Newsies on the Big Screen

Yesterday I saw the musical Newsies on the big screen and it was simply amazing.  The touring company was joined by many of the original Broadway cast, including Kara Lindsay as Katherine, Andrew Keenan-Bolger as Crutchie, and Jeremy Jordan (squeal) as Jack Kelly, and the production was filmed live on stage at the Pantages Theatre in Los Angeles (where I saw it for the first time) for release in movie theaters.  I love this musical so much!  I love the story of how a group of "newsies," with the help of a fledgling reporter, defy Joseph Pulitzer's attempt to raise the price of newspapers with a city-wide strike.  I love all of the powerful songs, especially  "Carrying the Banner," "The World Will Know," "Seize the Day," "King of New York,"  and "Once and for All."  I love the dazzling choreography, particularly all of the high-energy leaps and spins in unison.  I absolutely loved this film version!  I loved being able to see the incredibly passionate performance of Jeremy Jordan, who is the best Jack Kelly I have seen.  I loved all of the different camera angles which made watching this film like having a front-row seat at the Pantages Theatre (for a lot less money!).  Just like the first time I saw it, I had goosebumps throughout the whole performance and I highly recommend that you seize the day and get a ticket to the final screening on February 22 (go here).

Note:  I loved seeing all of the groups of theatre nerds wearing their newsboy caps!  I also loved seeing every single seat filled!  Theatre nerds rock!

Seven Brides for Seven Brothers at HCT

I have very fond memories of watching all of the old movie musicals, like Oklahoma, The Music Man, Fiddler on the Roof, and Seven Brides for Seven Brothers, at my Grandma Anderson's house. My cousins and I would sing and dance and act them out in my Grandma's living room over and over again. I love these classic musicals and I always try to see them performed live whenever I have the chance.  I was able to see Seven Brides for Seven Brothers at Hale Theatre last night and it was so much fun! It is a wonderful production filled with great performances, rousing musical numbers, and energetic choreography.  Adam Pontipee (Dan Frederickson) leaves his frontier home in the mountains to find a wife in the nearest town. He finds the perfect candidate in Milly (Erin Royall Carlson) but she is dismayed when she discovers that she must also care for his six brothers.  Her solution is to get them all married off so she tries to teach them how to court women ("Goin' Courtin'" is such a fun number).  Adam fears that his brothers are becoming soft and suggests that they just go get the women they want to marry and chaos ensues! Both Frederickson and Carlson have lovely voices and I especially enjoyed their renditions of "Where Were You?" and "Love Never Goes Away."  All of the brothers, Benjamin (Brock Dalgleish), Caleb (Taylor Morris), Daniel (Christopher Gallacher), Ephraim (Patrick Wendel), Frank (Brian Nelson), and Gideon (Matthew Sanguine), are incredible dancers and I absolutely loved the church social scene, especially the dance-off between the brothers and the suitors.  I am always amazed by the big song and dance numbers that are performed on such a small and intimate stage.  I also really loved the brides, my favorite is Dorcas (Amelia Rose Moore), and I was impressed that each of them seemed like individuals with distinct personalities. All of their costumes are fabulous, particularly the skirts made from quilts. The rustic set is simple but effective and I liked all of the little details such as the gingham bunting at the church social. This is a production that will appeal to fans of the movie and I highly recommend it.  Many shows are sold out so act quickly (go here for tickets) because you don't want miss out on such a nostalgic show.

Note:  Yesterday I picked my nephew up from school and spent the afternoon with him.  He asked me what I was doing in the evening and, when I told what play I was seeing, he declared it to be lame.  Perhaps it might not appeal to twelve-year-old boys!

Mamma Mia at the Eccles

Donna and the Dynamos are making a final visit to SLC in a production of Mamma Mia billed as the Farewell Tour.  When I saw that Mamma Mia was part of the Broadway at the Eccles 2016-2017 season, I debated about whether or not to get a ticket because I've seen it so many times.  I finally decided that it is such a fun show, you can see it over and over again and still be completely entertained.   How can you go wrong with platform boots and spandex jumpsuits?  Also, the music of Abba is so infectious that you simply can't help singing along and it is impossible to stay seated during the encore!  As predicted, I had so much fun last night.  Sophie Sheridan (Lizzie Markson) wants her father to walk her down the aisle but the only problem is that she doesn't know who he is!  When she invites Sam Carmichael (Shai Yammanee), Bill Austin (Marc Cornes), and Harry Bright (Andrew Tebo), the three likely possibilities, to her wedding without telling her mother (Betsy Padamonsky), chaos ensues!  I love all of the Abba songs in this show but my favorites are "Dancing Queen," "Lay All Your Love On Me," "Super Trouper," "Voulez-Vous," "Under Attack," and "Knowing Me, Knowing You,"  The choreography is so much fun and I especially love when the male ensemble dances wearing flippers.  All of the leads have amazing voices and this production is a great way to end the run of this spectacular show.  I dare anyone to stay seated when the leads come out on stage in colored spandex jumpsuits to sing "Dancing Queen" and "Waterloo" during the encore.  Mamma Mia has one more performance today at the Eccles Theatre (get tickets here).

