Moana Sing-Along

I really love the movie Moana (I actually saw it twice in one day!).  It is probably my very favorite Disney animated film because it has a wonderful story filled with adventure, vibrant animation, and amazing songs written by Lin-Manuel Miranda (one of which is nominated for an Academy Award).  My sister Marilyn found a special sing-along engagement and last night we took my Mom and Tashena to see it.  As you may know, I've been singing songs written by Lin-Manuel Miranda at the top of my lungs in the privacy of my car for the past year so it was a change to sing his songs in public (also at the top of my lungs!).  The original movie features on-screen lyrics and during the first song, "Where You Are," people in the theater were pretty tentative but everybody eventually got braver and started singing louder and louder.  Tashena basically belted out the song "How Far I'll Go" complete with dramatic gestures.  I especially liked singing "We Know The Way"  and "Shiny" but everyone in the theater really raised the roof during "You're Welcome."  We may or may not have been a bit boisterous ("I'm just an ordinary demi-guy.")  I even heard my Mom singing!  Not only did we sing every song but we also started speaking the dialogue ("I am Moana of Motunui.  You will board my boat and sail across the sea to restore the heart of Te Fiti.").  This movie was so much fun!  Tashena told us on the drive to the theater that she wouldn't sing along and that she was going to be really embarrassed by us but we could hardly contain her in her seat.  She was laughing and giggling the whole time and she even kept singing through the lobby and parking lot!  If you are a fan of this movie, you definitely do not want to miss this!  Tickets can be purchased here.

Note:  Speaking of Academy Awards, I've seen all of the 2017 nominees for Best Picture except one (you can read my commentaries on Arrival, Manchester by the Sea, La La Land, Lion, Moonlight, Hacksaw Ridge, Fences, and Hidden Figures).  My friend enthusiastically recommended Hell or High Water but it was released when I was in Australia and it didn't have a long engagement in SLC.  I am hoping to be able to see it somehow before the big night.

Sundance Film Festival 2017

The 2017 Sundance Film Festival is wrapping up tonight and, even though I saw fewer films than I did last year, I certainly enjoyed myself this week.  Last Saturday I saw Their Finest which stars Gemma Arterton and Sam Claflin as screenwriters who make a propaganda film about Dunkirk to boost morale at home and to persuade America to enter World War II.  Catrin Cole (Aterton) is hired to write the "slop," or women's perspective, and, at first, Tom Buckley (Claflin) is resentful but eventually the two discover romantic feelings for each other.  It is a predictable period piece but I really enjoyed it, especially the over-the-top performance of Bill Nighy as the aging but pompous actor Ambrose Hilliard and a hilarious cameo by Jeremy Irons.  Sunday night I saw Before I Fall.  Since I am a high school English teacher, I read a lot of young adult fiction and I loved Lauren Oliver's best-selling novel about a young girl who must relive the day of her death over and over until she learns an important lesson about living.  It is incredibly clever and authentic and this film is a great adaptation.  I especially enjoyed how director Ry Russo-Young was able to keep the repetition of the same day fresh and interesting and I enjoyed Zoey Deutch's portrayal of Samantha Kingston's journey.  I'm sure this film will appeal more to a younger crowd that the one at my screening.  On Wednesday I took my students to see Deidra and Laney Rob a Train.  Deidra (Ashleigh Murray), the valedictorian of her high school class, must assume the responsibility for her siblings after her mother is put in prison.  She figures out a way to rob the trains that run behind her house in order to pay the bills, enlisting the help of her sister Laney (Rachel Crow) while eluding her dead-beat Dad (David Sullivan), an over-zealous guidance counselor (Sasheer Zamata), and a bumbling railroad investigator (Tim Blake Nelson).  It is both funny and heart-warming and my students and I loved it!  Thursday night I saw Marjorie Prime, an atmospheric film about the fallibility of memory.  Set in the future, Marjorie (Lois Smith) is an 85-year-old woman struggling with memory loss who has been given a "prime," or hologram, of her dead husband Walter for companionship.  The hologram (Jon Hamm) can only learn about himself through the memories provided by Marjorie, their uptight daughter Tess (Geena Davis), and Tess's husband Jon (Tim Robbins) and each of their memories are colored by their emotions.  Eventually, after everyone has died, the holograms of Walter, Marjorie, and Tess have conversations with completely false memories. Despite the fact that the timeline was sometimes confusing, I found the film to be very powerful and I haven't been able to stop thinking about it.  Friday night I saw The Hero.  Sam Elliott is Lee Hayden, an aging actor known for the Western roles he played 40 years ago and the voice-over work he now does for a barbecue sauce, who confronts mortality after being diagnosed with pancreatic cancer.  He must deal with a resurgence in his popularity after a drug-fueled speech given at an award ceremony goes viral, an estranged ex-wife and daughter (Katharine Ross and Krysten Ritter, respectively), and a romance with a much younger woman (Laura Prepon).  The film has a common theme but it is entertaining, especially Nick Offerman's portrayal of Lee's drug dealer.  Last night I had a double-feature, beginning with A Ghost Story.  This film was a highly coveted ticket; in fact, there were more people wait-listed for this film than any other I have ever seen.  It has gotten quite a bit of buzz at the festival and I thought it was bizarre but brilliant.  Casey Affleck and Rooney Mara play C and M, a young couple in love until C is killed in a car accident.  After M identifies his body, C rises from the gurney, still shrouded in a large sheet, and follows M back to the house they shared which he haunts for decades in a series of vignettes until he can leave his life behind.  Affleck literally wears a sheet, complete with eye holes, for most of the film and, after a few snickers from the audience, he somehow becomes one of the most profoundly sympathetic characters I have ever seen.  With minimal dialogue and many of the scenes consisting of long, sustained shots with very little action, it is somehow entirely compelling.  I can't think of anyone I know who would like this film but I loved it.  It is a masterpiece.  The last film I saw, Rebel in the Rye, is easily my favorite of the festival because of the subject.  It is a standard biopic about J.D. Salinger (Nicholas Hoult) and how he came to write the classic novel, The Catcher in the Rye.  What made this film so enjoyable for me is that The Catcher in the Rye is one of my very favorite novels and there are many subtle references to it in the narrative, such as having a bartender named Ernie (writer/director Danny Strong called these references "easter eggs for the superfan" in the Q & A).  I liked all of the films I saw, for different reasons, and, as always, I loved the conversations I had with other film lovers while waiting in line.  The Sundance Film Festival is definitely a great way to start the new year!

