The Glass Menagerie at PTC

PTC's production of The Glass Menagerie, Tennessee Williams' classic play about nostalgia, is closing very soon and, as I have been very busy the past few weeks, I thought about skipping it.  I have read and seen this play performed countless times and, frankly, I sometimes find it to be very grim so I didn't feel any urgency.  However, I decided at the last minute to see it last night and I am very glad that I did because I was quite impressed.  The play is narrated by Tom Wingfield (Zachary Prince), a writer reminiscing about his memories of his mother and sister and their dreary existence in St. Louis during the 1930s.   He longs to escape their suffocating apartment and substitutes movies for the adventure he craves.  Amanda Wingfield (Nance Williamson) lives in the past, regaling her children with stories of the southern gentility she experienced growing up on a plantation and of her many "Gentlemen Callers."  Laura Wingfield (Hanley Smith) is crippled and is so shy that she prefers to retreat into the world of her glass animals.  None of them can face the harsh reality of their lives, which is momentarily brightened by the prospect of a "Gentleman Caller" for Laura (Logan James Hall).  This play is very character driven and a good production relies on its cast to give engaging performances.  Prince, Williamson, Smith, and Hall do that and more.  Williamson, especially, commands attention as the overbearing Amanda and I found her interpretation to be quite humorous at times (I don't remember ever laughing at any of the other productions I've seen).  I really liked the set, particularly the the portrait of Amanda's husband which dominates the space.  I also really liked the use of light, which I found to be highly effective at conveying different moods throughout the play.  I definitely recommend this production but, unfortunately, it it closing tomorrow;  however, there are still a few performances left so act quickly and go here for tickets.

Sister Act at HCT

Last night I went to see Sister Act, the musical based on the 1992 movie of the same name starring Whoopi Goldberg, which is the current production at Hale Centre Theatre. I really enjoyed the movie so I was hoping that the musical would be just as entertaining. Normally I am not a big fan of the current trend of turning popular movies into musicals because they seem so contrived but I think this adaptation is fantastic.  Like the movie version, the story involves a singer, Deloris Van Cartier  (Raven Flowers), who inadvertently witnesses her gangster boyfriend Curtis (Brannon Killgo) kill someone. She is placed in the Queen of Angels Convent to keep her safe until she can testify against Curtis and, as you can imagine, she wreaks havoc on the Mother Superior by taking over the choir. Unlike the movie version, it contains all new original songs by Alan Menken and they are quite good.  I actually really enjoyed watching this show and there are a few aspects of the production that really stand out.  First, Flowers gives a sassy and soulful performance that is just so much fun to watch (I saw her in the title role of Aida at the CenterPoint Theater and she was amazing). She has a voice capable of blowing the roof off of the theater and a larger-than-life personality that makes her ideally suitable for this role. I especially loved her dancing in the song "Raise Your Voice" when she is teaching the nuns how to boogie! Second, I loved all of the choreography, especially in "When I Find My Baby" and "Lady In The Long Black Dress."  In fact, Joey (Bryan Dayley), T.J. (Cameron Garner), and Pablo (Matthew Richards) just about steal the show with their leisure suits and disco moves and I laughed out loud, as did everyone around me, during both of those numbers.  I also really enjoyed "Take Me To Heaven" with the nuns.  Finally, I loved all of the costumes!  Monsignor O'Hara (Oran Marc de Baritault) wears vestments that get more and more elaborate as the show progresses and what can I say about the nun's habits made of turquoise sequins for the finale? They are fabulous, baby!  Speaking of things that sparkle, did I mention all of the disco balls dangling from each entrance to the theater? So much fun!  I thoroughly enjoyed Sister Act and I highly recommend it for a fun and entertaining night out!  It runs at HCT until Dec. 3 and tickets may be purchased here.

The Last Ship at PTC

I've always been a big fan of Sting.  I've seen him in concert many times, including a concert at Red Rocks Amphitheater in Denver and then another one the very next night at the Maverik Center in SLC.  I was so excited when I learned that PTC would be opening the 2016-2017 season with The Last Ship, the Broadway musical with music and lyrics by Sting about the community he grew up in.  This year I decided to get a rush pass to PTC, which means that I can get a ticket to any show on any night 30 minutes before curtain if tickets are available.  I had planned to see The Last Ship last night because I thought it would be a nice way to celebrate making it though the week of parent teacher conferences.  Then I heard a rumor that Sting would be attending this performance.  I thought it would be amazing to see this show with Sting in the audience so I watched the availability of tickets all day.  There were fewer and fewer tickets available as the day went on and when it got down to the last few tickets I bit the bullet and just bought one!  I ended up sitting six rows behind him and he seemed visibly emotional when the audience would respond to something.  After the show, he got up on stage and, in an emotional speech, told the crowd how much he enjoyed the production and thanked us for being an amazing audience!  It was so fun!  I really loved the show!  In fact, I'm thinking of going to see it again since I have the rush pass.  Gideon Fletcher (Bryant Martin) wants to leave his hometown of Wallsend, England despite the fact that his father wants him to follow in his footsteps and work at the local shipyard.  When he leaves, he promises his girlfriend Meg (Ruthie Stephens) that he will come back for her.  After fifteen years, he returns when he learns of his father's death to discover that the shipyard has been closed and that he has a son.  It is a wonderful story about the power of community and the relationship between fathers and sons that is both funny and heartwarming.  I loved all of the music including "All This Time" and "When We Dance," which I was familiar with, and "If You Ever See Me Talking to a Sailor" and "We've Got Now't Else."  Both Martin and Stephens have amazing voices and give very powerful performances.  I loved the innovative choreography, especially when they are building the ship in "We've Got Now't Else."  The set design is extremely clever, transitioning from a dock, to a shipyard, to a pub, and then the ship itself very easily with the movement of large steel panels and grids.  Really, everything about this production is wonderful and I highly recommend this show, even without Sting in the audience, which runs through October 1.  Go here for tickets.

