Beast

A friend of mine recommended Beast to me so, of course, I had to see it yesterday.  It is a fascinating and intense psychological thriller that I will be thinking about for a long time to come.  Moll (Jessie Buckley) is a young woman with a troubled past and a domineering mother (Geraldine James).  She begins a relationship with Pascal (Johnny Flynn), a young man deemed unsuitable by her family and a suspect in a series of unsolved murders, which causes a scandal in the close-knit community of Jersey.  During the course of their relationship she begins to wonder if he is guilty and the action takes a really interesting turn.  Both Buckley and Flynn give absolutely riveting performances and you cannot take your eyes off of them when they are onscreen together.  You really cannot tell which one is the hunter and which is the prey.  James gives a chilling performance which is somewhat baffling until some information about Moll comes to light.  What makes this film so suspenseful is that information about the characters is revealed very slowly so you are always kept guessing about both Moll and Pascal's motivations and I had all kinds of wild theories running through my mind.  The visuals in this film also contribute to the menace with a dark and foreboding forest juxtaposed with waves crashing against the shore.  I found the tension to be almost unbearable and I would highly recommend it to fans of psychological thrillers.

Adrift

I went to see Adrift during a Thursday preview and I thought it was a pretty good, if typical, survival story.  Tami Oldham (Shailene Woodley) is a free spirit who is working odd jobs in order to travel the world.  While working at a marina in Tahiti she meets and falls in love with Richard Sharp (Sam Claflin), a yacht owner sailing around the world.  He asks her to join him but first the two of them take a job sailing a luxury yacht from Tahiti to San Diego and on the way they run into Hurricane Raymond.  The movie begins when Tami wakes up in the wreckage of the yacht after the storm and can't find Richard.  When she sees him floating, severely injured, on a dinghy in the distance, she makes repairs to the yacht as best she can and sails towards him to rescue him.  The action moves back and forth between their romance on Tahiti and their intense struggle to survive with a plot twist that I didn't see coming but should have.  The cinematography is stunning and the wide shots of the tiny yacht in the middle of the ocean are incredibly effective in conveying their isolation and the camera work is very immersive, so much so that there were many times when I found myself holding my head up to keep above the water.  The storm sequences are absolutely thrilling.  Shailene Woodley is hit or miss with me but she gives a fantastic and believable physical performance here as a woman determined to survive and Claflin is always nice to look at.  I think the flashbacks in the narrative take away the tension and the sense of peril at times but I liked this movie and would recommend it.

Solo

It was really hard for me to wait so long to see Solo: A Star Wars Story (particularly since so many of my friends were seeing it before me) but my Dad made me promise him that I wouldn't see it without him!  I'm glad that I kept my promise because he took my family to see it on Memorial Day and we had such a good time together!  We all loved it because it is such a fun and entertaining movie, perfect for the holiday weekend!  The galaxy is ruled by competing crime syndicates and a young Han Solo (Alden Ehrenreich) teams up with Tobias Beckett (Woody Harrelson) to procure a valuable resource, coaxium, for Crimson Dawn, a syndicate run by the ruthless Dryden Vos (Paul Bettany).  Along the way he meets the wookie Chewbacca (Joonas Suotamo), wins the Millennium Falcon in a card game from Lando Calrissian (Donald Glover), and makes the Kessel Run in 12 parsecs!  The story gave me everything I was looking for and I think it does a good job explaining how Han Solo got to be the rakish smuggler we meet in the original trilogy.  Ehrenreich is more than up for the challenge of playing such an iconic character but Glover steals the show as Lando Calrissian.  I laughed and laughed at the scene where he records the "Calrissian Chronicles."  The action sequences and special effects are really what make this movie so much fun, particularly a spectacular high speed train robbery and the infamous Kessel Run!  I still think that Rogue One has more depth and pathos but this addition to the Star Wars Anthology is well worth a visit to the theater!  Go see it!