Note:  I ran into Karen, my roommate in New York, at this show.  It was bound to happen sooner or later because we both see everything!  We tentatively planned to see Hamilton in Los Angeles over fall break!  She has season tickets to the Pantages Theatre and she is going to get me a ticket because we had so much fun in New York.  I can't wait!

Kinky Boots at the Eccles

I have wanted to see the musical Kinky Boots for so long!  Every time Broadway in Utah (now Broadway at the Eccles) sent out a survey to season ticket holders, I always voted for this show to come to SLC.  I even contemplated getting a ticket during my theatre trip to NYC but, by that time, I knew it was coming!  I finally got to see it last night and I loved it because it is such a fun musical about having the courage to be yourself and having the courage to accept others for who they are.  Charlie (Curt Hansen) wants nothing to do with Price & Son, his father's shoe factory, so he runs away to London.  When his father dies and leaves him the factory, he soon learns that it has been losing money for years and that he must close it and fire the workers he has known all of his life.  When he meets the drag queen Lola (J. Harrison Ghee), he decides to try and save the business by meeting the needs of an under served niche market: high-heeled boots for transvestites!  There are inevitable complications and Charlie and Lola must learn to accept each other in order for their boots to be successful.  I loved all of the music, written by Cyndi Lauper, and Ghee gives an incredible performance, especially in the songs "Not My Father's Son" and "Hold Me in Your Heart."  (Hansen is endearing but I didn't find his singing to be anything special; it hardly matters because Ghee steals the show).  The ensemble is a lot of fun, particularly Lauren (Rose Hemingway), one of the factory workers, and the transvestites who perform with Lola.  The choreography is clever and the audience cheered out loud when the cast danced on moving conveyor belts during the song "Everybody Say Yeah."  I had a lot of fun watching this show and I highly recommend that you get a ticket (go here) to one of the remaining performances through January 22 at the Eccles Theatre.

Fences at PTC

Tuesday night I went to Pioneer Theatre's critically acclaimed production of Fences, the Pulitzer Prize-winning play by August Wilson.  As you may remember, I recently saw Denzel Washington's film adaptation and had a somewhat lukewarm reaction to it but that made me even more curious to see it on the stage.  Troy Maxson (Michael Anthony Williams) is a man with so many demons that he torments everyone around him:  his brother Gabriel (Jefferson A. Russell) who was injured in the war, his long-suffering wife Rose (Gayle Samuels), his friend Bono (Jeorge Bennett Watson), and his sons Lyons (Biko Eisen-Martin) and Cory (Jimmie "J.J." Jeter).  I still found the character of Troy to be incredibly flawed but Williams' portrayal was much more sympathetic, in my opinion.  Whereas Washington's version of Troy was always angry, I felt that Williams gave the character a certain vulnerability and his Troy was wounded rather than angry.  I think this story is much better suited to the immediacy and intimacy of the stage and this is especially true of the fence.  All of the action takes place in the yard which makes Troy's environment much more claustrophobic than in the film version.  In the final scenes, the stage is dominated by the fence with Troy inside the yard and all of the other characters on the other side.  It is extremely powerful and serves to highlight Troy's isolation.  I highly recommend this outstanding production which runs at PTC through January 21.  Tickets may be purchased here.

A Christmas Carol at HCT 2016

I am now officially on Winter break and I couldn't be happier (It was touch and go whether I would make it through my final class yesterday). I am definitely looking forward to some fun activities (and sleeping in) over the break. At the top of my list: a performance of A Christmas Carol at Hale Theatre. This, like The Nutcracker, is another one of my very favorite holiday traditions and it wouldn't be Christmas without it! Also, like The Nutcracker, it never grows old even though I have seen it so many times I could probably stand in for any part! I always look forward to the octet singing Christmas carols in between scenes. I always look forward to the dramatic entrance of ghost of Jacob Marley and all of his chains. I always look forward to Christmas at the Fezziwig's (especially when they sing "Bring a Torch Jeanette, Isabella"). I always look forward the party at Fred's house (especially when one of the guests starts laughing uncontrollably).  I always look forward to the terrifying Ghost of Christmas Future.  Finally, I always look forward to the scenes which illustrate Scrooge's redemption, particularly the scenes with Bob Cratchit. During last night's performance, virtually every role was filled by an actor I had never seen before, most notably Stephen Kerr as Scrooge, Josh Richardson as Bob Cratchit, and Spencer Bean as Fred. It almost seemed like a new production because each actor added something new to the character. I thoroughly enjoyed myself last night, and not just because I am on Winter break! I highly recommend that you get a ticket to one of the remaining performances (tickets may be purchased here). Next year, A Christmas Carol will be performed in the new theatre!