Note:  There are quite a few films that I really wanted to see but couldn't, such as The Berlin Syndrome, Golden Exits, and The Discovery, but I am sure that my favorite art house theater will eventually screen them!

Sundance Student Screening 2017

The Sundance Film Festival is in full swing (a wrap-up of my Sundance experience is coming soon) and one of my favorite aspects of the festival is the opportunity to bring my students to a screening free of charge.  Yesterday I took a group to see the film Deidra and Laney Rob a Train and, despite a severe winter storm which made driving downtown a lot of fun, it was an amazing experience for both me and my students!  This field trip has become something of a tradition at Hunter High (I had kids asking me about it before Christmas break) and this year the response was overwhelming.  I asked for 50 tickets, like I usually do, but I had so many students sign up that I asked the director for more!  Even so, I still turned kids away.  I can't tell you how happy it made me to see my students so excited about independent film!  Even if I teach them nothing else, I want my students to know that there are stories that need to be told and voices that need to be heard (maybe now more than ever)!  The best part of this whole adventure is that my students absolutely loved the film!  I could hear them laughing during the screening and they talked about it all the way back to school on the bus!  Most of the students in my afternoon class were still talking about it which made some of the students who couldn't go really jealous.  I guess I'll have to request even more tickets next year because many of my sophomores asked if me if they can go again even if they are not in my class any more!  Yesterday was a good day!

Note:  Deidra and Laney Rob a Train was filmed in Utah!  I recognized the Heber Valley Railroad and my friend Adia, who came with me to help chaperone, went to Judge Memorial High School which was also featured!

Kinky Boots at the Eccles

I have wanted to see the musical Kinky Boots for so long!  Every time Broadway in Utah (now Broadway at the Eccles) sent out a survey to season ticket holders, I always voted for this show to come to SLC.  I even contemplated getting a ticket during my theatre trip to NYC but, by that time, I knew it was coming!  I finally got to see it last night and I loved it because it is such a fun musical about having the courage to be yourself and having the courage to accept others for who they are.  Charlie (Curt Hansen) wants nothing to do with Price & Son, his father's shoe factory, so he runs away to London.  When his father dies and leaves him the factory, he soon learns that it has been losing money for years and that he must close it and fire the workers he has known all of his life.  When he meets the drag queen Lola (J. Harrison Ghee), he decides to try and save the business by meeting the needs of an under served niche market: high-heeled boots for transvestites!  There are inevitable complications and Charlie and Lola must learn to accept each other in order for their boots to be successful.  I loved all of the music, written by Cyndi Lauper, and Ghee gives an incredible performance, especially in the songs "Not My Father's Son" and "Hold Me in Your Heart."  (Hansen is endearing but I didn't find his singing to be anything special; it hardly matters because Ghee steals the show).  The ensemble is a lot of fun, particularly Lauren (Rose Hemingway), one of the factory workers, and the transvestites who perform with Lola.  The choreography is clever and the audience cheered out loud when the cast danced on moving conveyor belts during the song "Everybody Say Yeah."  I had a lot of fun watching this show and I highly recommend that you get a ticket (go here) to one of the remaining performances through January 22 at the Eccles Theatre.

Fences at PTC

Tuesday night I went to Pioneer Theatre's critically acclaimed production of Fences, the Pulitzer Prize-winning play by August Wilson.  As you may remember, I recently saw Denzel Washington's film adaptation and had a somewhat lukewarm reaction to it but that made me even more curious to see it on the stage.  Troy Maxson (Michael Anthony Williams) is a man with so many demons that he torments everyone around him:  his brother Gabriel (Jefferson A. Russell) who was injured in the war, his long-suffering wife Rose (Gayle Samuels), his friend Bono (Jeorge Bennett Watson), and his sons Lyons (Biko Eisen-Martin) and Cory (Jimmie "J.J." Jeter).  I still found the character of Troy to be incredibly flawed but Williams' portrayal was much more sympathetic, in my opinion.  Whereas Washington's version of Troy was always angry, I felt that Williams gave the character a certain vulnerability and his Troy was wounded rather than angry.  I think this story is much better suited to the immediacy and intimacy of the stage and this is especially true of the fence.  All of the action takes place in the yard which makes Troy's environment much more claustrophobic than in the film version.  In the final scenes, the stage is dominated by the fence with Troy inside the yard and all of the other characters on the other side.  It is extremely powerful and serves to highlight Troy's isolation.  I highly recommend this outstanding production which runs at PTC through January 21.  Tickets may be purchased here.