (Carrie Paff), is a French-Canadian and a staunch Separatist who regrets damaging her relationship with her father over her extremist beliefs so she writes an anonymous Facebook post, using the nom de guerre Elizabeth Bennett, inviting those affected by the so-called Muslim ban to come to Canada to reunite with their loved ones living in the U.S. at the library. Peyman (Abdullah Khalil) travels from Tehran to Montreal and makes arrangements to meet his daughter Shirin (Vaneh Assadourian), a medical student based in Boston, at the library. However, Customs and Border Patrol is cracking down on these reunions and Bruce (Corey Jones) is assigned to the area. He is sympathetic to the plight of these families, especially Peyman and Shirin, but he is determined to follow the letter of the law after having been disciplined for being lax in the past. Sixteen-year-old Declan (Emmet Smith) is an immigrant to Canada from Northern Ireland and a frequent visitor to the library. He says that he travels several hours to read the graphic novels he can't find anywhere else but it is really so he can symbolically escape the bullying he faces in Quebec for refusing to speak French. Their interactions with each other are motivated by kindness, understanding, shared experiences (I particularly enjoyed the references to The Green Lantern), and even the possibility of a new romance but will policies determined to keep them apart prevail? I found the story to be incredibly powerful and compelling but the resolution was a bit disappointing because it feels very rushed (it actually took me a minute to realize that the play had ended). The narrative takes its time to reveal the backstory of each character little by little and, as a result, I was very invested in each of them and I wanted to know more about the consequences of their actions, especially Manon's decision to allow Peyman and Shirin to meet. Having said that, I really enjoyed this production. The cast is outstanding and everyone gives a very heart-felt performance. I particularly enjoyed the chemistry between Paff and Jones and the palpable vulnerability displayed by Smith. I also really loved the set of the library which includes bookcases surrounding the proscenium, library carts full of books, cozy leather chairs and sofas, a child-sized table and chairs, and lots of fun details (the line on the floor separating the U.S. and Canada is hilarious). I was very moved by the themes of belonging, which feel very relevant today, and I definitely recommend it. There are only a few more performances so get your tickets (go here) soon.
Sunday, December 18, 2022
A Christmas Story at PTC
Yesterday afternoon I was able to see Ralphie Parker (Mack Boyer) try to convince his Mother (Stacie Bono), the Old Man (Danny Bernardy), his teacher Miss Shields (EJ Zimmerman), and even Santa Claus (Paris Alexander Nesbitt) to get him an official Red Ryder, carbine action, 200-shot, range model air rifle, with a compass in the stock and this thing that tells time for Christmas for the second time in as many days. Unfortunately, this was a rare miss for PTC because I found it to be completely underwhelming in almost every way. Even if I had not just seen a vastly superior production at the SCERA Center for the Performing Arts the night before, I still would have been disappointed with this show. I don't like to criticize an understudy but I think a theatre company the caliber of PTC should have understudies who are prepared to go on stage at a moment's notice. Howard Kaye (as the understudy for Jean Shepherd) did not seem at all prepared for today's performance because he read from a script during the whole show and he still frequently stumbled over his lines. This was really distracting because Shepherd narrates the story and appears in almost every scene. The rest of the cast was fine but no one really stood out to me, except Zimmerman who was hilarious as the uptight Miss Shields. Boyer has an incredible voice and I liked the vocal performances of the children in the ensemble but the big production numbers that I usually enjoy, such as "When You're a Wimp," "Ralphie to the Rescue," "Up on Santa's Lap," and "Somewhere Hovering Over Indiana," were incredibly lackluster because the choreography in these numbers was very minimal. Even the showstoppers "A Major Award" and "You'll Shoot Your Eye Out" were surprisingly bland (I am normally a huge fan of Karen Azenburg's choreography). The stage was configured to look like a giant snow globe and this is really fun but, with the exception of the classroom at Warren G. Harding Elementary School (which featured the artwork of local students on the bulletin board), the sets were a bit bland and very unwieldy to move on and off the stage. There were also some technical difficulties (it was quite disappointing when the all-important lamp didn't light up) and the production did not use real dogs to portray the Bumpus hounds (one of my favorites scenes). Maybe I am being too hard on this show but I expected a lot more for the cost of the ticket (especially since I saw a better show for a fourth of the price). If you are looking for some Christmas cheer, I suggest skipping this and seeing Scrooge: A Christmas Carol at the Terrace Plaza Playhouse, A Christmas Carol at either HCT or HCTO, or Elf The Musical at CenterPoint Theatre instead.
Note: I was able to see 80 theatre productions this year (not including the other performing arts such as the symphony, opera, ballet, etc.). My favorites have been Hadestown at Broadway at the Eccles, See How They Run at the Terrace Plaza Playhouse, A Gentlemen's Guide to Love and Murder at the Empress Theatre, Camelot at HCTO, and Clue at the Utah Shakespeare Festival. I have renewed all of my subscriptions so I am looking forward to more great theatre in 2023!