Note:  I sat by the most adorable family.  They bought me a drink and a cookie at intermission for putting up with their four children (who were incredibly well-behaved).  It was a lot of fun!

White Christmas at the Eccles

Last night I braved all of the downtown traffic (there was a Jazz game, the Mormon Tabernacle Choir Christmas concert, The Nutcracker, and people seeing the lights at Temple Square, not to mention snow) to see the Broadway touring production of White Christmas.  This musical is such a holiday tradition for me!  I've seen the movie countless times and I saw the PTC production several years ago as well as productions at both Hunter High and Bountiful High but I had never seen the Broadway version before.  It was so much fun!  Broadway stars Bob Wallace (Sean Montgomery) and Phil Davis (Jeremy Benton) meet the Haynes sisters, Judy (Kelly Sheehan) and Betty (Kerry Conte), and decide to follow them to Vermont where they have a gig at the Columbia Inn.  There they meet their former commanding officer from the war, General Waverly (Conrad John Schuck), who owns the Columbia Inn and is having financial difficulties due to the lack of snow.  Wallace and Davis decide to bring their show to the Columbia Inn and invite the soldiers from their company to a performance on Christmas Eve.  Add a receptionist (Lorna Luft) and a granddaughter (Clancy Penny) who think they should be in show business, an overwrought stage manager (Aaron Galligan-Stierle), and love gone awry, and you have a delightful show full of big song and dance numbers.  I especially love the songs "Sisters" (my sisters and I sing this all of the time), "Snow," "Blue Skies," and "I Love a Piano."  The cast is superb (Lorna Luft is Judy Garland's daughter and she can certainly belt out a song) and the ensemble performs all of the high energy choreography (I loved the tap dancing) brilliantly.  The costumes are over-the-top and the sets are quite elaborate, especially the Regency Room.  The message is heart-warming and the final scene where the cast performs "White Christmas" just as it starts to snow (even in the audience) will definitely give you a big dose of Christmas cheer.  This holiday classic runs at the Eccles Theater until Dec. 11 and tickets may be purchased here.

Note:  Almost all of the people sitting around me have season tickets and, after meeting at Beautiful last month, we greeted each other like long lost friends last night!  The man in front of me called us the Thursday Night Club!

Oliver at PTC

This is the time of year when I visit Charles Dickens' London.  However, instead of the usual holiday classic, A Christmas Carol, I made the journey with PTC's Oliver, the musical adaptation of another Dickens classic (I will be seeing A Christmas Carol at HCT in a few weeks). It was a really great production about the exploits of an orphan named Oliver Twist (Maxwell Rimington).  We first meet him in an orphanage, then he is sold to an undertaker, next he joins up with a gang of pick-pockets, and finally he finds his real home.  All of the big production numbers are a lot of fun with very energetic choreography and I especially enjoyed "Food, Glorious Food" with all of the orphans, "Consider Yourself" with the Artful Dodger (Christian Labertew), "You've Got to Pick a Pocket or Two" with Fagin  (Bill Nolte) and the pick-pockets, "It's A Fine Life" and "Oom-Pah-Pah" with Nancy (Natalie Hill), and "Who Will Buy?" with the vendors.  All of the actors give great performances, including all of the children in the cast, but Rimington will absolutely melt your heart as Oliver.  I actually had a tear in my eye when he sang "Where Is Love?"  I was also extremely impressed with Labertew's Artful Dodger.  I was sitting very close to the stage and I loved all of his facial expressions.  Speaking of the stage, the set was very clever with lots of different levels depicting alleys, bridges, streets, pubs, shops, and a proper Victorian mansion.   I thoroughly enjoyed this musical, as did all of the children in the audience, and I highly recommend it for the whole family as a great evening of holiday entertainment.  Oliver runs at PTC until Dec. 17 and tickets can be purchased here.