The Eccles Theater

Over the weekend I was invited to an open house to get a sneak peek at the brand-new, state-of-the-art George S. and Dolores Dore Eccles Theater in downtown SLC.  It is absolutely gorgeous and I can hardly wait for the Broadway at the Eccles (formerly known as Broadway in Utah) 2016-2017 season to start!

The theater is located in the heart of downtown SLC right on Main Street.  Locating the theater here has done quite a bit to revitalize Main Street and I'm looking forward to going to many of my favorite downtown restaurants before shows.

I love the reflection of the city in the glass doors and windows.

The lobby is very sleek and modern with different colored glass on every level.  My favorite is the purple on the third tier.  There is also a restaurant in the lobby called the Encore Bistro and I can vouch for the caprese sandwich with orzo salad.  Yummy!

The third tier also boasts a terrace with an amazing view of downtown SLC.  I imagine this will be a lovely place for a drink during intermission!

The Delta Performance Hall inside the theater.  The lights are absolutely dazzling, especially on the ceiling.

As part of the open house, season ticket holders were able to "meet" their seats!  I met my seat and I think we are going to get along just fine.  It is really comfortable and there is a lot of leg room!  Hooray!

The view of the stage from my seat!  The shows coming to the Eccles Theater this season are Beautiful - The Carol King Musical, Irving Berlin's White Christmas, Kinky Boots, Matilda, Rodgers and Hammerstein's Cinderella, and Dirty Dancing.  There are quite a few special engagements to add to a season ticket as well.  I added The Lion King, Mamma Mia, and The Book of Mormon.  If this little tour of the beautiful Eccles Theater has convinced you to get season tickets, go here for more information.  Another incentive: having season tickets for the 2016-2017 season guarantees you tickets for Hamilton which is coming to SLC for the 2017-2018 season!  I can't believe this will be my view for Hamilton!  It is a little bit better than the view I had at the Richard Rodgers Theatre (although I did see the original cast in my nosebleed seat!).

The Music Man at Sundance

One of my favorite summer traditions is to watch a performance by the UVU Theatre Department at the Sundance Mountain Resort.  It is so great to be up in the mountains where it is a little bit cooler than down in the valley (although last night was really cold) and smell the scent of pine trees while watching a classic musical.  This year they performed The Music Man and I thoroughly enjoyed it (except for the fact that I was so cold).  I love all of the old classic musicals because I remember watching them at my Grandma's house and watching The Music Man definitely brought back some great memories.  The story of a traveling salesman who comes to swindle the residents of River City but discovers love instead is so sweet and this production was fabulous!  I really loved the scenic design.  All of the set pieces were made of wood with a whitewash finish and they made all of the colorful costumes really pop against them.  It was a great effect.  The choreography was stunning and I especially loved the innovative staging of "Rock Island" and both "Marian the Librarian"  and "Seventy-Six Trombones" were show-stoppers!  I also really liked all of the choreography during the scene changes.  My favorite character in this show is always Eulalie MacKecknie Shinn and Elizabeth Hansen was an absolute hoot!  I couldn't stop laughing during her Grecian Urn performance.  Scott MacDonald was just as funny as the befuddled Mayor Shinn ("Not one poop out of you, Madame.") and I also loved Laurie Harrop-Purser as Mrs. Paroo, especially when she was eavesdropping on Marian and Harold through the window!  Greg Hansen was incredibly charismatic as Harold Hill and I loved his rousing renditions of "Ya Got Trouble" and "Seventy-Six Trombones."  Rachel Woodward Hansen played Marian with a sweet mixture of toughness and vulnerability and her voice was beautiful in the songs  "Goodnight My Someone," "My White Knight," and "Till There Was You."  The two of them had great chemistry, especially in "Marian the Librarian," and then I discovered that they are a real life couple!  Other than the fact that I was so cold, it was a lot of fun to see this show.  Unfortunately, last night was closing night but I heard a rumor that they will be performing Joseph and the Amazing Technicolor Dreamcoat next summer!