1945

Yesterday I spent a rainy afternoon at the Broadway seeing a compelling foreign film called 1945.  In a rural village in Hungary just after World War II, two Orthodox Jews get off a train and arrange for two large trunks to be taken into the town by wagon.  News immediately spreads throughout the village and everyone reacts with alarm, wondering who they are and what they want.  We slowly learn that many of the villagers were complicit in denouncing a prominent Jewish family before the war and that many profited, unethically, from their arrest.  Intermingled with these frantic scenes of chaos are long shots of the two men slowly following the wagon into town which is a bit menacing as the villagers await their arrival.  As guilt plagues the villagers, with catastrophic results for many of them, we learn the innocuous reason for their visit.  It reminded me a lot of High Noon because the town is anticipating, not gunslingers, but two strangers walking into the town while nervously peering out from behind lace curtains as events unfold in real time.  This is, ultimately, a profound portrayal of guilt and how you cannot escape from the consequences of your actions forever and I am sure that I will be thinking about it for some time to come.  The cinematography effectively uses high contrast black and white to create unbearably beautiful images and the jarring score does much to add to the tension.  It is in Hungarian, and some Russian, with English subtitles and many of the characters look and dress alike (particularly the women) so I had a difficult time following the action at first but I found the images on the screen to be riveting.  I would definitely recommend this film.

The Rider

Last night I saw The Rider, a film I have been anticipating for weeks, and it is so good!  Brady Blackburn (Brady Jandreau) has suffered a catastrophic brain injury from being trampled after riding a bucking bronco at a rodeo.  Riding broncos is the only thing he knows how to do and it is his sole source of identity.  When he is told that he can never ride again he struggles to find himself again.  It is a beautiful and powerful exploration of what it means to let go of a dream.  What makes this film so remarkable is that it is based on actual events in the life of rodeo star Brady Jandreau, who plays a fictionalized version of himself, and stars his father Tim, his sister Lilly, several of his friends, and a former bull rider named Lane Scott who was paralyzed in a similar accident.  This device lends a certain authenticity to the film.  Footage from Jandreau's accident is used in the film and scenes where he actually trains wild horses are absolutely spellbinding.  Because he lived through these events, his pain and frustration are palpable and I found Brady to be an incredibly sympathetic character.  When he breaks down after visiting Lane in the rehabilitation center, knowing that this could be his fate if he continues, it is one of the most powerful moments I've seen on film.  The scene where he rides his horse for the first time after the accident is also beautiful and the look on his face does much to establish his motivation for wanting to continue in the face of insurmountable obstacles.  It is a remarkable performance.  The film takes place in the South Dakota badlands and the cinematography is stunning.  The beautiful, yet harsh, environment is the perfect backdrop for a character-driven film that is ultimately hopeful but tinged with melancholy.  I loved The Rider (it is now one of my very favorites of 2018) and I highly recommend it!

Disobedience

Last night I went to see the film Disobedience and it was an incredibly poignant experience for me.  I live in a very conservative community and I have several LGBTQ friends who have been disowned by their religious families so I was very eager to see how this film treated the subject.  Ronit Krushka (Rachel Weisz) is a New York photographer who is devastated by the news that her father, a distinguished Rabbi in an Orthodox Jewish congregation in London, has died.  She returns to her childhood home and, without a lot of exposition, it is clear that the community regards her with a mixture of curiosity and scorn.  She reconnects with Dovid (Alessandro Nivolo), a protege of her father's who is poised to take his place, and Esti (Rachel McAdams), another childhood friend.  She is stunned to learn that the two of them are married.  Through a series of interactions between the two women that are fraught with tension (it is a very slow burn) we learn that they once had a sexual relationship and were condemned by the community.  Ronit is rebellious and left but the repressed Esti submitted to the will of the Rabbi and dutifully married Dovid in order to "cure" herself.  Neither woman is happy in her choice and they eventually resume their relationship, bringing consequences for Esti.  The final resolution left me a bit conflicted because, while they seem to find a way to reconcile their sexuality with their faith, it is rather vague and I don't know if their choices will bring them happiness. I know that many of my LGBTQ friends still believe even after they have escaped the repression and it torments them (Utah has one of the highest suicide rates in the country).  Both Weisz and McAdams are incredible, giving highly nuanced performances, and their love scenes are passionate and romantic (aside from one bewildering element).  Nivolo is also good as a deeply religious man caught between his duty and his love for his wife.  It is more than just a film about forbidden love and I would recommend it for its powerful exploration of the freedom to disobey.