Beautiful at the Eccles

I finally got to see a show at the new Eccles Theater!  I've been looking forward to Beautiful for quite a while because several people who went on the New York City theatre trip with me saw this show and absolutely raved about it (I chose not to see it in NYC because I knew I would be seeing it in SLC).  Beautiful is a jukebox musical, a stage show which uses previously released pop songs that are either conceptualized to tell a story like Mamma Mia or used to tell the biographical story about the performer whose music is featured like Jersey Boys, describing how Carole King rose to stardom in the 1970s using the songs she wrote such as "So Far Away," "Will You Love Me Tomorrow," "Up on the Roof," "It's Too Late," "You've Got a Friend," "(You Make Me Feel Like) A Natural Woman," and "I Feel The Earth Move" among others.  I had forgotten how many great songs she wrote (I saw King in concert with James Taylor several years ago and I was surprised then as well).  Act I begins with a sixteen year old King (Julia Knitel) deciding to go Manhattan to sell one of her songs to music producer Don Kirshner (Curt Bouril) and continues with her development as a hit songwriter with her husband Gerry Goffin (Liam Tobin) and the rivalry with the songwriting team of Cynthia Weil (covered by DeLaney Westfall last night) and Barry Mann (Ben Fankhauser).  Act II includes the disintegration of King's marriage to Goffin and the writing and recording of her seminal album Tapestry.  King's legendary concert at Carnegie Hall in 1971 is used as a framing device.  I think this musical is staged brilliantly.  King and Goffin or Weil and Mann would begin singing a song as they wrote it and then the artist who made it famous would continue it in a big production number including "Some Kind of Wonderful" with the Drifters, "Will You Love Me Tomorrow" with the Shirelles, "Up on the Roof" with the Drifters, "The Locomotion" with Little Eva, "You've Lost That Lovin' Feeling" with the Everly Brothers (my favorite), and "One Fine Day" with Janelle Wood.  Knitel does great job with the role and I especially enjoyed her rendition of "Natural Woman" and I also loved the comic relief provided by Fankhauser.  This is a fun show to watch and many people around me automatically started singing the songs.  It runs at the Eccles Theater until Nov. 20.

Note:  Jessie Mueller originated the role of Carole King on Broadway (and won a Tony).  I got to see her perform in the original cast of Waitress on Broadway and she was amazing.

The Glass Menagerie at PTC

PTC's production of The Glass Menagerie, Tennessee Williams' classic play about nostalgia, is closing very soon and, as I have been very busy the past few weeks, I thought about skipping it.  I have read and seen this play performed countless times and, frankly, I sometimes find it to be very grim so I didn't feel any urgency.  However, I decided at the last minute to see it last night and I am very glad that I did because I was quite impressed.  The play is narrated by Tom Wingfield (Zachary Prince), a writer reminiscing about his memories of his mother and sister and their dreary existence in St. Louis during the 1930s.   He longs to escape their suffocating apartment and substitutes movies for the adventure he craves.  Amanda Wingfield (Nance Williamson) lives in the past, regaling her children with stories of the southern gentility she experienced growing up on a plantation and of her many "Gentlemen Callers."  Laura Wingfield (Hanley Smith) is crippled and is so shy that she prefers to retreat into the world of her glass animals.  None of them can face the harsh reality of their lives, which is momentarily brightened by the prospect of a "Gentleman Caller" for Laura (Logan James Hall).  This play is very character driven and a good production relies on its cast to give engaging performances.  Prince, Williamson, Smith, and Hall do that and more.  Williamson, especially, commands attention as the overbearing Amanda and I found her interpretation to be quite humorous at times (I don't remember ever laughing at any of the other productions I've seen).  I really liked the set, particularly the the portrait of Amanda's husband which dominates the space.  I also really liked the use of light, which I found to be highly effective at conveying different moods throughout the play.  I definitely recommend this production but, unfortunately, it it closing tomorrow;  however, there are still a few performances left so act quickly and go here for tickets.

Sister Act at HCT

Last night I went to see Sister Act, the musical based on the 1992 movie of the same name starring Whoopi Goldberg, which is the current production at Hale Centre Theatre. I really enjoyed the movie so I was hoping that the musical would be just as entertaining. Normally I am not a big fan of the current trend of turning popular movies into musicals because they seem so contrived but I think this adaptation is fantastic.  Like the movie version, the story involves a singer, Deloris Van Cartier  (Raven Flowers), who inadvertently witnesses her gangster boyfriend Curtis (Brannon Killgo) kill someone. She is placed in the Queen of Angels Convent to keep her safe until she can testify against Curtis and, as you can imagine, she wreaks havoc on the Mother Superior by taking over the choir. Unlike the movie version, it contains all new original songs by Alan Menken and they are quite good.  I actually really enjoyed watching this show and there are a few aspects of the production that really stand out.  First, Flowers gives a sassy and soulful performance that is just so much fun to watch (I saw her in the title role of Aida at the CenterPoint Theater and she was amazing). She has a voice capable of blowing the roof off of the theater and a larger-than-life personality that makes her ideally suitable for this role. I especially loved her dancing in the song "Raise Your Voice" when she is teaching the nuns how to boogie! Second, I loved all of the choreography, especially in "When I Find My Baby" and "Lady In The Long Black Dress."  In fact, Joey (Bryan Dayley), T.J. (Cameron Garner), and Pablo (Matthew Richards) just about steal the show with their leisure suits and disco moves and I laughed out loud, as did everyone around me, during both of those numbers.  I also really enjoyed "Take Me To Heaven" with the nuns.  Finally, I loved all of the costumes!  Monsignor O'Hara (Oran Marc de Baritault) wears vestments that get more and more elaborate as the show progresses and what can I say about the nun's habits made of turquoise sequins for the finale? They are fabulous, baby!  Speaking of things that sparkle, did I mention all of the disco balls dangling from each entrance to the theater? So much fun!  I thoroughly enjoyed Sister Act and I highly recommend it for a fun and entertaining night out!  It runs at HCT until Dec. 3 and tickets may be purchased here.