Beauty and the Beast at HCT

Last night I had the chance to see Hale Centre Theatre's magical production of the Disney musical Beauty and the Beast. I absolutely loved this show from start to finish! Karina Gillette, as Belle, and Austin John Smith, as the Beast, are very well suited to their roles and have very powerful voices which almost blow the roof off the theatre. I especially enjoyed Gillette's rendition of "Is This Home?" and Smith's rendition of "If I Can't Love Her" (which elicited quite the reaction from the crowd). Cogsworth (Zac Zumbrunnen), Lumiere (Addison Welch), and all of the other enchanted objects are lots of fun to watch and "Be Our Guest" is quite the production number. Quinn Dietlein is hilarious as Gaston and I laughed out loud just about every time he hit poor Lefou (Thomas Brandley). Cory Reed Stephens, who is new to HCT, does a brilliant job with some innovative choreography (in a small space!), especially in the "Mob Song" which incorporates mannequins. Once again, I was impressed with Kacey Udy's set design. The castle comes down from the ceiling and it is very dramatic and, of course, I loved the library. Finally, I thought the costumes were simply amazing! Jenn Taylor's creations feature yards and yards of the most sumptuous, bejeweled, and bedazzled fabric you can imagine. The sheer number of costumes, especially for the ensemble, is especially impressive!  I also really loved all of the puppets, created by Taylor, used in the show, particularly the horse! This is a really big show full of enchantment and I would definitely recommend it for children! All of the children in the audience last night were spellbound! Beauty and the Beast runs at HCT until Oct. 1 but many shows have already sold out.  Go here for tickets.

Note:  The last time I saw Beauty and the Beast at HCT was with a five-year-old Tashena who wore her Belle dress to the show.  When the rose was down to its last petal, she screamed out loud to warn the Beast!

Shakespeare Festival 2016

I had only been home from my road trip with Sean less than 24 hours when I was back on the road to spend a couple of days at the Utah Shakespeare Festival.  I was really looking forward to seeing the new Engelstad Theatre and it is quite impressive.  The stage itself is very reminiscent of the Adams Theatre but the facility is state-of-the-art with restrooms, concessions, and a covered foyer.  I think it is amazing.  My very first play in the new theatre was Tuesday night and I couldn't have picked a better one!  I have been waiting for three years to see Henry V having seen Henry IV Part One in 2014 and Henry IV Part Two in 2015 all with the same actor, Sam Ashdown, in the lead role.  I was so excited to see the play where Henry earns his crown and it was amazing! After succeeding to the throne of England, Henry (Ashdown) learns that, under Salic law, he is the rightful heir to the throne of France and, knowing that a foreign conquest will solidify his popularity with the people, he begins war with France.  Weakened by sickness and outnumbered five to one, Henry rallies his troops for battle with the famous St. Crispin's Day speech (which gave me goosebumps) and, despite overwhelming odds, achieves a decisive victory.  He wins the throne of France and the hand of Katherine and thus begins the reign of one of England's greatest kings.  There were moments in this play that took my breath away, particularly the aforementioned St. Crispin's Day speech and when Henry hangs one of his friends from his wild days, and the performances were incredible, especially Ashdown (who has done an amazing job with the role of Prince Hal and King Henry) and Eddie Lopez as the Dauphin of France (so cocky).  I loved the giant wax seal with Henry's monogram in the middle of the stage as a representation of Henry's reign and I loved the large banners representing the English and French flags.  So dramatic!  The battle of Agincourt was staged very well and I especially loved the archers in the balcony.  This production was excellent and I highly recommend it!  Wednesday afternoon I saw Mary Poppins and it was a lot of fun!  It tells the well-known story of how a practically perfect nanny saves the Banks family.  The two leads, Elizabeth Broadhurst as Mary Poppins and Eddie Lopez as Bert, were outstanding.  The big productions numbers, "Jolly Holiday," "Supercalifragilisticexpialidocious," "Let's Go Fly a Kite," and "Step in Time," had very innovative choreography and colorful costumes and I especially liked the kites flying through the audience.  There were lots of children in the audience who were mesmerized by Mary Poppins flying through the audience (although the little girl next to me said that she was glad that it was over at intermission) so it is definitely one I would recommend for kids.  My last play on Wednesday evening was The Three Musketeers and I loved it!  D'Artagnan (Luigi Sottile) wishes to become one of King Louis' famous musketeers and joins Athos (J. Todd Adams), Porthos (Todd Denning) and Aramis (Tasso Feldman) on an adventure to save the Queen's honor from the unscrupulous Cardinal Richelieu (Peter Lohnes).  All for one and one for all!  This show was a lot of fun because of all of the sword fighting (even in the aisles) and I loved Ben Livingston's performance as the silly King Louis XIII.  This is another show that kids will enjoy.  Even though I was only at the festival for two days, I certainly enjoyed myself (and had my fair share of tarts).  Go here for more information.