Deadpool Double Feature

Last night I went to a double feature of Deadpool and Deadpool 2 and it was so much fun!  I thought the first movie was absolutely hilarious (and I really enjoyed seeing it again) so I have been anticipating the sequel for quite a while.  Everything that I loved about the first movie was bigger and better in this one!  A drug lord that Deadpool (Ryan Reynolds) was unable to kill follows him home to attack him and ends up killing Vanessa (Morena Baccarin).  To help him through his grief, Colossus (Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand) once again try to recruit him as a member of the X-Men.  As a trainee,  Deadpool accompanies them when they are called to respond to a standoff at an orphanage for mutants.  They encounter Firefist (Julian Dennison) and learn that Cable (Josh Brolin), a mutant soldier from the future, wants to kill him in order to stop him from killing his family in the future.  Deapool decides to assemble his own team, calling them the X-Force, to stop Cable because he feels that Firefist is worth saving.  In addition to the snarky humor, the self-awareness, the breaking of the fourth wall, the cheesy pop songs (the montage to "9 to 5" by Dolly Parton just about killed me), and the epic action sequences, I really loved the character arc for Deadpool in this installment.  He comes to the realization that killing is not necessarily the way to solve every problem.  There was real heart and a bit of humanity in the character which was quite unexpected.  Just like with the first movie I laughed out loud during the opening credits (a spoof of the Bond opening credits) and that was certainly not the last time I did so.  There are so many hilarious references and I'm sure I didn't catch them all!  I really liked Cable as a villain because he has a sympathetic backstory and I really liked Zazie Beetz as Domino, a member of the X-Force.  This movie is just a little bit naughty but it is so entertaining!  If you liked the first movie, you will absolutely love this one!

Note:  There are some hilarious mid-credits scenes (one made me laugh out loud) so definitely stay for those!

Sunset Boulevard

Last night I took my Mom to see Sunset Boulevard as part of the TCM Big Screen Classics series and we both loved it.  I had seen the Andrew Lloyd Webber stage musical but I had never seen the Billy Wilder classic film before and I was really excited for the opportunity to see it for the first time on the big screen!  Joe Gillis (William Holden) is a down and out Hollywood screenwriter who turns into a driveway on Sunset Boulevard to avoid having his car repossessed.  The driveway belongs to Norma Desmond (Gloria Swanson) a former actress of silent movies who has been forgotten but lives in a fantasy world where she is still a star.  She is aided and abetted in this fantasy by her butler Max (Erich von Stroheim) who is in reality her first director Max von Mayerling and her first husband.  Gillis cunningly arranges a job writing a screenplay for Desmond and moves into her mansion.  Soon Gillis realizes that Desmond is in love with him and he tries to leave but, when she threatens suicide, he returns to her to become a kept man.  When Desmond's illusions of making a Hollywood comeback are dashed and she realizes that Gillis is in love with someone else, she comes undone in one of the most famous scenes in film.  Sunset Boulevard is a classic example of film noir with atmospheric lighting, black and white cinematography, and a pessimistic portrayal of the underbelly of Hollywood.  I also think it is a great example of a dark comedy.  Both my Mom and I found ourselves laughing but immediately stifled that laughter because it seemed inappropriate given the drama.  Swanson gives the performance of her career and, while she is imperious and hysterical, she is somehow incredibly sympathetic as a woman trapped in the past.  Holden is very charismatic (and quite good looking) as a man who despises what he has become but can't bring himself to leave.  The production design is incredible.  Desmond's house is suitably ghoulish and ostentatious (I particularly loved all of the photos of her in her glory days) and her costumes are fantastic (the feathers!).  I am glad that I finally had the chance to see such a classic movie and it was so much fun with my Mom!