The Last Ship at PTC

I've always been a big fan of Sting.  I've seen him in concert many times, including a concert at Red Rocks Amphitheater in Denver and then another one the very next night at the Maverik Center in SLC.  I was so excited when I learned that PTC would be opening the 2016-2017 season with The Last Ship, the Broadway musical with music and lyrics by Sting about the community he grew up in.  This year I decided to get a rush pass to PTC, which means that I can get a ticket to any show on any night 30 minutes before curtain if tickets are available.  I had planned to see The Last Ship last night because I thought it would be a nice way to celebrate making it though the week of parent teacher conferences.  Then I heard a rumor that Sting would be attending this performance.  I thought it would be amazing to see this show with Sting in the audience so I watched the availability of tickets all day.  There were fewer and fewer tickets available as the day went on and when it got down to the last few tickets I bit the bullet and just bought one!  I ended up sitting six rows behind him and he seemed visibly emotional when the audience would respond to something.  After the show, he got up on stage and, in an emotional speech, told the crowd how much he enjoyed the production and thanked us for being an amazing audience!  It was so fun!  I really loved the show!  In fact, I'm thinking of going to see it again since I have the rush pass.  Gideon Fletcher (Bryant Martin) wants to leave his hometown of Wallsend, England despite the fact that his father wants him to follow in his footsteps and work at the local shipyard.  When he leaves, he promises his girlfriend Meg (Ruthie Stephens) that he will come back for her.  After fifteen years, he returns when he learns of his father's death to discover that the shipyard has been closed and that he has a son.  It is a wonderful story about the power of community and the relationship between fathers and sons that is both funny and heartwarming.  I loved all of the music including "All This Time" and "When We Dance," which I was familiar with, and "If You Ever See Me Talking to a Sailor" and "We've Got Now't Else."  Both Martin and Stephens have amazing voices and give very powerful performances.  I loved the innovative choreography, especially when they are building the ship in "We've Got Now't Else."  The set design is extremely clever, transitioning from a dock, to a shipyard, to a pub, and then the ship itself very easily with the movement of large steel panels and grids.  Really, everything about this production is wonderful and I highly recommend this show, even without Sting in the audience, which runs through October 1.  Go here for tickets.

The Eccles Theater

Over the weekend I was invited to an open house to get a sneak peek at the brand-new, state-of-the-art George S. and Dolores Dore Eccles Theater in downtown SLC.  It is absolutely gorgeous and I can hardly wait for the Broadway at the Eccles (formerly known as Broadway in Utah) 2016-2017 season to start!

The theater is located in the heart of downtown SLC right on Main Street.  Locating the theater here has done quite a bit to revitalize Main Street and I'm looking forward to going to many of my favorite downtown restaurants before shows.

I love the reflection of the city in the glass doors and windows.

The lobby is very sleek and modern with different colored glass on every level.  My favorite is the purple on the third tier.  There is also a restaurant in the lobby called the Encore Bistro and I can vouch for the caprese sandwich with orzo salad.  Yummy!

The third tier also boasts a terrace with an amazing view of downtown SLC.  I imagine this will be a lovely place for a drink during intermission!

The Delta Performance Hall inside the theater.  The lights are absolutely dazzling, especially on the ceiling.

As part of the open house, season ticket holders were able to "meet" their seats!  I met my seat and I think we are going to get along just fine.  It is really comfortable and there is a lot of leg room!  Hooray!