Motown The Musical

Imagine a concert featuring the Temptations, the Four Tops, Diana Ross and the Supremes, Marvin Gaye, Smokey Robinson and the Miracles, Stevie Wonder, and the Jackson 5.  That is essentially what it felt like last Thursday night at the Capitol Theatre when I saw a performance of Motown The Musical.  As you can imagine, it was incredible because the actors looked and sounded so much like the Motown recording artists they portrayed.  The musical tells the story of the rise and fall of Motown Records, particularly highlighting the tempestuous relationship between founder Berry Gordy (Chester Gregory) and his superstar Diana Ross (Allison Semmes).  Interspersed with the telling of the history of Motown is the music from their legendary catalogue.  My favorites included "Where Did Our Love Go," "My Girl," "Stop in the Name of Love," "I Heard It Through the Grapevine," "Baby I Need Your Lovin'," "War," "Ball of Confusion," "I Want You Back," "ABC," "Reach Out (I'll Be There)," "Mercy, Mercy Me," and "Get Ready."  It is such great music and the choreography and period costumes made every number spectacular.  People in the audience were singing, clapping, cheering, and practically dancing in the aisles!  I really loved Semmes' portrayal of Diana Ross, especially during the song "Reach Out and Touch," because she immitated all of her mannerisms perfectly (I laughed out loud when she flipped her hair).  However, J.J. Batteast completely stole the show as the young Michael Jackson.  Where did they find this kid?  He sounded and, more importantly, he danced just like Michael Jackson.  Those scenes were the highlight of the show for me.  If you are a fan of this music, I highly recommend that you see this musical if you have the opportunity.  Unfortunately, the run at the Capitol Theatre ended last night.

Note:  My only complaint is that I wished that every song could have been performed in its entirety.  There were just so many that had to be included!

Waitress on Broadway

The one musical that Esther really wanted to see, besides Hamilton of course, was Waitress.  I am so glad that she suggested it because I don't think I would have picked it if left to my own devices and I ended up loving it so much.  It is absolutely amazing with incredible music by Sara Bareilles and a powerful performance by Jessie Mueller, both of whom were nominated for a Tony.  The musical is based on the 2007 independent film of the same name and tells the story of how Jenna (Mueller) uses baking to cope with her dead-end job as a waitress and her unhappy marriage to Earl (Nick Cordero).  When she unexpectedly becomes pregnant and then begins an affair with her gynecologist (Drew Gehling), she feels as if her life is spiraling out of control and decides that her only hope is to enter a pie baking contest to use the prize money to begin a new life.  Whenever life gets to be too much for Jenna, everything around her freezes and she gives the audience the recipe for a pie that would help her situation, always beginning with, "Sugar. Butter. Flour."  In the end she realizes that the one ingredient missing from her pies is courage!  There are parts of the story that are so funny and parts that brought tears to my eyes.  The music is brilliant and I loved every single song.  My very favorite was "She Used to Be Mine" because Mueller performed it with so much passion (Did you see her perform it at the Tonys?) that I literally cried through the whole thing.  I loved the fact that the cast actually makes pies throughout the show and that they place them in large pie coolers (like you see at Village Inn) on both sides of the proscenium.  It is an amazing show and I am so glad that I got to see the original Broadway cast!

Note:  At intermission you could buy individual servings of pie in tiny Mason jars!  I got cookies and cream pie and Esther got Key lime pie.  So much fun!

She Loves Me on Broadway

One of the shows that Esther and I were able to see while in NYC was the Broadway revival of She Loves Me.  Quite a few people from my HCT group saw it and loved it so I was really looking forward to it.  The setting is 1934 in Budapest at Maraczek's Parfumerie, a little shop with a group of eccentric clerks.  Two of the clerks, Georg Nowack (Zachary Levi) and Amalia Balish (Laura Benanti), bicker constantly in the shop but, of course, they are secretly corresponding with each other (this musical was the basis for the movies The Shop Around the Corner and You've Got Mail).  Chaos ensues when they arrange to meet and Georg discovers that his "dear friend" is really his enemy at the shop.  This show is a lot of fun and I really enjoyed the songs "Tonight at Eight" and "Will He Like Me?" because they show both the male and female perspectives on getting ready for a date and I also really loved Levi's enthusiastic rendition of "She Loves Me."  I was actually quite star-struck by both Levi (from the TV show Chuck and the movie Tangled) and Jane Krakowski (from the TV show 30 Rock) who gives a marvelous performance as Ilona, one of the clerks. Laura Benanti has gotten quite a bit of buzz for her portrayal of Amalia but, in my opinion, Jane Krakowski steals the show as Ilona, especially in the big production number "Ilona" where she is pulled across the stage in the splits!  In addition to the great performances and fun musical numbers, the stage is absolutely spectacular and I was particularly struck by all of the different views and levels of the perfume shop. I loved how they changed the shop for the different seasons, especially for winter which Esther and I got to experience first-hand sitting on the second row! I really enjoyed this show.

Note: Esther and I decided to wait at the stage door after the show (a first for me) and we got to meet both Zachary Levi and Jane Krakowski.  Both of them signed my Playbill!  Jane Krakowski didn't stay out very long but Zachary Levi signed everyone's Playbill and posed for pictures with anyone who wanted one.  He was really cool!  He talked to me for a few minutes and some people around me asked me if I knew him because he seemed so friendly towards me! While we were waiting for autographs, Lin-Manuel Miranda drove by and shouted to us.  No big deal!