Tully

Yesterday I finally had the chance to see Tully, the new comedy from Diablo Cody and Jason Reitman.  Marlo (Charlize Theron) is a stressed out mom about to have her third child when she meets a friend from her days as a free-spirited young adult and begins ruminating on what she has given up to move to the suburbs.  Her husband (Ron Livingston) is well-meaning but he has a stressful job which frequently takes him out of town and is generally clueless about the toll motherhood has taken on Marlo.   Her wealthy brother (Mark Duplass) offers to gift her with a night nanny when the baby comes but she doesn't like the thought of a stranger taking care of her newborn.  After the baby is born she is almost incapacitated by fatigue and, after a particularly trying day with her son, who seems to be on the autism spectrum, she relents and calls Tully (Mackenzie Davis).  Tully's presence has an immediate effect on Marlo, who gets a good night's sleep for the first time in years and begins to re-engage with the world.  Tully reminds Marlo of the free-spirit she used to be while Tully tries to remind Marlo that her most important dream has come true.  There is a huge twist at the end which some viewers may have difficulty with but for me it worked very well.  It's hard to talk about why I loved it so much without giving too much away, but I think it shows that just because a woman's role may change she should never lose who she really is.  I loved that this film highlights the fact that you need to take care of yourself in order to take care of other people.  Charlize Theron is fantastic in this multi-layered role and she isn't afraid to show the real (read: unglamorous) side of motherhood.  You can really feel her quiet desperation.  She and Mackenzie Davis have great chemistry and the scenes of them giving each other advice are incredibly poignant.  I enjoyed this movie a great deal and I highly recommend it.

Note:  My very favorite moment is when a school counselor tells Marlo to stop apologizing for her autistic son after he reacts to a loud noise because he has done nothing wrong.  So powerful! 

Lean on Pete

I have developed a lovely habit of seeing an independent movie at my favorite art house theater every Sunday afternoon and yesterday's selection was Lean on Pete.  Charlie Thompson (Charlie Plummer) is living a hand-to-mouth existence with an unreliable father when he finds a job at a racetrack working for an irascible trainer named Del Montgomery (Steve Buscemi).  He grows attached to an aging racehorse named Lean on Pete but, when the horse starts losing races, he is destined for slaughter.  After a tragedy involving his father, Charlie takes Lean on Pete for a cross-country journey to find his aunt.  It is a coming of age story about a boy whose situation becomes more and more perilous and it is absolutely unrelenting.  Much like Andrew Haigh's previous movie 45 Years, this movie does not have a lot of dialogue or exposition but everything that Charlie is feeling is evident and he is an entirely sympathetic character.  There were times when I had tears in my eyes and one scene made me gasp out loud but I never felt that it was manipulative.  It felt like an accurate portrayal of a segment of society living on the edge of poverty.  Plummer gives an astonishing performance, appearing in literally every scene.  The cinematography is beautiful, especially the nighttime scenes of Charlie walking with Pete through the desert with only a lantern for illumination.  I loved this movie and I highly recommend it!

Avengers: Infinity War

Last night I saw a Thursday preview of Avengers: Infinity War with a large and rowdy crowd and to say that it is epic would be an understatement!  All of the movies in the Marvel Cinematic Universe have been leading up to this point and it certainly did not disappoint.  Thanos (Josh Brolin) is on a quest to assemble all of the infinity stones so that he may destroy half of the population of the universe, believing that it will preserve resources and, thereby, ultimately preserve life.  He, along with his followers, battle against various groups of Avengers, Dr. Strange, Spider-Man, the Guardians of the Galaxy, and the people of Wakanda in order to retrieve the stones.  The stakes in this movie are real with serious consequences and there are scenes of great pathos but the humor that we have all come to love and expect is there, as well.  I particularly enjoyed the interactions between Thor (Chris Hemsworth) and Peter Quill (Chris Pratt) and between Tony Stark (Robert Downey, Jr.) and Stephen Strange (Benedict Cumberbatch).  I really liked Thanos as a villain because in many ways he is very sympathetic.  The battle sequences are incredible and the CGI is actually quite amazing.  In my screening there were cheers and applause as every character came on screen and there were audible gasps at some of the more poignant scenes.  I really have no words for my reaction to this movie except to say that it lived up to my expectations in every way and I suspect that I will need to see it again!

Note:  The ending...