The view of the stage from my seat!  The shows coming to the Eccles Theater this season are Beautiful - The Carol King Musical, Irving Berlin's White Christmas, Kinky Boots, Matilda, Rodgers and Hammerstein's Cinderella, and Dirty Dancing.  There are quite a few special engagements to add to a season ticket as well.  I added The Lion King, Mamma Mia, and The Book of Mormon.  If this little tour of the beautiful Eccles Theater has convinced you to get season tickets, go here for more information.  Another incentive: having season tickets for the 2016-2017 season guarantees you tickets for Hamilton which is coming to SLC for the 2017-2018 season!  I can't believe this will be my view for Hamilton!  It is a little bit better than the view I had at the Richard Rodgers Theatre (although I did see the original cast in my nosebleed seat!).

The Music Man at Sundance

One of my favorite summer traditions is to watch a performance by the UVU Theatre Department at the Sundance Mountain Resort.  It is so great to be up in the mountains where it is a little bit cooler than down in the valley (although last night was really cold) and smell the scent of pine trees while watching a classic musical.  This year they performed The Music Man and I thoroughly enjoyed it (except for the fact that I was so cold).  I love all of the old classic musicals because I remember watching them at my Grandma's house and watching The Music Man definitely brought back some great memories.  The story of a traveling salesman who comes to swindle the residents of River City but discovers love instead is so sweet and this production was fabulous!  I really loved the scenic design.  All of the set pieces were made of wood with a whitewash finish and they made all of the colorful costumes really pop against them.  It was a great effect.  The choreography was stunning and I especially loved the innovative staging of "Rock Island" and both "Marian the Librarian"  and "Seventy-Six Trombones" were show-stoppers!  I also really liked all of the choreography during the scene changes.  My favorite character in this show is always Eulalie MacKecknie Shinn and Elizabeth Hansen was an absolute hoot!  I couldn't stop laughing during her Grecian Urn performance.  Scott MacDonald was just as funny as the befuddled Mayor Shinn ("Not one poop out of you, Madame.") and I also loved Laurie Harrop-Purser as Mrs. Paroo, especially when she was eavesdropping on Marian and Harold through the window!  Greg Hansen was incredibly charismatic as Harold Hill and I loved his rousing renditions of "Ya Got Trouble" and "Seventy-Six Trombones."  Rachel Woodward Hansen played Marian with a sweet mixture of toughness and vulnerability and her voice was beautiful in the songs  "Goodnight My Someone," "My White Knight," and "Till There Was You."  The two of them had great chemistry, especially in "Marian the Librarian," and then I discovered that they are a real life couple!  Other than the fact that I was so cold, it was a lot of fun to see this show.  Unfortunately, last night was closing night but I heard a rumor that they will be performing Joseph and the Amazing Technicolor Dreamcoat next summer!

Beauty and the Beast at HCT

Last night I had the chance to see Hale Centre Theatre's magical production of the Disney musical Beauty and the Beast. I absolutely loved this show from start to finish! Karina Gillette, as Belle, and Austin John Smith, as the Beast, are very well suited to their roles and have very powerful voices which almost blow the roof off the theatre. I especially enjoyed Gillette's rendition of "Is This Home?" and Smith's rendition of "If I Can't Love Her" (which elicited quite the reaction from the crowd). Cogsworth (Zac Zumbrunnen), Lumiere (Addison Welch), and all of the other enchanted objects are lots of fun to watch and "Be Our Guest" is quite the production number. Quinn Dietlein is hilarious as Gaston and I laughed out loud just about every time he hit poor Lefou (Thomas Brandley). Cory Reed Stephens, who is new to HCT, does a brilliant job with some innovative choreography (in a small space!), especially in the "Mob Song" which incorporates mannequins. Once again, I was impressed with Kacey Udy's set design. The castle comes down from the ceiling and it is very dramatic and, of course, I loved the library. Finally, I thought the costumes were simply amazing! Jenn Taylor's creations feature yards and yards of the most sumptuous, bejeweled, and bedazzled fabric you can imagine. The sheer number of costumes, especially for the ensemble, is especially impressive!  I also really loved all of the puppets, created by Taylor, used in the show, particularly the horse! This is a really big show full of enchantment and I would definitely recommend it for children! All of the children in the audience last night were spellbound! Beauty and the Beast runs at HCT until Oct. 1 but many shows have already sold out.  Go here for tickets.

Note:  The last time I saw Beauty and the Beast at HCT was with a five-year-old Tashena who wore her Belle dress to the show.  When the rose was down to its last petal, she screamed out loud to warn the Beast!