The Phantom of the Opera on Broadway

The Phantom of the Opera was the first musical I saw on Broadway during my first trip to New York City (many years ago) so seeing it on this trip felt like coming full circle.  I have always really loved this show (especially when the chandelier crashes into the stage) so I was looking forward it and this production certainly didn't disappoint.  Christine Daae was performed by the alternate, Rachel Zatcoff, and she was amazing.  I really loved her renditions of "Think of Me" and "Wishing You Were Somehow Here Again."  I absolutely loved the Phantom (Jeremy Stolle) and he gave me goosebumps during "The Music of the Night."  I always think that Christine should stay with the Phantom because Raoul will never make her feel the way the Phantom does but she always picks Raoul.  I, rather unusually, really liked Raoul (Jeremy Hays) in this production and I thought he had great chemistry with Zatcoff, especially in "All I Ask of You" (I usually feel sorry for the Phantom in that scene).  The entire cast was fantastic and I especially loved "Masquerade" which is always my favorite scene in the show because the choreography is so elaborate.  The Phantom of the Opera was my last show in New York City and I couldn't have picked a better one to end on.  Andrew Lloyd Webber's music is timeless!

Les Miserables on Broadway

No matter what my current obsession might be, Les Miserables will always be my sentimental favorite.  It is the first musical I fell in love with and, even though I have seen it more than twenty times (a conservative estimate), I still get goosebumps every time I hear those opening notes.  I hadn't planned on seeing it while I was in New York but I kept walking past the Imperial Theatre (which is, ironically, next to the Richard Rodgers Theatre) and I noticed that it will be closing in September.  I might not have another chance to see it on Broadway so I spontaneously bought a ticket for the matinee.  I am so glad I did because I loved every minute of this amazing production.  The staging was completely new (at least to me) without the turntable and I quite liked it (the only element I missed was when the barricade revolves on the turntable after the battle revealing Enjolras holding the flag upside down).  Many of the backdrops were Victor Hugo's original illustrations for the novel and they were incredibly effective.  The entire cast was amazing and they hit all of the highlights for me: Fantine (Alison Luff) in "I Dreamed a Dream," Javert (Hayden Tee) in "Stars," Valjean (John Owen-Jones) in "Bring Him Home," and Marius (Chris McCarrell) in "Empty Chairs at Empty Tables."  Of course my favorite moment was when Eponine (Brennyn Lark) sang "On My Own."  Lark gave one of the best performances of that song I have ever seen and I definitely had tears in my eyes (how I judge every production that I see).  Words cannot express how much I love this show and I am so happy that I got to see it one more time on Broadway!

Note:  I was sitting near a group of young girls who had never seen Les Miserables before and one of them screamed out loud when Gavroche was shot in "Little People."  It is such an emotional scene!

Newsies

Before Hamilton, the show on the top of my must-see list was Newsies!  I had the opportunity to see it in Los Angeles last year over spring break and it was even better than I imagined!  When I got home from that trip, Broadway in Utah announced the 2015-2016 season and I learned that I would be able to see this incredible show again!  I liked it even better the second time!  Based on the Disney movie of the same name, Newsies tells the story of how Jack Kelly (Joey Barreiro), along with his fellow "newsies" and a determined young reporter (Morgan Keene), stood up to Joseph Pulitzer (Steve Blanchard) by going on strike when he raised the cost of the papers.  It is a high-energy show with absolutely dazzling choreography consisting of athletic leaps, jumps, and spins.  I loved it when all of the newsies (all amazing performers) danced in unison in the big production numbers "The World Will Know," "Seize the Day," "King of New York," and "Once and for All." I especially loved the song "The World Will Know" because it is so powerful and the cast sang it with such emotion.  I also really loved the set for this show.  There were three large towers which could be moved into different configurations representing apartment buildings and printing presses and they were covered with scrims which had newspapers and other backgrounds projected on them.  I loved it when the newsies danced on all three levels of the towers.  There were a lot of young people in the audience who responded with thunderous applause and cheering to every single number.  At intermission a large group sitting near me squealed with delight about how awesome it was.  It made me smile because I love seeing young people so passionate about the theatre.  Even though I was really tired after my long ordeal getting home from New York (more about that later), I thoroughly enjoyed every moment of the amazing show and I highly recommend that you see it if you have the chance.  This run ends on Sunday but it is making a return to SLC in August.  Go here for tickets and information.