Beirut

My Dad and I are both big fans of espionage movies so I took him to see Beirut last night.  This movie is the type of old fashioned political thriller that Hollywood doesn't seem to make any more and we both loved it!  It is 1972 and Beirut is the Paris of the Middle East.  Mason Skiles (Jon Hamm) is a U.S. diplomat living the high life in Beirut when an incident with his friend Cal Riley (Mark Pellegrino), a CIA agent, leads to a personal tragedy.  Ten years later Skiles is an alcoholic working as a labor dispute negotiator in the U.S. when he is asked by the CIA to return to Beirut, now engulfed in a civil war, to negotiate the release of Riley who has been taken hostage.  There is much unfinished business between the two men as well as uncertain loyalties within the state department set against the backdrop of unrest in the Middle East which makes this movie incredibly intense and suspenseful.  One of the reasons I love espionage movies that are done well is that you have to pay attention to the subtle clues and it is so satisfying when you figure something out.  At one point, my Dad leaned into me and asked, "You know where this is going, right?"  I answered him and then we gave each other knowing looks when my prediction proved accurate!  I still didn't know how the events would ultimately be resolved so I found it to be very compelling until the final scene.  Hamm gives a great performance, one of his best to date, as a man who is forced to confront his past and Rosamund Pike does a nice job as a CIA officer who decides to trust him.  This movie doesn't do anything new for the genre but I found it to be very entertaining and it made for a fun night out with my Dad (we discussed it the whole drive home).

You Were Never Really Here

You Were Never Really Here was the very first film that I saw at Sundance this year and it has haunted me ever since.  I knew that I would need to see it again. Luckily it is being screened by the Salt Lake Film Society and I got to see it yesterday afternoon.  Joe (Joaquin Phoenix) is a brutal and ruthless hit man, whose weapon of choice is a hammer.  He is clearly tormented, attempting suicide multiple times, and through flashbacks we learn that he is suffering from PTSD from a violent childhood at the hands of an abusive father, from combat duty in Iraq, and as a former FBI agent.  He is hired to rescue the daughter of a New York State Senator who has become the victim of a sex trafficking ring.  The operation to rescue the girl goes wrong and everyone involved in her rescue, except Joe who manages to escape, is brutally murdered which prompts him to seek revenge.  What I loved about this film is that a tragically flawed character is ultimately redeemed by the very person he sets out to save.  This is a theme that really resonated with me because, while this film is dark and gritty, it does end on a optimistic note.  Joaquin Phoenix gives a brilliant central performance.  There is not a lot of exposition or dialogue but you can instantly feel Joe's pain and desperation.  One scene, in particular, is incredibly powerful when he realizes that the girl he has been hoping to save will now be as damaged as he is and I was almost in tears as she attempts to comfort him.  Jonny Greenwood's pulse-pounding score adds to the almost unbearable tension and Lynne Ramsay's script is a powerful exploration of suffering.  It is beautiful in its brutality.  It is profound in its simplicity.  It is a masterpiece!

Grease

I was nine years old when Grease was released and my Dad went to see it with my aunt and uncle without me.  This was absolutely devastating to me and the only thing that could console me was getting a giant lipsmacker (I chose watermelon).  I have, of course, seen it dozens of times since then but never on the big screen which is why I was so excited to see it yesterday as part of the TCM Big Screen Classics series.  It was so much fun!  People in my screening sang along (out loud) to every song and some people were even doing the actions to "Greased Lightnin'" and "Born to Hand Jive."  This movie is the quintessential high school musical featuring a love story between Danny Zuko (John Travolta), the leader of the T-Birds, and Sandy Olsson (Olivia Newton-John), a good girl who has recently transferred to Rydell High from Australia.  With a little help from the rest of the T-Birds (Jeff Conaway, Barry Pearl, Michael Tucci, and Kelly Ward) and the Pink Ladies (Stockard Channing, Didi Conn, Jamie Donnelly, and Dinah Manoff) they might just get back together by graduation.  This movie is such a nostalgic look back at the 1950s with leather jackets, letterman sweaters, poodle skirts, sock hops, malt shops, drive-in movies, and fantastic cars.  It was fun to see all of the cameos by people who were popular stars in the 1950s such as Sid Caesar, Eve Arden, Alice Ghostley, and Joan Blondell.  I love all of the songs especially "Grease" during the opening and closing credits, "Summer Nights," "Hopelessly Devoted to You," "Sandy," and "You're the One That I Want."  All of the musical numbers have a lot of fun choreography and they really stand the test of the time.  The only number that is really cheesy is "Beauty School Dropout" sung by Frankie Avalon but it is so cheesy that it is good.  I had so much fun watching this movie!  In fact, I'm thinking of seeing it again on Wednesday (my sister is bitter that I saw it without her).