Shakespeare Festival 2016

I had only been home from my road trip with Sean less than 24 hours when I was back on the road to spend a couple of days at the Utah Shakespeare Festival.  I was really looking forward to seeing the new Engelstad Theatre and it is quite impressive.  The stage itself is very reminiscent of the Adams Theatre but the facility is state-of-the-art with restrooms, concessions, and a covered foyer.  I think it is amazing.  My very first play in the new theatre was Tuesday night and I couldn't have picked a better one!  I have been waiting for three years to see Henry V having seen Henry IV Part One in 2014 and Henry IV Part Two in 2015 all with the same actor, Sam Ashdown, in the lead role.  I was so excited to see the play where Henry earns his crown and it was amazing! After succeeding to the throne of England, Henry (Ashdown) learns that, under Salic law, he is the rightful heir to the throne of France and, knowing that a foreign conquest will solidify his popularity with the people, he begins war with France.  Weakened by sickness and outnumbered five to one, Henry rallies his troops for battle with the famous St. Crispin's Day speech (which gave me goosebumps) and, despite overwhelming odds, achieves a decisive victory.  He wins the throne of France and the hand of Katherine and thus begins the reign of one of England's greatest kings.  There were moments in this play that took my breath away, particularly the aforementioned St. Crispin's Day speech and when Henry hangs one of his friends from his wild days, and the performances were incredible, especially Ashdown (who has done an amazing job with the role of Prince Hal and King Henry) and Eddie Lopez as the Dauphin of France (so cocky).  I loved the giant wax seal with Henry's monogram in the middle of the stage as a representation of Henry's reign and I loved the large banners representing the English and French flags.  So dramatic!  The battle of Agincourt was staged very well and I especially loved the archers in the balcony.  This production was excellent and I highly recommend it!  Wednesday afternoon I saw Mary Poppins and it was a lot of fun!  It tells the well-known story of how a practically perfect nanny saves the Banks family.  The two leads, Elizabeth Broadhurst as Mary Poppins and Eddie Lopez as Bert, were outstanding.  The big productions numbers, "Jolly Holiday," "Supercalifragilisticexpialidocious," "Let's Go Fly a Kite," and "Step in Time," had very innovative choreography and colorful costumes and I especially liked the kites flying through the audience.  There were lots of children in the audience who were mesmerized by Mary Poppins flying through the audience (although the little girl next to me said that she was glad that it was over at intermission) so it is definitely one I would recommend for kids.  My last play on Wednesday evening was The Three Musketeers and I loved it!  D'Artagnan (Luigi Sottile) wishes to become one of King Louis' famous musketeers and joins Athos (J. Todd Adams), Porthos (Todd Denning) and Aramis (Tasso Feldman) on an adventure to save the Queen's honor from the unscrupulous Cardinal Richelieu (Peter Lohnes).  All for one and one for all!  This show was a lot of fun because of all of the sword fighting (even in the aisles) and I loved Ben Livingston's performance as the silly King Louis XIII.  This is another show that kids will enjoy.  Even though I was only at the festival for two days, I certainly enjoyed myself (and had my fair share of tarts).  Go here for more information.

Motown The Musical

Imagine a concert featuring the Temptations, the Four Tops, Diana Ross and the Supremes, Marvin Gaye, Smokey Robinson and the Miracles, Stevie Wonder, and the Jackson 5.  That is essentially what it felt like last Thursday night at the Capitol Theatre when I saw a performance of Motown The Musical.  As you can imagine, it was incredible because the actors looked and sounded so much like the Motown recording artists they portrayed.  The musical tells the story of the rise and fall of Motown Records, particularly highlighting the tempestuous relationship between founder Berry Gordy (Chester Gregory) and his superstar Diana Ross (Allison Semmes).  Interspersed with the telling of the history of Motown is the music from their legendary catalogue.  My favorites included "Where Did Our Love Go," "My Girl," "Stop in the Name of Love," "I Heard It Through the Grapevine," "Baby I Need Your Lovin'," "War," "Ball of Confusion," "I Want You Back," "ABC," "Reach Out (I'll Be There)," "Mercy, Mercy Me," and "Get Ready."  It is such great music and the choreography and period costumes made every number spectacular.  People in the audience were singing, clapping, cheering, and practically dancing in the aisles!  I really loved Semmes' portrayal of Diana Ross, especially during the song "Reach Out and Touch," because she immitated all of her mannerisms perfectly (I laughed out loud when she flipped her hair).  However, J.J. Batteast completely stole the show as the young Michael Jackson.  Where did they find this kid?  He sounded and, more importantly, he danced just like Michael Jackson.  Those scenes were the highlight of the show for me.  If you are a fan of this music, I highly recommend that you see this musical if you have the opportunity.  Unfortunately, the run at the Capitol Theatre ended last night.

Note:  My only complaint is that I wished that every song could have been performed in its entirety.  There were just so many that had to be included!