The Lion King on Broadway

The first time I saw the musical The Lion King, I was on a theatre trip to London so I thought it only fitting to see it again while on a theatre trip to New York!  That first time I was completely overcome by the animals marching down the aisles, especially the elephants, during the opening song "Circle of Life."  I was sitting next to an adorable little old lady who leaned into me and said, "I saw a tear in your eye!"  This time I was sitting near a group of young girls who were seeing it for the first time and and their reaction to the animals made me fall in love with this show all over again!  It is absolutely amazing how the actors transform themselves into the animals with puppets and prosthetics.  After a while you don't even see the actors any more!  The musical tells the well-known story of how the lion cub Simba learns how to be a king with music by Elton John and Tim Rice as well as traditional African music.  I had forgotten how much I loved the traditional music.  I had goosebumps when Mufasa (L. Steven Taylor) performed "They Live in You" and Nala (Chantel Riley) blew the roof off the Minskoff Theatre during "Shadowlands" (my favorite song in the show).  I really enjoyed Rafiki (played by the understudy, Thulisile Thusi) and her rendition of "He Lives in You" was another highlight.  As ever, I was so impressed with how the stampede in the gorge is staged.  It actually seems as if the antelope are running across the stage!  Of course, the scenes with Timon (Fred Berman) and Pumbaa (Ben Jeffrey) were a lot of fun, especially "Hakuna Matata."  My only complaint with this production is that I couldn't hear Scar (Gareth Saxe), Shenzi (Bonita Hamilton), Banzi (James Brown-Orleans) or Ed (Jaysin McCollum) very well so my mind wandered a bit during "Chow Down" and "Be Prepared."  Live theatre, and this show in particular, sometimes has the power to give you a child's sense of wonder for a few hours and I heard both children and adults squealing with delight during many musical numbers, especially the aforementioned animals in "Circle of Life" and the flying birds in "One By One."  I highly recommend seeing this show if you have the opportunity.  It was a lovely evening!

Note:  If you have the chance to see this show on Broadway, I highly suggest going next door to Junior's for cheesecake afterwards.  Some people in my group said that Roxy's had the best cheesecake in New York and one argued strongly in favor of the Carnegie Deli but Junior's definitely has my vote!

Big River at HCT

Last night (on my birthday!) I had the chance to see Big River at Hale Centre Theatre.  Based on the classic novel The Adventures of Huckleberry Finn by Mark Twain, this wonderful musical tells the story of Huck Finn and his friendship with Jim, a runaway slave, as they travel down the Mississippi River. I loved it!  I have seen this show before (at Hale Theatre) but I forgot just how beautiful the music is!  I especially loved the songs "Muddy Waters," "River in the Rain," and "Worlds Apart" sung by Huck (Matthew Clark Richards) and Jim (Conlon Bonner).  Their voices harmonized so well together and their duets are definitely a highlight of the show.  I also really enjoyed Huck's rendition of "Waitin' For The Light To Shine" and Jim basically made me cry with "Free at Last."  Both Richards and and Bonner give incredible performances but I was especially touched by Bonner's heart-felt portrayal of Jim. This production has a large supporting cast, many of whom are new to HCT.  My favorites include John Lee Roring as The Duke because he has the best facial expressions and his rendition of "The Royal Nonesuch" is absolutely hilarious, Stephen Kerr as Pap Finn because his raucous rendition of "Guv'ment" had the entire audience laughing out loud, and Rachelle Elbert as Mary Jane Wilkes because her  performance in "You Oughta Be Here With Me" gave me goosebumps!  In addition to the beautiful songs and the great performances, I would recommend getting a ticket to this production because of the impressive set.  The stage literally becomes a river, complete with a 9,000 gallon tank of water, on which Huck and Jim float their raft and, at times, there is even real rain and fog.  It is incredible! It was a great way to spend my birthday and, once again, I highly recommend this show.  Tickets can be purchased here, but get them quickly because many shows are sold out!

Finding Neverland on Broadway

With the exception of Hamilton, Finding Neverland was the show I was most looking forward to seeing during my New York trip.  I absolutely loved the movie (I cried and cried during the ending) and I hoped that the stage adaptation would be just as affecting.  The story of how J. M. Barrie is inspired to write Peter Pan after meeting Sylvia Llewelyn Davies and her four sons is simply magical.  While this show is definitely about loss, there is quite a bit of comic relief with Mary Barrie's (Teal Wicks) snobby aristocratic friends in the songs "All of London is Here Tonight" and "The Dinner Party," with Barrie's exasperated theatre agent Charles Frohman (Marc Kudisch) and his over-the-top acting troupe in the song "Play," and with Captain Hook (Rory Donovan) in "Live by the Hook."  I also really loved Barrie's interaction with the Llewellyn Davies brothers (Jackson Demott Hill, Alex Dreier, Christian Michael Camporin, and Jack McCarthy) in the song "The Pirates of Kensington."  The boys give an outstanding performance in "We're All Made of Stars" and the song "When You're Feet Don't Touch the Ground" is lovely.  However, I was especially moved by the romance between Barrie and Sylvia (Laura Michelle Kelly, from the Original Broadway Cast).  Their songs "Neverland" and "What You Mean to Me" are so beautiful and the actors give amazing performances.  I was initially a little bit disappointed that Kevin Kern, the understudy, performed the role of J.M. Barrie instead of Alfie Boe (because Alfie Boe is amazing) but he did a wonderful job.  I really loved the staging of this musical, especially the song "Neverland" (Reprise) when the acting troupe performs Peter Pan for Sylvia in the nursery.  Sylvia's death scene is one of the most magical things I've ever seen on stage and, just like I did in the movie, I cried through the whole thing.  Seriously beautiful!  I loved everything about this show and I am so glad that I got a chance to see it on Broadway!