A Quiet Place

Last night I went to a Thursday preview of A Quiet Place which was one of my most anticipated films of 2018.  It did not disappoint.  In the near future Earth has been invaded by mysterious creatures who are blind but have a highly advanced sense of hearing.  There is almost no exposition, just vivid images of a town destroyed by an apocalyptic event, and this is highly effective at conveying an atmosphere of terror.  One family has survived this invasion by living in total silence with meticulous preparation and ingenious methods of communication.  However, there are the occasional lapses, one of which has resulted in the death of a son, and situations beyond their control which lead to unrelenting tension in the final act.  John Krasinski and Emily Blunt play the parents who go to extraordinary lengths to keep their children safe and they both give powerful physical performances, conveying absolute terror and incredible pathos with just a facial expression.  Millicent Simmonds gives a highly nuanced performance as a deaf girl who grapples with feelings of guilt over the death of her younger brother and Noah Jupe is extremely affecting as a boy who must overcome his fear to survive.  Beyond the outstanding performances, what elevates this above just another evade the scary monsters movie that we have all seen before is the brilliant sound design.  The first act is conducted in almost near silence, aside from the occasional ambient noise from nature, and it is very unsettling to watch.  My attention never wavered from the screen and, like the characters on the screen, I tried extremely hard not to make even the tiniest sound.  You could literally hear a pin drop in my screening and, again, it was so unsettling!  Another highly effective choice made by Krasinski, who co-wrote the script as well as directed, is to give the audience only brief glimpses of the creatures until the devastating final act.  It adds greatly to the tension.  I am not a huge fan of the horror genre but the unique premise and the fact that the story is about a loving family doing whatever they can to protect each other makes me give it a resounding recommendation.

Note:  Just don't buy any loud snacks to consume during this movie.  Trust me on this!

Isle of Dogs

I absolutely love Wes Anderson.  I love all of his movies and that is not something I can say about many directors.  As you can imagine, I have been eagerly anticipating the release of his latest movie Isle of Dogs for a very long time so when my friend invited me to go with her to an advance screening last night (it opens next weekend in SLC) I jumped at the chance.  It is hard for me to be objective because of my aforementioned love for everything Wes Anderson but it is so good!  Twenty years in the future the dogs on the Japanese archipelago have been infected with a flu-like virus.  Mayor Kobayashi (Konichi Nomura) banishes all of them from Megasaki City to Trash Island, beginning with his nephew's dog Spots (Liev Schreiber).  Atari Kobayashi (Koyu Rankin) goes to Trash Island to search for Spots and is helped by a pack of dogs named Chief (Bryan Cranston), Rex (Edward Norton), King (Bob Balaban), Boss (Bill Murray), and Duke (Jeff Goldblum).  It turns out that Mayor Kobayashi has a nefarious reason for wanting to rid Megasaki City of all its dogs so, when Professor Watanabe (Akira Ito) discovers a cure for the virus, he is imprisoned and killed.  A foreign exchange student named Tracy Walker (Greta Gerwig), working for her high school newspaper, uncovers the conspiracy and sways popular opinion in favor of the dogs.  The stop-motion animation is brilliant and the attention to detail is remarkable, especially the fur on the dogs.  This movie also includes the usual Wes Anderson aesthetic (center framing, overhead shots, tracking shots, text on the screen, highly composed shots, monochromatic color palette).  The story is incredibly clever and laugh-out-loud funny but I also found it to be unexpectedly poignant.  I loved the journey that Chief takes from being a stray dog who likes to bite to learning to love the boy Atari.  The five main dogs have very distinct personalities, my favorite is the gossip loving Duke, and there are so many fun supporting characters, especially the Professor's Assistant Yoko (Yoko Ono), the Interpreter (Frances McDormand), Mayor Kobayashi's henchman Major Domo (Akira Takayama), and the show dog Nutmeg (Scarlett Johansson).  I enjoyed watching this movie so much and I'm sure that I will see it multiple times to catch all of the references.  In my opinion, Wes Anderson is a genius and, if you like his previous movies, I suspect that you will love Isle of Dogs.  Definitely go see it!