Waitress on Broadway

The one musical that Esther really wanted to see, besides Hamilton of course, was Waitress.  I am so glad that she suggested it because I don't think I would have picked it if left to my own devices and I ended up loving it so much.  It is absolutely amazing with incredible music by Sara Bareilles and a powerful performance by Jessie Mueller, both of whom were nominated for a Tony.  The musical is based on the 2007 independent film of the same name and tells the story of how Jenna (Mueller) uses baking to cope with her dead-end job as a waitress and her unhappy marriage to Earl (Nick Cordero).  When she unexpectedly becomes pregnant and then begins an affair with her gynecologist (Drew Gehling), she feels as if her life is spiraling out of control and decides that her only hope is to enter a pie baking contest to use the prize money to begin a new life.  Whenever life gets to be too much for Jenna, everything around her freezes and she gives the audience the recipe for a pie that would help her situation, always beginning with, "Sugar. Butter. Flour."  In the end she realizes that the one ingredient missing from her pies is courage!  There are parts of the story that are so funny and parts that brought tears to my eyes.  The music is brilliant and I loved every single song.  My very favorite was "She Used to Be Mine" because Mueller performed it with so much passion (Did you see her perform it at the Tonys?) that I literally cried through the whole thing.  I loved the fact that the cast actually makes pies throughout the show and that they place them in large pie coolers (like you see at Village Inn) on both sides of the proscenium.  It is an amazing show and I am so glad that I got to see the original Broadway cast!

Note:  At intermission you could buy individual servings of pie in tiny Mason jars!  I got cookies and cream pie and Esther got Key lime pie.  So much fun!

She Loves Me on Broadway

One of the shows that Esther and I were able to see while in NYC was the Broadway revival of She Loves Me.  Quite a few people from my HCT group saw it and loved it so I was really looking forward to it.  The setting is 1934 in Budapest at Maraczek's Parfumerie, a little shop with a group of eccentric clerks.  Two of the clerks, Georg Nowack (Zachary Levi) and Amalia Balish (Laura Benanti), bicker constantly in the shop but, of course, they are secretly corresponding with each other (this musical was the basis for the movies The Shop Around the Corner and You've Got Mail).  Chaos ensues when they arrange to meet and Georg discovers that his "dear friend" is really his enemy at the shop.  This show is a lot of fun and I really enjoyed the songs "Tonight at Eight" and "Will He Like Me?" because they show both the male and female perspectives on getting ready for a date and I also really loved Levi's enthusiastic rendition of "She Loves Me."  I was actually quite star-struck by both Levi (from the TV show Chuck and the movie Tangled) and Jane Krakowski (from the TV show 30 Rock) who gives a marvelous performance as Ilona, one of the clerks. Laura Benanti has gotten quite a bit of buzz for her portrayal of Amalia but, in my opinion, Jane Krakowski steals the show as Ilona, especially in the big production number "Ilona" where she is pulled across the stage in the splits!  In addition to the great performances and fun musical numbers, the stage is absolutely spectacular and I was particularly struck by all of the different views and levels of the perfume shop. I loved how they changed the shop for the different seasons, especially for winter which Esther and I got to experience first-hand sitting on the second row! I really enjoyed this show.

Note: Esther and I decided to wait at the stage door after the show (a first for me) and we got to meet both Zachary Levi and Jane Krakowski.  Both of them signed my Playbill!  Jane Krakowski didn't stay out very long but Zachary Levi signed everyone's Playbill and posed for pictures with anyone who wanted one.  He was really cool!  He talked to me for a few minutes and some people around me asked me if I knew him because he seemed so friendly towards me! While we were waiting for autographs, Lin-Manuel Miranda drove by and shouted to us.  No big deal!

The Phantom of the Opera on Broadway

The Phantom of the Opera was the first musical I saw on Broadway during my first trip to New York City (many years ago) so seeing it on this trip felt like coming full circle.  I have always really loved this show (especially when the chandelier crashes into the stage) so I was looking forward it and this production certainly didn't disappoint.  Christine Daae was performed by the alternate, Rachel Zatcoff, and she was amazing.  I really loved her renditions of "Think of Me" and "Wishing You Were Somehow Here Again."  I absolutely loved the Phantom (Jeremy Stolle) and he gave me goosebumps during "The Music of the Night."  I always think that Christine should stay with the Phantom because Raoul will never make her feel the way the Phantom does but she always picks Raoul.  I, rather unusually, really liked Raoul (Jeremy Hays) in this production and I thought he had great chemistry with Zatcoff, especially in "All I Ask of You" (I usually feel sorry for the Phantom in that scene).  The entire cast was fantastic and I especially loved "Masquerade" which is always my favorite scene in the show because the choreography is so elaborate.  The Phantom of the Opera was my last show in New York City and I couldn't have picked a better one to end on.  Andrew Lloyd Webber's music is timeless!