Hamilton on Broadway

By the time I got in line in front of the Richard Rodgers Theatre, I had worked myself into quite a state.  After all, I had flown all the way across the country, paid the equivalent of the gross national product of a small country to sit in the balcony, and eagerly anticipated this moment for months.  Would I be disappointed?  Was this musical worth all of the hype?  The answer, my friends, is a resounding yes!  Hamilton is absolutely amazing, even better than I had imagined, and I think it is the best thing I have ever seen on the stage!  I have listened to the music going to and coming home from school for months so I basically had the lyrics to the entire show memorized.  The music was even better when I saw the costumes, the staging, and the choreography!  With the intimacy of the theatre it seemed as though the actors (the original cast from the Broadway recording!) sang their roles with much more emotion and passion and, believe me, I noticed every little nuance.  Some of my most favorite moments were when the crowd exploded into thunderous applause when Lin-Manuel Miranda made his first entrance on stage in the song "Alexander Hamilton," when Samuel Seabury (Thayne Jasperson) moves his soapbox forward to get away from Hamilton heckling him in "Farmer Refuted," when King George III (Rory O'Malley) struts out on the stage in high heels and waves his scepter at the audience during "You'll Be Back," when Lafayette (Daveed Diggs) jumps off of the table in "Guns and Ships,"  the choreography of the soldiers in "Yorktown (The World Turned Upside Down)," when Hamilton imitates Jefferson (Daveed Diggs) in "Cabinet Battle #1," how the transition from Hamilton writing and then Washington (Christopher Jackson) delivering the Farewell Address is staged in "One Last Time," how the song "Hurricane" is staged to simulate an actual hurricane, when Jefferson struts around the stage (wearing a purple velvet frock coat) tossing pamphlets in the air during "The Reynolds Pamphlet," when Eliza (Phillipa Soo) actually burns letters in "Burn," when Eliza screams after Philip (Anthony Ramos) dies in "Stay Alive (Reprise)," when Eliza takes Hamilton's hand and he bows his head in "It's Quiet Uptown," when a member of the ensemble hands Burr (Leslie Odom, Jr.) a list of Hamilton's grievances one page at a time in "Your Obedient Servant," and the staging of the duel between Hamilton and Burr on the turntable in "The World Was Wide Enough."  I could go on and on!  So many of the performances gave me goosebumps, especially Christopher Jackson in "Right Hand Man" ("We are outgunned, outmanned, outnumbered, outplanned. We've got to make an all out stand!"),  Leslie Odom, Jr. in "Wait For It" and "The World Was Wide Enough," and Renee Elise Goldsberry in "Satisfied."  I had a hard time taking my eyes off Lin-Manuel Miranda when he was on stage because he was such an imposing presence, much like, I suspect, Alexander Hamilton himself.  I walked out of the theatre with my mind buzzing with all I had seen and heard, wanting desperately to see it again!  It was definitely worth the outrageous price of admission and I would pay it again in a heartbeat.  I highly recommend this brilliant musical if you have the opportunity to see it.  In fact, I highly recommend that you make the opportunity to see it!

Note:  Hamilton was the highlight of my New York trip.  It may be the highlight of the year!

Wicked on Broadway

Outside the Gershwin Theatre in New York City.

While I was in New York City I was able to see seven shows in five days!  I included a few new shows that I had not seen before and a few of my old favorites that I can see again and again.  Wicked is a show that I never get tired of because I absolutely love the music and I can definitely relate to the story about a girl who doesn't quite fit in.  The Broadway production was one of the best I have seen (maybe even better than the London production).  I tend to think that whoever is playing Elphaba in the production I am currently seeing is the best one but Rachel Tucker was simply amazing!  She just about blew the roof off the Gershwin Theatre during "Defying Gravity" and "No Good Deed."  I also really liked Carrie St. Louis as Glinda, especially when she tossed her hair.  She added her own hilarious touches to "Popular" by stretching and throwing punches.  I laughed and laughed.  St. Louis and Tucker had great chemistry in "What Is This Feeling" (they had the best facial expressions) and they sang "For Good" beautifully (I had a tear in my eye).  Jonah Platt (Fiyero) was not the best dancer I have seen in the role but he had an incredible voice and I loved his song "As Long As You're Mine" with Tucker.  When the Wizard sang "A Sentimental Man" at the end of the first act, I kept thinking that I recognized him so I looked him up in the program during intermission.  It turns out that the Wizard was played by Peter Scolari, a veteran of several TV shows and movies, most notably Honey, I Shrunk the Kids.  I have to admit that I was a bit star-struck by his performance!  I thought Madame Morrible (Judy Kaye) was the best I've seen and the ensemble was great in all of the big song and dance numbers, especially "No One Mourns the Wicked" and "March of the Witch Hunters."  I really enjoyed myself at this production because several people in our group had never seen it before and it was fun experiencing it through their eyes.