Ready Player One

Last night I had the opportunity to see a Wednesday preview of Ready Player One.  I just finished reading the book by Ernest Cline because so many of the boys in my sophomore English classes were reading it.  Reading is a hard sell to sophomore boys so I wanted to check it out to understand the appeal.  As a child of the 80s, I absolutely loved it and I, along with my students, have been eagerly anticipating the movie adaptation directed by Steven Spielberg.  If you are a fan of the book there are quite a few changes in the movie, which bothered me initially, but ultimately made for a better narrative.  In the year 2045 much of the population tries to escape from the dreariness of their daily lives by entering a virtual reality simulation known as the OASIS created by an eccentric gamer named James Halliday (Mark Rylance).  When Halliday dies, he reveals a contest to locate three keys leading to an Easter egg granting the winner sole control of both the OASIS and his vast fortune.  A rival software company called Innovative Online Industries (IOI), controlled by Nolan Sorrento (Ben Mendelsohn), compels indentured servants to search for the keys because it wants to use the OASIS in order to generate revenue through advertising.  Wade Watts (Tye Sheridan), a Gunter (egg hunter) who uses the avatar Parzival, eventually teams up with Samantha/Art3mis (Olivia Cooke) and Helen/Aech (Lena Waithe) to find the egg using clues from Halliday's personal life, such as a fondness for 80s pop culture and his relationships with Ogden (Simon Pegg) and Kira Morrow (Perdita Weeks).  Most of the differences from the book involve the tasks needed to be completed in order find the keys but these scenes are absolutely exhilarating, especially an epic street race and a sequence from The Shining.  The movie is visually stunning, as if you are actually in the middle of a video game.  I loved all of the pop culture references, especially the ones that are very subtle.  When I saw the poster for the Rush album 2112 hanging on the wall in Halliday's teenage bedroom, I may or may not have squealed out loud.  Even though the nostalgia made watching this movie a lot of fun, the message about the dangers of disengaging with reality really resonated with me.  Online you can be anyone or anything that you want but it is always better to be appreciated for who you really are.  I really liked the fact that Art3mis the avatar is incredibly sexy but Wade ultimately wants to be with the mousy Samantha.  I loved this movie and I highly recommend it!

Note:  The only difference from the book that bothered me was that many of the references to music were not used, especially in the club scene.  I really wanted to hear "Union of the Snake."

The Death of Stalin

One of the things I love best about the Sundance Film Festival is the opportunity to talk to people who are just as passionate about film as I am.  I always ask the people I meet what their favorite film of the festival has been and one of the coolest guys I met immediately mentioned The Death of Stalin, telling me that it was one of the funniest things he had ever seen.  I did wonder how Stalin's Great Purge in the Soviet Union could be viewed as a comedy but he made me promise that I would check it out.  As I was unable to get a ticket at Sundance I have been eagerly anticipating its wide release ever since.  I saw it last night and it is an absolutely hilarious political satire that had me, along with everyone else in my screening, laughing out loud!  After Stalin (Adrian McLoughlin) dies from a cerebral hemorrhage, the Members of the Central Committee plot and scheme for control.  The ineffective Gregory Malenkov (Jeffrey Tambor) assumes control of the Committee but both Nikita Khrushchev (Steve Buscemi) and Lavrentiy Beria (Simon Russell Beale) manipulate him as they fight each other for control.  The fear of Stalin is satirized as the Moscow Symphony is forced to recreate a performance because Stalin wants a recording (they bring in peasants off the street to recreate the acoustics and the applause because Stalin will know the difference), when the officers outside Stalin's door hear him collapse but are too afraid to enter for fear of provoking his anger, and when the Committee cannot find a doctor to attend to Stalin because all of the good ones have been shot.  Some of the funniest scenes are when the Committee Members try to ingratiate themselves to Stalin's daughter Svetlana (Andrea Riseborough) and his unstable son Vasily (Rupert Friend, in a hilarious performance).  There is a montage as they prepare for Stalin's elaborate funeral ("Ruched or non-ruched drapery?") that had me laughing so hard I couldn't breathe.  Jason Isaacs is completely over-the-top as Field Marshall Georgy Zhukov as he conspires with Khrushchev to stage a coup against Beria.  I had another laughing fit as his medals clanged together in slow-motion.  The ultimate resolution of this farce is quite shocking but, even so, I was laughing again when I saw Leonid Brezhnev looking over Khrushchev's shoulders.  In my opinion, director Armando Iannucci strikes the just the right balance in satirizing what were some darkest days in the history of the Soviet Union by making fun of the stereotype rather than the event itself.  As a fan of dark comedies I highly recommend this film!