Wednesday, November 9, 2022
Shucked at PTC
I didn't really know much about Shucked, other than it is a Broadway try-out for a new and original musical here in SLC, but everyone has been giving it rave reviews so I knew I had to see it! I had the chance last night at PTC and I loved it! Two Storytellers (Ashley D. Kelley and Taylor Trensch) introduce us to the small town of Cobb County where the tall stalks of corn, which provide the main source of income, keep people in and keep people out. This is exactly how the townspeople, including engaged couple Beau (Andrew Durand) and Maizy (Caroline Innerbichler), Beau's brother Peanut (Kevin Cahoon), and Maizy's cousin Lulu (Alex Newell), like it until the corn crop starts to fail. Maizy decides, against the objections of Beau, that she should go out into the world to get help and ends up in the big city of Tampa where she meets a conman named Gordy (performed last night by the understudy Quinn VanAntwerp). He is not very good at being bad but he is able to convince the naive Maizy that he is a corn doctor so she brings him home to the consternation of the townspeople, especially Beau who sees him as a rival. Hilarity ensues! Many of the jokes are very "corny" but they definitely land because I don't think I stopped laughing during the entire show (and neither did the audience). Much of the comedy comes from the Storytellers, who are not only the narrators for all of the goings-on but they also periodically become supporting characters (sometimes two characters at the same time). Trensch, especially, is absolutely hilarious with perfect comedic timing and over-the-top facial expressions. Cahoon is also the source of much laughter as Peanut frequently regales us with his deep thoughts. The original songs by Brandy Clark and Shane McAnally are a lot of fun and are really catchy. I especially loved the song "Walls" because it is about finding the courage to leave your comfort zone and I think it could stand alone like most of the great songs from Broadway do. Innerbichler, who recently made an appearance in Utah as Anna in the Broadway touring production of Frozen, sings it with so much emotion! The songs "Somebody Will" performed by Durand and "Independently Owned" performed by Newell are absolute show-stoppers and both gave me goosebumps! The staging of this show is so clever because the cast is seated in a semi-circle inside of a crooked barn with corn stalks all around and featured performers use minimal props stashed in bushel baskets around the stage as well as wooden barrels during each number. Artistic Director Karen Azenberg mentioned that some changes had to be made to accommodate the last minute addition of VanAntwerp before the show began but I think that just involved the placement of music stands in front of the actors (VanAntwerp seemed to be the only cast member to have a score in front of him and he rarely used it). I didn't really know what to expect with this show but I had so much fun watching it! I can't wait until it is a big hit on Broadway because I can say that I was one of the first to see it! There are only a few more performances left so act quickly so you don't miss out (go here for tickets).
Wednesday, September 21, 2022
Scapin at PTC
I am a huge fan of Moliere (Tartuffe and The Imaginary Invalid are two of my very favorite plays) but I had never seen Scapin before so I was really looking forward to the contemporary retelling of this classic play now being performed at PTC. I had the chance to see it last night and it is an absolute riot! The setting is Naples in the 1960s and, while their mothers have been away, Octave (Alex Walton) has secretly married Hyacintha (Andrea Morales) and Leandre (Adrian Baidoo) has fallen in love with Zerbinette (Lucy Lavely) despite the fact that both women are unsuitable and their mothers have already made far grander marriage plans for them. When Arganta (Celeste Ciulla) and Geronta (Sofia Jean Gomez) return to Naples, their sons are desperate. They beg Leandre's servant Scapin (Kate Middleton) to intervene with their mothers on their behalf and hilarity ensues when she uses lies and tricks to keep the young couples together! The happy ending is assured when the identities of Hyacintha and Zerbinette are revealed and Scapin is forgiven by Arganta and Geronta. One of my favorite elements of this new adaptation is the use of Zerbinette's band, The Gypsies, as a sort of Greek chorus to explain and comment upon the action with pop songs (my favorites were "Trouble" by Taylor Swift, "(You Gotta) Fight For Your Right (To Party)" by The Beastie Boys, "Material Girl" by Madonna, and "Oops!...I Did It Again" by Britney Spears). Another favorite element is the comedic physicality of the performances! At one point Scapin enlists the help of Octave's servant Sylvestre (Xavier Reyes), usually mild-mannered, to threaten Arganta and when he brandishes his sword and accidentally stabs his own foot the crowd erupted in laughter and applause. I also laughed out loud when Scapin has Geronta hide while she pretends to fight imaginary bandits. In addition to Middleton, Ciulla, Gomez, and Reyes, I also enjoyed Baidoo's over the top performance, especially when he is interrogating Scapin. Since this adaptation is set in the 1960s, the costumes are absolutely fantastic with lots of bold colors and patterns. I particularly loved an embroidered frock coat worn by Leandre! The set of a colorful courtyard in Naples, featuring a trattoria on one side (with a portrait of Sophia Loren inside), a cafe on the other, and a working fountain in the center, is truly a sight to behold with lots of fun details. I loved the cafe lights strung across the stage, the parked Vespa, the vegetable stands (the contents of which become amusing props), the potted plants, and the gelato cart (which makes an appearance in the second act). I loved this show (I don't think I stopped laughing all night) and I highly recommend it for a bit of fun! It runs at PTC until October 1 (go here for tickets).
Note: I had the chance to visit Pere Lachaise Cemetery on a trip to Paris. Most people ask for directions to Jim Morrison's grave but I asked for directions to Moliere's.