Jersey Boys at The Ruth

I really love the jukebox musical Jersey Boys because it reminds me of my dad.  He was a big fan of The Four Seasons and, because he would always play their music on family road trips, I know the words to every song!  I went to see a production at The Ruth last night and I had to try very hard not to sing along!  Frankie Valli (Kristian Huff), Tommy DeVito (Brock Dalgleish), Nick Massi (Chase Petersen), and Bob Gaudio (Scott Hendrickson) each take a turn narrating the story of The Four Seasons from their own perspectives, including their rise from four guys singing under a streetlamp in New Jersey to superstardom and then their downfall after the pressure of fame tears them apart, because everyone remembers it the way they need to.  As previously mentioned, I love the music in this show and the performances from the four leads are amazing!  I was especially impressed with Huff, because he captures Valli's falsetto perfectly, but I really appreciate that the four of them sing and dance in a way that is instantly recognizable as The Four Seasons but they don't just replicate the original performances (or what other productions have done).  The ensemble, who all play multiple roles, is outstanding and so is the live band (I loved seeing all of the racks of guitars).  I think the staging is very clever and, because it is so fast-paced, I particularly liked the use of large screens on the two-story set and around the stage to denote locations as well as the quick costume changes (so many different jackets!) that happen right on stage.  Watching the songs as they are being performed in specific locations, such as "Sherry" on American Bandstand and "Rag Doll" (my favorite song by the group) at their Rock and Roll Hall of Fame induction ceremony, is so much fun because we become the audience at these venues but, in my opinion, "Dawn (Go Away)" on The Ed Sullivan Show is a highlight because they turn away from the actual audience to sing for screaming fans shown in black and white images on the screens.  Finally, this updated version does not contain the profanity used in the original (this makes the show more accessible to audiences and I don't think it detracts from the story) and the suggestive elements during "December, 1963 (Oh, What a Night)" are really toned down.  I've seen several versions of this show (including the Broadway touring production) and this one might be my favorite because it feels so intimate.  I loved it and I highly recommend seeing it (go here for tickets) if you are a fan of The Four Seasons.  It runs at the Smith Grand Theater through May 10.

Utah Hockey Club vs. Calgary Flames

My sister Marilyn is not a hockey fan (we are not really sure how this happened) so, when one of her colleagues gave her four tickets to last night's Utah Hockey Club game to thank her for helping him with a big project, she invited me, Kristine, and Trent to go with her because the three of us are huge hockey fans.  We had so much fun (even Marilyn) and I know my dad was so happy that his three daughters were together at a hockey game (especially against a Canadian team because we got to hear "O Canada").  Utah played the Calgary Flames and it was a really important game with playoff implications for both teams so it was very exciting!  Both teams are very evenly matched but goalie Karel Vejmelka was the difference for Utah because he made 33 saves.  Kevin Stenlund scored first for Utah with with a really nice one-timer at the end of the first period and the crowd went crazy!  It looked like Calgary had scored early in the second period when Mikael Backlund's shot hit the skate of Utah's Nick DeSimone but the goal was disallowed after it was reviewed (which also made the crowd cheer).  Thirty seconds later Barrett Hayton scored on a backhander to put Utah up 2-0.  Rasmus Andersson got one by Vejmelka (I thought he had it) mid-way through the second and then there were a few penalties and a fight to end the period.  Calgary had a few good chances in the third but Utah never gave up and the captain Clayton Keller scored (with an assist from my favorite player Dylan Guenther) on an empty net goal in the final seconds to win 3-1.  I was so happy to see them win because they lost the only other time I've gone to a game this season!  We had such a great time so I think Marilyn might be a new fan!

The Penguin Lessons

The trailer for The Penguin Lessons looked really heartwarming so I decided to see it at the Broadway last night.  It is a charming, but superficial, character study about a man whose life is unexpectedly transformed by a penguin.  Tom Michell (Steve Coogan) is an Englishman who takes a teaching position at an exclusive school in Argentina during a military coup in 1976.  He is misanthropic and cynical, disengaged from the tumultuous political situation around him, and largely ineffective in the classroom.  While on holiday in Uruguay, he rescues a Magellanic penguin from an oil slick on the beach in order to impress a woman.  However, once the encounter with this woman is over, he tries to return the penguin to the ocean but it follows him back to his hotel and he eventually smuggles it home.  He attempts to hide the penguin, who he names Juan Salvatore, from the persnickety headmaster (Jonathan Pryce) but soon others at the school show an interest and this leads to friendships with another teacher (Bjorn Gustafsson), the school housekeeper Maria (Vivian El Jaber), and her granddaughter Sofia (Alfonsina Carrocio).  He brings Juan Salvatore to class and his unruly students are captivated and see Michell in a new light.  He also uses Juan Salvatore to strike up a conversation with a military leader to advocate for the release of Sofia after she is arrested.  This is at its best when it focuses on Michell learning how to reengage with the world with the help of his penguin friend.  It is less successful when it attempts to blandly explore the politics of the region through his privileged eyes (there is even a scene where he confesses that he could have intervened when Sofia was arrested but didn't and her distraught grandmother hugs him to make him feel better).  Coogan is great in the role with his signature deadpan delivery (I laughed out loud multiple times) and, of course, the penguin is absolutely adorable.  This is an entertaining and (mostly) feel-good comedy but you can probably wait until it streams to watch it.