The Party

Last night I was in the mood for a dark comedy so, of course, I took myself to the Broadway to see The Party.  Janet (Kristin Scott Thomas) is an idealistic politician who has just been promoted to Minister of Health.  She and her husband Bill (Timothy Spall) throw a party for their friends to celebrate.  The first to arrive is April (Patricia Clarkson) and her boyfriend Gottfried (Bruno Ganz) followed by Martha (Cherry Jones) and her partner Jinny (Emily Mortimer).  The last to arrive is Tom (Cillian Murphy) who informs them that his wife Marianne will not be able to join them until later.  As they toast Janet's promotion, all of the characters have their own announcements:  Bill has been diagnosed with a terminal illness, April and Gottfried are separating, and Martha and Jinny are expecting triplets.  By the way, Tom, who is clearly agitated and carrying a gun, takes every opportunity to snort cocaine in the bathroom and Janet keeps receiving texts from a lover who is clearly not Bill.  What begins as a celebration among friends rapidly descends into a tense drama filled with long dormant recriminations and culminates in another bombshell announcement.  I laughed through the entire film, as did everyone at my screening.  I don't know what it is about deeply flawed characters behaving badly but I find watching their over-the-top antics to be very cathartic.  All of the actors are fantastic, especially Clarkson (her cynical character has the best lines), and you could say that they give a master class in verbal sparring.  All of the action takes place in a London townhouse in real time so it has the feel of a one-act play (the run-time is only 71 minutes) in which all of the characters come undone right before your eyes and the black and white cinematography highlights the claustrophobia.  I really enjoyed this film but I have to say that I have been in a black mood lately so it might not be for everyone!

Vertigo

I believe I have mentioned once or twice that I absolutely love the films of Alfred Hitchcock so when TCM announced that Vertigo, arguably one of his best films, would be screened for its 60th Anniversary as part of the Big Screen Classics series I got really excited.  I have seen this psychological thriller about obsession many times but never on the big screen so it was a real treat to see it yesterday.  John Ferguson (Jimmy Stewart) is a San Francisco police officer who retires after an episode of vertigo contributes to the death of a fellow officer.  He is asked by Gavin Elster (Tom Elmore), an old friend, to follow his wife Madeleine (Kim Novak) because he believes she is acting erratically.  Her actions lead Ferguson to believe that she is possessed by an ancestor and, after he falls in love with her, he tries to protect her from her ancestor's fate of suicide.  Ultimately, he is unable to stop her from jumping from the bell tower of a Spanish mission because of his vertigo.  He is absolved of responsibility for her death but descends into a deep depression until he sees a woman named Judy (Kim Novak) who looks remarkably like Madeleine.  He begins a relationship with her but she may not be who she appears to be.  It is such a brilliant psychological thriller and the scenes where Ferguson tries to make Judy look like Madeleine are so creepy but you just can't look away.  Stewart is fantastic as a man driven mad by his obsession for a woman who doesn't exist. There is a scene, in particular, where Ferguson accuses of Judy of impersonating Madeleine for Elster as part of a murder plot and then realizes that he, too, has asked her to impersonate Madeleine for his own design.  It is incredibly powerful.  Novak is the perfect Hitchcock woman: blond, icy, and mysterious.  The score is haunting and does much to enhance the sense of unease that permeates the film.  Hitchcock's camera work (a technique now know as the dolly zoom which was invented for this movie) is also very disorienting, almost as if the audience is experiencing Ferguson's vertigo along with him.  I think this film is a masterpiece and I recommend seeing it on the big screen (go here for info).