The Count of Monte Cristo at PTC

The Count of Monte Cristo by Alexandre Dumas is one of my all-time favorite books and, when PTC announced that they were going to stage a new adaptation during the 2015-2016 season, I was thrilled and decided to reread the classic in anticipation.  That may have been a bad thing!  The thrilling tale of betrayal and revenge begins when Edmund Dantes is promoted to captain of the Phaeron, much to the dismay of the purser, Danglars, and becomes engaged to the beautiful Mercedes, much to the dismay of his jealous rival, Mondego.  They accuse Dantes of treason when they discover that Dantes has been asked to deliver a letter to Noirtier, a notorious Bonapartist.  Dantes is arrested and brought before the magistrate, Villefort, who is the son of Noirtier.  Fearful of being exposed as the son of a Bonapartist, Villefort imprisons Dantes in the Chateau d'If where he languishes for years.  Dantes eventually meets the Abbe Faria, another prisoner, who teaches him languages, history, culture, and science.  Faria also reveals the location of an immense treasure on the island of Monte Cristo just before he dies.  Dantes takes the place of Faria and is thrown into the sea where he eventually locates the treasure and uses it to intricately and painstakingly plot and execute his revenge against Danglars, Mondego, and Villefort.  My favorite part of the book is how elaborate and clever Dantes' plans are and the lengths to which he is willing to go to exact revenge against those who have betrayed him.  I was quite disappointed that this adaptation chose to spend less than ten minutes on revenge (during the song "Too Much is not Enough") and, instead, focus on the resumption of the love story between Dantes and Mercedes (which does not happen in the book).  I realize that source material is often altered to enhance the storytelling but I feel that playwright Jack Murphy changed the entire focus of the story from an exciting tale about the dangers of letting revenge consume you into a tepid romance.  The songs are incredibly beautiful, especially "Forever," "I Will Be There," "I Know Those Eyes/ This Man Is Dead," "All This Time," and "The Man I Used to Be."  The lead actors give powerful performances, particularly Matt Farcher as Dantes and Briana Carlson-Goodman as Mercedes, and Dathan B. Williams just about steals the show as Abbe Faria (although, because of the altered story, crowd favorite Max Robinson is completely underutilized as Monsieur Morrell).  The set, with a giant revolving staircase, is impressive, the period costumes are very well done (other than the strange black leather pants worn by the count), and the choreography is exciting, especially the fight scenes.  PTC does everything right but I just couldn't get past the changes to the story and ultimately left the theatre disappointed.  Perhaps knowing nothing about the book is an advantage because everyone around me seemed to love it!  The show runs through May 21 and tickets may be purchased here.

NYC!

Times Square in New York City

A few years ago I was able to take a theatre trip to London with Pioneer Theatre Company.  I saw an advertisement for the trip in a playbill and spontaneously signed up to go even though I didn't know a single person who was going and I had to take a week off from school in April.  It was the trip of a lifetime and I have always looked back on this experience with fondness because I got to see a revival of My Fair Lady with Anthony Andrews, a brilliant production of Stones in his Pockets, and an incredible performance of King Lear at the Old Vic with Timothy West (who was amazing) in the title role.  I also got to see The Lion King and Mamma Mia for the first time (I cried when the elephants walked by me in The Lion King).  I literally met my roommate for the first time at the airport but I had a blast running around London with her.

Last fall I saw a similar advertisement in a playbill, this time for a theatre trip to New York City with Hale Centre Theatre.  Once again, I didn't know a single person who was going (including my roommate) and I had to take a week off from school in May (which, in case you were wondering, is not a good time to be gone) but I spontaneously signed up and I am so glad that I did! I got to see seven musicals in five days (including Hamilton which absolutely blew my mind), I got to do some fun touristy things (like visit the Statue of Liberty and walk across the Brooklyn Bridge), and I met some of the most amazing people who love theatre as much as I do (my roommate and I talked until 2:00 in the morning every night!).  I will recap my adventures in the next few weeks but here are some details if you are thinking of visiting New York City.   Where to stay:  I loved the Belvedere Hotel in Midtown Manhattan because it was conveniently located near Broadway and Times Square.  What to do:  I had a 7-day Unlimited Ride MetroCard, which lets you ride the subway and all MTA buses, and a 7-day New York Pass, which gives you admission to most tourist attractions (and lets you jump to the head of the line at said attractions) as well as a two-day Hop-on Hop-off Bus Ride.  My tour also included four Broadway musicals but I got tickets to three more shows here and here.  Where to eat:  My favorite restaurant while I was in New York was Amarone.  I recommend the Eggplant Fritters!

Note:  Don't be afraid to do something that is outside your comfort zone.  Amazing things can happen when you say yes to opportunities that come your way.  I usually don't regret the things I do but I almost always regret the things I don't do.