Death of a Unicorn

Last night my nephew and I went to the Broadway for Death of a Unicorn, a movie we were both looking forward to, and we had a blast watching it.  Lawyer Elliot Kitner (Paul Rudd) and his estranged daughter Ridley (Jenna Ortega) travel through a wildlife preserve to spend the weekend at the home of Odell Leopold (Richard E. Grant), a wealthy pharmaceutical executive who is dying of cancer, his wife Belinda (Tea Leoni), and his son Shepherd (Will Poulter).  Elliot wants the visit to go well because Odell is a potential client but Ridley is not very enthusiastic and is further traumatized when he hits and kills a unicorn. They eventually confess what they have done to the Leopolds and, because contact with the unicorn has cured Ridley's acne and Elliot's allergies, Odell believes it will cure his cancer and has his scientists experiment on it.  Ridley begins researching the mythology surrounding unicorns and warns against this but, when the dust from the unicorn's horn cures Odell, he, his family, and even Elliot want to sell it to the highest bidders which angers the other unicorns in the area.  This is obviously a satire criticizing the evils of big pharma and corporate greed but, while it is really funny (Poulter and Anthony Carrigan, who plays the silent and put-upon butler Griff, steal the show with their hilarious performances), I especially enjoyed the interactions of Rudd and Ortega as a father and daughter who discover what is really important in life.  The unicorn sequences in the third act are absolutely wild (I was rooting for the unicorns as they hunt all of these despicable people) even if the visual effects are sometimes a bit sloppy.  This has a lot of really bonkers tonal shifts but they all somehow work and it is so much fun.  I recommend seeing it with a large late night crowd.

The Sting at Parker Theatre

Last night I went to see Parker Theatre's production of The Sting (based on the 1973 movie starring Robert Redford and Paul Newman) and I really enjoyed it. It is 1936 and Johnny Hooker (Spencer Hohl) and his partner Luther (Brinton Wilkins) are grifters working in Joliet, Illinois who trick a courier out of $11,000 unaware that the money was to have been given to the powerful mobster Doyle Lonnegan (Owen Richardson). Luther wants to retire and tells Hooker that he should go to Chicago and learn from Henry Gondorff (Roger Dunbar) because he is ready for the big time. When Hooker discovers that Luther has been killed by Lonnegan for revenge, he escapes to Chicago and finds Gondorff living with his girlfriend Billie (MacKenzie Pedersen). He agrees to help Hooker run an elaborate con game to ruin Lonnegan and they enlist Billie and various criminals, including Kid Twist (Mike Hohl) and J.J. Singleton (Anthony Lovato), for "The Set-Up," "The Hook," "The Wire," and "The Shut-Out," but before they can get to "The Sting," they must deal with Snyder (Duane Stephens), a corrupt policeman from Joliet chasing Hooker for counterfeiting, and Polk (James Parker), an FBI agent searching for Gondorff. This features snappy dialogue and the talented cast delivers it brilliantly. I especially enjoyed the interactions between Spencer Hohl and Roger Dunbar because they play off each other so well. Seeing the criminals play their roles in the con is also a lot of fun. The fast-paced action takes place in multiple settings which are portrayed on stage with projections, moving panels, and set pieces that are moved on and off stage by the ensemble (it was opening night and I was really impressed with with how seamless the transitions were). My favorites were the projections denoting each part of the con (they reminded me of title cards in a movie), the metal beams representing the elevated train in Chicago, and the elaborate set pieces used for the betting parlor. The staging is very clever, particularly the poker game on the train and a chase scene between Hooker and Snyder through the aisles. This production kept me very engaged and I highly recommend it (I have seen the movie but it was so long ago that I had forgotten a big twist at the end). It runs on Fridays and Saturdays (with matinees on Saturday) through May 3 and tickets may be purchased here.

Note:  Last night was the biggest crowd I've seen at Parker Theatre (there were only a few empty seats) so get your tickets now!